Sentences with phrase «early modern masters»

In addition to his well - known paintings of Tahiti, in which the artist constructed his perfect vision of man's communion with the natural world, the book also includes powerful works that reflect the artist's contact with other seminal early modern masters such as Van Gogh and Cézanne.

The world of Bradford's art is, as it was for many of the early modern masters, the city.

Dallas Collects: Impressionist and Early Modern Masters: An Exhibition Celebrating the Seventy - Fifth Anniversary of the Dallas Museum of Fine Arts, book, 1978; Dallas, Texas.

Press release from the exhibition, «Dallas Collects: Impressionist and Early Modern Masters,» January 25 — February 26, 1978, held at the Dallas Museum of Fine Arts.

Dallas Collects: Impressionist and Early Modern Masters: An Exhibition Celebrating the Seventy - Fifth Anniversary of the Dallas Museum of Fine Arts, book, 1978; (https://texashistory.unt.edu/ark:/67531/metapth176538/m1/1/: accessed May 13, 2018), University of North Texas Libraries, The Portal to Texas History, texashistory.unt.edu;.

Microscopy and Early Modern Masters: Painting Methods and Color Change in Works by Edvard Munch, Henri Matisse, Pablo Picasso, and Amedeo Modigliani

Displays have included canvases by early modern masters such as Picasso and Braque, Dada and Surrealist pieces by Duchamp and Ernst, and contemporary work by Simon Starling.

With the purchase in 1986 of a significant work by Picasso, Wexner began a partnership with the art dealer Richard Gray, and since then, the Wexners purposefully began to look more intently at earlier modern masters, primarily collecting the exemplary work of Picasso, Giacometti, and Dubuffet.

Not exact matches

The institutions and values of the modern world that the Anglo - Americans mastered so quickly emerged from changes at the end of the Middle Ages that came earlier to continental Europe than they did to Britain, and although the Anglo - Americans successfully resolved the conflicts set in motion by the upheavals of the Protestant Reformation, the European changes provided the political and theological resources for the Anglo - American solutions.

He was developed initially as the ideal dog for hunting wild turkeys in the Wateree River Swamp during the early 1900s and now beautifully adapts to the dove fields, the duck marshes and the homefires of his modern - day masters.

In 1998, Piano won the highly prestigious Pritzker Architecture Prize, the jury comparing him to Michelangelo and Leonardo da Vinci, praising him for «his intellectual curiosity and problem - solving techniques as broad and far - ranging as those earlier masters of his native land,» and crediting him with «redefining modern and postmodern architecture.»

Walk into your prototypical observational painter's studio and you are likely to find monographs from modern painters such as Edwin Dickinson and Giorgio Morandi side by side with books on early Renaissance masters Masaccio and Piero della Francesca, as well as a tome filled with the prehistoric cave paintings from Lascaux.

On the event of the exhibition David Milne: Modern Painting, running at London's Dulwich Picture Gallery from 14 February — 7 May 2018, fellow Canadian artist and Photo London Master of Photography 2018 Edward Burtynsky discussed with exhibition co-curator Sarah Milroy the extraordinary legacy of Milne's work and the relationship between the painter's pictures and Burtynsky's early photographs.

In my view, the answer lies earlier in Modern Masters in the works of Vincent Van Gogh and Henri Matisse who, taking their lead from the Impressionists, no longer were concerned with recording their subject matter exactly as they saw it (remember the camera was invented around 1840) but rather with how things in nature «felt.»

The Early Renaissance painter Piero della Francesca, the Dutch masters Rembrandt and Vermeer, as well as more modern artists, like Cézanne, Pierre Bonnard, Piet Mondrian, Edward Hopper, and Willem de Kooning, were frequent guests and, sometimes, studio crashers.

Starting as early as with Matisse and presenting a curated selection of major modern masters such as Julio Gonzalez, Joan Miró and Roberto Matta, the show will feature also some seminal Russian avant - garde pieces by Rodchenko, among them Spatial Construction, redefining the concept of image and space in its entire understanding.

This exhibition brings together works by early European modern masters such as Max Bill, Josef Albers and Victor Vasarely along with later proponents of Concretism in South America including Hélio Oiticica, Lygia Clark and the lesser know figures, Judith Lauand, Lothar Charoux and Geraldo de Barros.

Gathered here are early works from the 1970s — by four modern masters — Alex Webb, Martin Parr, Lynne Cohen and Stephen Shore.

A fascinating new show at New York gallery Hirschl & Adler Modern reveals a decade's worth of works on paper from Pop master Andy Warhol's earliest years as a fine artist — proving his skill as a draughtsman as well as his eye for graphic design.

