Sentences with phrase «early gelatin silver»

At Galerie nächst St. Stephan, I presented a room of these photographs, each in a highly reflective Plexiglas frame along with one of Jim Welling's early gelatin silver prints of a Wyoming landscape.

Café - Beaufort, South Carolina (Negative: 1955 - 56; Print: 1960s) Early gelatin silver print 11 x 14 inches Signed in black felt pen on the print in the margin, lower right

SEYMOUR, David «Chim» Untitled (child looking out at bombed - out buildings), c. 1948 Early gelatin silver print 13 1/2 X 9 inches

Not exact matches

Russian Photography after the Revolution will feature rare, large - format gelatin silver prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in early twentieth - century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).

The exhibition includes twenty vintage silver gelatin prints which capture a wide range of social circles in early downtown New York.

This exhibition highlights Continuous Reproduction, 1993, an early series of twenty - five gelatin silver prints that appropriates a propaganda image of young peasant girls to comment on the unsustainability of Mao's utopic vision.

Anonymous Interior of Modern Steel Subway Car used on the IND Division, Early 1950s 7 1/2 X 9 1/2 inches Gelatin silver print, printed c. 1950s

A Rabbi, Warsaw (Negative: 1938; Print: early 1940s) Vintage gelatin silver print 13-5/8 x 10-3/4 inches (print) 20 x 16 inches (mount) Signed R. Vishniac and affixed with a printed label with WARSAW 1938, on

Cheder Boys, Vrchni Apsa, Carpathian Ruthenia (also titled Three Student School)(Negative: 1937; Print: early 1940s) Vintage gelatin silver print 10-7/8 x 12-3/4 inches Signed by Mara Vishniac Kohn [photographer's daughter] and with the Vishniac estate ink stamp, on print verso

From the earliest daguerreotypes through gelatin silver prints and contemporary digital images, Skinner handles a breadth of important historical and fine photography.

Together with original paintings from the late 1940's and early 1950's will be large - scale abstract silver gelatin works, and the first in a series of monumental painted Mural Projects, all conceived between 1950 and 1953, and only now realised at full scale.

It becomes interesting when the newer form of presentation, with Sintra - mounted inkjet prints, is also applied for the earlier acquired «Proto - Investigations» that were initially made manifest with gelatin silver prints on fiber - based paper that were push - pinned to the wall.

Working with an even earlier Talbot negative, Sugimoto's toned gelatin silver print, Photogenic Drawing 008, Lace, c. 1839, 2008, greatly enlarges and interprets Talbot's original photogenic drawing negative Lace, circa 1839.

The survey includes recent large multi-panel and single - panel color photographic works, early black - and - white gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.

silver print Also known as gelatin silver print, this refers to photographs mainly produced since the early 1870s using gelatin as a colloid.

LANGE, Dorothea Funeral Cortege, End of an era in a Small Valley Town, California, 1938 20 x 16 inches Gelatin silver print; printed late 1950's / early 1960's

Included here are the twelve gelatin silver prints that comprise Roysdon's earliest body of work, Untitled (David Wojnarowicz project)(2001 — 07), in which she recasts Wojnarowicz's series Rimbaud in New York (1978 — 79), bridging a historical and contemporary dialogue of gender and identity.

Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.

Nappelbaum's modest gelatin silver print from the early»30s of Stalin in his trademark worker's tunic and boots stands in as the sole representative in the show of the cult of personality that characterized the autocrat's long rule.

«The gift includes the last examples of many silver gelatin prints and early works like collages that we were really reluctant to sell.

If you've ever taken a darkroom course, you likely began by learning silver gelatin printing, a process that's associated with the black - and - white work of early - 20th century photographers of all movements — Bauhaus, street, photojournalism, you name it.

Lot 676, Emmy Lou Packard (American, 1914 - 1998), Frida & Emmy Lou in Casa Azul, Mexico DF, 1941, Gelatin silver print (framed) printed early 1990s, $ 1,500 - 2,500.

Yet, Welling's early abstract photographs also conjured emotion as in the 1981 series called Drapes, silver gelatin prints of dark fabric with flakes of snowy white piled in the folds, is an early example of a constructed setting conveying romance from artifice.