Sentences with phrase «early light pieces»

Thus it may come as a surprise that, in addition to recent and selected early light pieces, our exhibition includes sculptures made of wood and bamboo.

Other works, including four earlier light pieces and a series of prints, were weaker, partly because they had no force in relation to the overwhelming scale of Aten Reign.

Not exact matches

Posted earlier as an opinion piece for CBC. See original post here (this post slightly modified from original) By Louis - Philippe Rochon Follow him on Twitter @Lprochon Much was at stake earlier this week when finance ministers from G20 countries met in Istanbul to discuss Greece and the state of the world economy in light of recent -LSB-...]

An early chase between a few TIE Fighters an iconic Corellian light freighter might just be the most thrilling action set - piece this franchise has ever produced.

Like the earlier pieces, this one has some merit, but it tends toward light chat without much insight.

The non-phablet «next big thing» may come to light earlier than anticipated, if all the pieces of the production puzzle...

Positioned to enjoy the soft early morning light streaming into your suite and then commanding sunsets reflecting on the Barossan hills in the distance, these large suites are arguably our best, featuring Artwork from renowned local artists adorn the walls along with collectable pieces sourced from around the world.

Once the seven paintings by Martin, from the 1960s through the early 2000s, are installed and lit, Tuttle will create new wire pieces that respond to the paintings and engage with the distinct light and shadow of their illuminations.

Whilst Flavin's later works incorporate colour, the pieces on show display his early fascination with pure white fluorescent light.

By the early 1980s, Nauman replaced text - driven installations and model pieces with important, aggressive neon light works and sculptures, evolving his use of language correspondingly.

Presented by Art Basel in collaboration with Kaserne Basel, L.A Dance Project will perform Merce Cunningham's «Winterbranch» (1964), an early piece Cunningham created together with Robert Rauschenberg (concept, costumes, lighting design, accessories) and La Monte Young (music); and «Moving Parts» (2012), a collaboration between dancer and choreographer Benjamin Millepied and artist Christopher Wool.

Presented publicly for the first time in an accompanying special exhibition at the Deutsche Guggenheim in Berlin, this new work is shown alongside earlier pieces — both black - and - white photographs as well as transparencies mounted in light boxes — to create an ensemble that resonates formally and thematically.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

The intimate nature of his work is reflected in his writings, which include excerpts from early and most recent interviews and a personal discussion of his video piece, Lights / Body (2002), as well as examples of his many influential artist's books.

The show resurrects work by artists like James Collins, Roger Welch, Neke Carson and Eunice Golden; shines a light on Story Art, Conceptual Art's second cousin; and includes little - seen early pieces by Betty Tompkins and Jaime Davidovich.

Complementing these new pieces will be two earlier works — Twill Series (Jet Black) from 2009 and Twill Series (Imperial Blue) from 2010, both of which were inspired by a change in gradation from light to dark.

Since his early electronic music pieces, Fell's practice has expanded to include moving - image works, sound and light installation, choreography, critical texts, curatorial projects and educational activities.

Complementing this, the gallery space allows for a changing experience of Leapman's paintings with the different conditions of light and space, juxtaposing early and recent works like the differing harmonies that find unity in a single piece of music.

The pieces in the Arsenale that were drawing the biggest crowds (and queues) earlier today were a new light piece by Turrell and a screening of Christian Marclay's wildly popular 24 - hour film The Clock, though highlights for me included work from: Relph (three overlapping film projections — about Ellsworth Kelly, tartan and Rei Kawakubo), Gerard Byrne (a series about the Loch Ness monster), Elad Lassry (new photographs and a 35 mm film of a ghostly dancer), Rosemarie Trockel and Giulia Piscitelli (a series of iridescent silk pieces stained with bleach and acid).

Visitors to the English Gardens can also encounter an over-sized snake ring in polished concrete by Kathleen Ryan (François Ghebaly, Los Angeles); a large marble form by Tony Cragg (Lisson Gallery, London); an anthropomorphic bronze by William Turnbull (Offer Waterman, London); a work from the «Signal» series by Takis (Axel Vervoordt, Antwerp); Dominique Stroobant's elegant geometric composition (Axel Vervoordt, Antwerp); a new solar - powered light and sound piece by Haroon Mirza (Lisson Gallery, London), developing from his intervention at the Museum Tinguely, Basel, earlier this year; a large painted and lacquered metal piece by Gary Webb (The Approach, London); an oversized beaten steel shoe by Aaron Angel (Rob Tufnell, London); a new ceramic «totem pole» by Jesse Wine (Limoncello, London); a colony of rabbits made from plastic bags by Leo Fitzmaurice (The Sunday Painter, London) and Seung - taek Lee's monumental balloon model of the earth, which will gradually deflate across the course of the fair (Gallery Hyundai, Seoul).

Though the show's biographical parameters are set by Neel's distance from the art scene and, later, from her downtown contemporaries, the work itself sheds a welcome light on aspects of her development from 1943, the earliest piece in the show, to 1978, six years before her passing.

arstechnica.com - Early last year, a piece of Mac malware came to light that left researchers puzzled.

In the 50's our home looked like the set from an early Mad Men episode... orange vinyl sofa, Danish inspired chairs, sleek wood pieces in light tones of wood.

This ship - shaped piece perfectly straddles the line between now and the past, by being quirky while also harking back to early 19th century lights favoured by aristocrats with a love for the sea — check out some National Trust homes like Castle Ward for some more inspiration; you'll be surprised how well the study's similar chandelier to this one works in a country manor as it does in this cool modern home.