Thaw was one of the leading dealers of his generation, setting up a gallery in New York in the early 1950s specialised in old and modern masters.

During that trip, a slew of Old Master and early Modern paintings in European museums made a strong impression on the young artist.

In his earliest years as an associate of Light Gallery and later as owner / director of the Laurence Miller Gallery, he has represented many of photography's modern masters.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

From the early 1950s on, Frankenthaler used Old and Modern Master paintings that she admired as points of departure.

Early on in Richard Diebenkorn's career, he was exposed to the work of Henri Matisse, and, as he remarked in 1952 after viewing an exhibit of the French modern master's works, «It absolutely turned my head around.»

The 2017 edition sees the return of some of the world's most significant galleries, including, among many others: Old Master and Early Modern specialists Jean - Luc Baroni, Bacarelli Botticelli, Johnny van Haeften, Colnaghi, Sam Fogg, Kunstkammer Georg Laue, Richard Nagy,); leading 20th century galleries Acquavella, Gagosian, Hauser & Wirth, Lévy Gorvy, and David Zwirner; renowned antiquities dealers Ariadne Galleries and David Ghezelbash Archéologie; specialists in rare books and illuminated manuscripts Dr Jörn Gunther Rare Books and Les Enluminures; tribal dealers Entwistle Gallery and specialists in Indian and Islamic art Prahlad Bubbar; and photography galleries Bruce Silverstein and Galerie Daniel Blau.

The Department of Medieval through Modern European Painting and Sculpture is the largest of the Art Institute's 11 curatorial groups, with a collection that includes the museum's renowned holdings of Impressionist and Post-Impressionist works; modern European masters such as Pablo Picasso, Henri Matisse, and Vasily Kandinsky; and earlier paintings by such artists as El Greco, Francisco José de Goya y Lucientes, and Giovanni Battista TiModern European Painting and Sculpture is the largest of the Art Institute's 11 curatorial groups, with a collection that includes the museum's renowned holdings of Impressionist and Post-Impressionist works; modern European masters such as Pablo Picasso, Henri Matisse, and Vasily Kandinsky; and earlier paintings by such artists as El Greco, Francisco José de Goya y Lucientes, and Giovanni Battista Timodern European masters such as Pablo Picasso, Henri Matisse, and Vasily Kandinsky; and earlier paintings by such artists as El Greco, Francisco José de Goya y Lucientes, and Giovanni Battista Tiepolo.

Over a period of approximately ten or twelve years, between the early 1960s and the early 1970s he produced work of tremendous ambition and audacity, with an impact that is almost palpable, and that should finally prompt a posthumous recognition that he is a modern British master — one of the great abstract painters of the 20th century.

-- Bonus: Visionaries: Creating a Modern Guggenheim, and Doug Wheeler: PSAD Synthetic Desert III / Guggenheim New York For anyone interested in learning the whys of modern art, and why anyone (particularly Solomon and Peggy) would want to collect it back in the early 20th century, this overview exhibition presents a lovely example of works by Calder, Juan Gris, Duchamp, Leger, Brancusi, Kandinsky, among other modern maModern Guggenheim, and Doug Wheeler: PSAD Synthetic Desert III / Guggenheim New York For anyone interested in learning the whys of modern art, and why anyone (particularly Solomon and Peggy) would want to collect it back in the early 20th century, this overview exhibition presents a lovely example of works by Calder, Juan Gris, Duchamp, Leger, Brancusi, Kandinsky, among other modern mamodern art, and why anyone (particularly Solomon and Peggy) would want to collect it back in the early 20th century, this overview exhibition presents a lovely example of works by Calder, Juan Gris, Duchamp, Leger, Brancusi, Kandinsky, among other modern mamodern masters.

The photo works by Sherrie Levine after Walker Evans, Andreas Feininger, Edward Weston, Alfred Stieglitz and other masters of early modern photography are among the most radical works in this context.

Lucy Johnson will present a selection of her early furniture as well as contemporary commissions and her gallery of British Modern Masters including Henry Moore, Barry Flanagan, Keith Vaughan and Wilhemina Barns - Graham.

If the earlier exhibition allowed him to challenge the individuality of the artwork — and the medium specificity of photography and painting — by setting his pictures in dialogue with those of acclaimed modern masters, the more recent show, by contrast, seeks to address the same challenge through a retrospective of his own work.

