Sentences with phrase «early modern art movement»

As the art studio and salon of the sculptor and arts patron Gertrude Vanderbilt Whitney (1875 — 1942), the Whitney Studio was at the center of the development of the early modern art movement in America, borne out of Mrs. Whitney's tremendous advocacy on behalf of living American artists.

Not exact matches

Constructivism was the modern art movement which developed during the revolutionary years of the early communist Soviet Union.

«Klimt & Rodin: An Artistic Encounter» at the beautiful Legion of Honor museum in San Francisco celebrates these two artists who helped shape the modern art movement in the early 20th century.

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

The exhibition is also an opportunity to showcase pieces from The Amistad Center's advertising collections along with selections from the early 20th century, stereotypic objects to illustrate the post-Civil War imagery A final section will present mid-late 20th century photographs and fine art emphasizing the relationship between art, celebrity, and the modern civil rights movement.

Opening: «Folk Art and American Modernism» at the American Folk Art Museum The American Folk Art Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art movement in America and the folk art collections of many modernists in the early part of the 20th centuArt and American Modernism» at the American Folk Art Museum The American Folk Art Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art movement in America and the folk art collections of many modernists in the early part of the 20th centuArt Museum The American Folk Art Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art movement in America and the folk art collections of many modernists in the early part of the 20th centuArt Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art movement in America and the folk art collections of many modernists in the early part of the 20th centuart movement in America and the folk art collections of many modernists in the early part of the 20th centuart collections of many modernists in the early part of the 20th century.

Influenced by the Art Deco movement that began in Paris in the early 1920s and propelled to prominence in 1927 with the success of the International Exhibition of Modern Decorative and Industrial Arts, automakers embraced the sleek new streamlined forms and aircraft - inspired materials, creating memorable automobiles that still thrill all who see them.

Cocurators Frances Morris, of Tate Modern, and Richard Flood, of the Walker Art Center, have assembled some 140 works — many of them last exhibited in the early»60s — that provide a view of the movement from its genesis.

By the early 1940s the main movements in modern art, expressionism, cubism, abstraction, surrealism, and dada were represented in New York: Marcel Duchamp, Fernand Léger, Piet Mondrian, Jacques Lipchitz, André Masson, Max Ernst, André Breton, were just a few of the exiled Europeans who arrived in New York.

His travels in Europe exposed him to the modern art movements of the early 20th century, such as cubism, surrealism, and expressionism.

His earliest work, the Protoinvestigations, were done when he was only twenty years old and as they are considered among the first works of the Conceptual art movement they are included in collections such as The Museum of Modern Art, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collectioart movement they are included in collections such as The Museum of Modern Art, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collectioArt, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collections.

Greatly influenced by the early modern art occurring in America, British painters followed the birth of every major movement across the ocean.

In visual art, the term «Neo-Dada» - coined by the American art historian and art critic Barbara Rose (b. 1938)- is usually applied to modern artists and modern art with similar methods or motivations to the earlier Dada movement (c.1916 - 23).

The social network of Pan Yuliang's early career as a modernist artist and an art educator in the period of the Republic of China resonated with larger social - political movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.

As a result, the works in Radical Women defy not only the invisibility of female artists throughout region, but disrupt existing scholarly and curatorial narrations of late modern and early conceptual art practices across Latin America's different avant - garde movements.

Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisArt and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisArt in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisart from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.

Although it dates back to the medieval performances of court minstrels and travelling troubadours (if not to the oratorical performances of Classical Antiquity), modern Performance Art owes its existence to the activities of avant - garde movements such as Futurism (c.1909 - 14), Dada (1916 - 24), Surrealist Automatism (1924 - 40), Nouveau Realisme (early 1960s), Fluxus (1960s), Neo-Dada (1960s), Body Art (from 1960) and Feminist Art (1970 onwards).

Throughout the 1930s she wrote about and taught art - the latter in both Dublin and Cork - playing an important role in the history of Irish painting, as an early proponent of abstraction in art and as a champion of the modern movement.

In the art world, modern refers to Modernism, a movement in the early 20th Century that focused on newness.

Etre moderne represents the wide range of artworks that MoMA has acquired over the decades, ranging from the early defining movements of the modern art period to Abstract Expressionism, Minimalism, Pop art and digital works of art.

In some ways, this was the result of a process that had been building up for decades: The modern art movements of the early 20th century can be defined by their struggle with the legacy of Western Art; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinart movements of the early 20th century can be defined by their struggle with the legacy of Western Art; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinArt; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinart of other cultures — from African sculpture to Japanese prints.

(Suprematism, Constructivism, and De Stijl, the early avant - garde movements that were Minimalism's point of departure, had a conceptual dimension, as the theoretical writings of their artists make clear, but it was their rejection of representation in favour of pure abstraction that gave them their important place in the history of modern art, in the eyes of Greenberg.

The movement began in 1965 when the «Washington Color Painters» exhibit opened at the now - defunct Washington Gallery of Modern Art and continued to flourish through the early»70s.

For earlier styles of realist painting, see Modern Art Movements (1870 - 1970).

The seventy - eight items won't only turn the Met from a whistle stop into a Grand Central of early - twentieth - century art, it will almost certainly spark a general revaluation, in all ways, of the most consequential and least seductive modern - art movement....

Rustic Modern, Craftsman, Japanese architecture, Greene and Greene, an architecture firm of the early 20th century which greatly influenced the American Arts and Crafts movement as well as aspects of Contemporary in regards to functionality, space saving techniques and energy efficiency.