Sentences with phrase «early human writers»

Not exact matches

What the early Christian believers and writers, for example Mark, tried to do was apply to him the highest conceivable categories, human and divine; but in the end these all proved inadequate, as the later church soon discovered; for Jesus means more, was more, and is more than any of these categories could convey.

The oneness of being that the early Christian writers tried to communicate when they described Christ, fully human.

Now I come close to the theme of this article: one writer, and I have found no other, in the early Middle Ages attacked classical theism head - on precisely on its two most vulnerable points — its affirmation of, or failure definitely to reject, unqualified theological determinism, and its commitment to endless posthumous careers for human persons, making them in that respect rivals to God.

After an earlier stint as a senior writer at Science, where she was widely known for her coverage of the Human Genome Project, Leslie returned as a deputy news editor in 2000, specializing in public health, infectious diseases, stem cells, and ecology.

Best - selling author and science writer Ed Yong offered a whirlwind tour of the world of microbes from their early dominance of Earth to their comfortable occupation of the human body during an evening lecture on 4 October as part of the annual AAAS - Hitachi Lecture Series.

The early 2000s presented a series of misfires for Robbins — AntiTrust (2001), Mission to Mars (2000), and Human Nature (2001), writer Charlie Kaufman's eagerly awaited follow - up to Being John Malkovich, fared rather badly in theaters — though his versatility and respect within the industry remained solid.

Matt Brown offered an in - depth look on how the film tackles the dangers of conformism and socialization in his essay «The Normalized Atrocities of Julia Ducournau's Raw», and earlier today we published an interview with the writer - director herself, in which she discusses her process as a writer, the fine - tuning of her cinematic language, and underscores how Raw addresses the subject of human identity in a manner that both challenges and transcends stereotypical conceptions of gender roles.

Tomorrow's posts: If you're up early, a style ruling on when to use «each other» instead of «one another» (well, never «use» another human being) and at 11:45 EST, one of the good things The Writers» Union of Canada is trying to do.

Earlier today, Apple's senior writer Dave Addey fired off a tweet announcing the company's «iOS Human Interface Guidelines» is now available to grab from the iBookstore.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

(Santa Monica, USA) Widely considered by critics, curators and writers to be one of the most important artists emerging from Brazil in the years following the Neo-Concrete movement of the early 1960s, Waltercio Caldas, member of PIPA's Award Jury in 2012, is known for his rigorous formal concerns which arrive from investigations into human perception.

During the early 1920s he collaborated with the writer Blaise Cendrars on films and designed sets and costumes for performances by Rolf de Maré's Ballets Suédois; in 1924 he completed his first film, Ballet mécanique, which was neither abstract nor narrative but a series of seemingly unrelated images (a woman's teeth and lips, machines, ordinary objects, and routine human activities).