Sentences with phrase «early installation photographs»

Not exact matches

Marking the culmination of a year - long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

The exhibition, which takes its name from the symmetry shown in the late 19th - early 20th - century snowflake photographs by Wilson «Snowflake» Bentley, highlights cross-disciplinary connections in an installation that places objects from across time, cultures, and disciplines in dialogue.

In addition to auctions, Christie's Post-War and Contemporary Art department organises selling exhibitions and private sales of fine paintings, drawings, photographs and installations by a wide range of artists and schools from early Abstract Expressionism through to the present day.

The earliest piece, I Am Sitting in a Room (1969), is a slide - and - sound installation created with composer Alvin Lucier, where duplication of analogue, audio recordings, and Polaroid photographs compromise media integrity.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

The show features the US premiere of Isaac Julien's installation Ten Thousand Waves along with films and photographs from the earlier series Paradise Omeros, Baltimore and Vagabondia.

L.A. Object & David Hammons Body Prints is the most thorough examination to date of Hammons's early work and features installation shots, ephemera, and many never - before - published photographs of Hammons in the studio....

Beginning with early 20th century paintings by French artist Suzanne Valadon and ending with works by up - to - the - minute figures such as Japan's Mariko Mori, Switzerland's Pipilotti Rist and England's Rachel Whiteread, «elles» will offer an international array of paintings, sculptures, installations, drawings, photographs, prints, videos, furniture and architectural models.

The ghostly nature of photography has long fascinated Collishaw, from an early work in which he restaged the fake fairy photographs that fooled Arthur Conan Doyle to a recent installation of terrifying crime - scene pictures.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

The retrospective shows installations, sculptures, photographs, paintings and drawings by the Mexican artist, created since the early 1990s.

On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).

This major traveling exhibition originated at The Phillips Collection in Washington, D.C., which also «organized an installation of Scully «s early paintings, pastels, watercolors, and photographs to place the large - scale Wall of Light paintings in a larger context and demonstrate Scully «s great proficiency in varied media.»

Ranging the full spectrum of Vo's oeuvre — from early conceptual works to his recent sculptural hybrids of classical and Christian statuary — the exhibition will interweave installations, photographs, and works on paper from various points in the artist's career to amplify their thematic resonances.

After a very good solo exhibition at Roman Road last year, the Polish artist Natalia LL is back with some early works for Photo London: «-LRB-...) the display presents varied photographs and an installation first realised in the 1970s during a decisive decade in Natalia LL's career, when she unveiled her artistic stance at a time of profound feminist awareness.

The photographs here are from earlier in June, as the Belknaps were finishing some of the «moon skin» sculptures and planning out the large installation for their MCA exhibition, which opens October 11.

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

Featuring a collection of her early works, the display presents varied photographs and an installation first realised in the 1970s during a decisive decade in Natalia LL's career, when she unveiled her artistic stance at a time of profound feminist awareness.

This unique solo exhibition presents a survey of rarely - seen experimental short films and installations by Apichatpong Weerasethakul, alongside archival documents, photographs, drawings and sketches that explore threads of socio - political commentary in the artist's practice from early in his career to the present.

At i8 Gallery, McCall will present a group of early works from the 1970's, including performance scores, films, installation drawings and photographs.

For example, you photographed some of Robert Irwin's early installations.

The catalogue accompanies the first U.S. mid-career survey of this important Dutch artist's work in photography and video; it features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstra's later work including her most recent video installations.

Highlights included an installation by Isa Melsheimer at Galerie Jocelyn Wolff (Paris), early paintings by Richard Pettibone at Galerie 1900 - 2000 (Paris), paintings by Ana Sacerdote at Jorge Mara — La Ruche (Buenos Aires), vintage photographs by Agnès Varda at Galerie Nathalie Obadia (Paris, Brussels) and Chris Burden at Galerie Krinzinger (Vienna).

Curator Sabine Breitwieser of the Generali Foundation includes early Conceptualist photographs and drawings, documentation of»70s feminist performances, and recent video installations, in which Piper explores issues of race and African - American experience.

Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of the artist's Infinity Mirror Rooms — her iconic kaleidoscopic environment — as well as additional large - scale installations, sculptures, paintings, works on paper and archival photographs and films from the early 1950s through the present.

This exhibition, curated by Guy Brett and produced by inIVA in collaboration with Camden Arts Centre, draws together different strands of Li Yuan - chia's career and production — from his early drawings and paintings through to his installations, sculptural reliefs and extraordinary photographs and films.

Bringing together installations, videos and over a hundred photographs, the present exhibition reveals how aspects of the body and its transformations have nourished Ferrer's art from its earliest days.

The book spans over four decades of Abramovic's early interventions and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen).

Includs photographs sent to Richard Gray Gallery, Chicago, USA, installation shots of early solo exhibitions at Rowan Gallery, London, UK and of N'existe pas, 1966, and other work on the roof of St Martin's School of Art, London in 1964.

(1979), an installation of more than 70 photographs made shortly after Lake's arrival in Toronto that has not been seen in its entirety since the early 1980s.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.