This groundbreaking exhibition presents 110 stunning watercolors, oils, drawings, and etchings by Marin, ranging from
early images rooted in traditional practice to more experimental compositions.
Not exact matches
Levy, a professor of historical theology at Providence College, overturns the
image of a placid medieval Church and shows instead that the crises of interpretive authority that we associate with the
early modern period in fact have their
roots in the turbulent controversies of the Middle Ages.
Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of
earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply
rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the
image.
In its very
early roots,
image making was a craft done by hand.
The San Francisco — based artist's sculptural practice is
rooted in his
early work, in which his fascination with
images from cat calendars, the architecture of Neverland Ranch, and the mysterious charge of rooms pictured in home decor magazines formed the basis of decidedly quirky three - dimensional collages.
From the
early 1920s through 1933 the Canadian artist Lawren Stewart Harris (1885 — 1970) produced a remarkable body of work that significantly informed an
image of Canada that has remained deeply
rooted in the country's identity.