The Barnes holds one of the finest collections of post-impressionist and early modern paintings, with extensive works by Pierre - Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine, and Giorgio de Chirico; old master paintings; important examples of African sculpture; Native American ceramics, jewelry and textiles; American paintings and decorative arts; and antiquities from the Mediterranean region and Asia.

In 1884, Bastien - Lepage died, severing J. Alden Weir's ties with his earlier Parisian years, though he was to write the section on Bastien in John Van Dyke's Modern French Masters of 1896.

The National Gallery is a wonderful museum — if Old Master European, 19th century American or classic Modern painting and sculpture of the early 20th century are what you want.

While the painting medium used by early century and modern masters is largely predictable, contemporary artists experiment with a wide range of mixed media.

In fact, over the centuries, it has premièred many modern masters and nowadays it still support and present first class emerging or established artists.Last year the exhibition program was closed with a survey of the «tomboy» Sarah Lucas, whose ironic and iconic pieces — from the early the very last production — have been exposed together for the first time in United Kingdom.

Boston, Chase's Gallery, The Impressionists of Paris: Claude Monet, Camille Pissarro, Alfred Sisley, 1891, possibly no. 6 (titled Paysage pres Pontoise); Buffalo, The Buffalo Fine Arts Academy, Albright Art Gallery, The Nineteenth Century: French Art in Retrospect, 1932, no. 47 (titled Landscape at Pontoise); Indianapolis, John Herron Art Institute, 1932; Toronto, The Art Gallery of Toronto, Modern French Painting, from Manet to Matisse, 1933, no. 31 (titled Paysage pres Pontoise); Houston, Museum of Fine Arts of Houston, Modern French Paintings, 1934, no. 25 (titled Pontoise and as dating from 1871); San Francisco, Museum of Art, Opening Exhibition: Art of our Time, 1935, no. 30; Albany, Albany Institute of History and Art, Exhibition of Paintings by the Master Impressionists, 1935, no. 18 (titled Landscape near Pontoise); Kansas City, William Rockhill Nelson Gallery of Art and Mary Atkins Museum, French Impressionist Landscape Painting, 1936, no. 50 (titled Landscape near Pontoise and with inverted measurements); New York, Durand - Ruel Galleries, Monet, Pissarro, Sisley, before 1890, 1938, no. 9 (titled Paysage pres Pontoise); New York, Knoedler Galleries, Early Impressionism 1868 - 1883, 1941, no. 20 (titled Paysage a Pontoise)

Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters with works by modern and Old Master artists, his creative interaction with pre-classical and tribal art, his invention with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and classicism — the groundwork for all the developments in his later career.

The earliest work in the Modern's show, «A Mirror,» dates from 1963 - 64, when Ms. Murray was still pursuing her master of fine arts degree at Mills College in California and was heavily influenced by Pop Art and the soft sculptures of Claes Oldenburg.

The home of the Irish Museum of Modern Art, the 17th century Royal Hospital Kilmainham complex also features the spectacular Baroque Chapel, Master's Quarters and the Great Hall, which contains an important public collection of early portraits.

The work will be exhibited in the museum's Early Twentieth - Century Art Gallery, among works by other modern American masters such as Georgia O'Keeffe, Charles Sheeler and George Bellows.

Bahar Artan Oskay (1984 --RRB- Born 1984 / Istanbul 2002 - 2006 Yeditepe University, Faculty of Fine Arts Plastic Arts (Undergraduate) 2008 - 2011 Yeditepe University, Faculty of Fine Arts Plastic Arts (Graduate, Master Degree) 2012 - Yıldız Technical University, Department of Art & Design (Proficiency in Art, PH Degree) In her early years, Oskay interpreted the works of great masters of modern art while studying popular culture.

The Phillips Collection highlights a gift of 27 works on paper by modern masters active in France in the late 19th and early 20th centuries.

These include early Arts and Crafts pieces, such as a rare sideboard by C.F.A. Voysey (Estimate # 20,000 - 30,000), to an important «Aux Nénuphars» occasional table by the master of Art Nouveau, Louis Majorelle (Estimate # 45,000 - 55,000) and the sleek modern lines of a leather -LSB-...]

At Crystal Bridges, The Paley Collection complements the earlier exhibition of modern works shared with Fisk University, The Artists» Eye: Georgia O'Keeffe and the Alfred Stieglitz Collection, and presents a rare opportunity for guests to view these masters of European Modernism that inspired many American artists.

The Day Sale features the masters of the modern, with over 50 sculptures such as a stunning carved green marble work by Barbara Hepworth, a selection of undulating polished bronze forms by Jean (Hans) Arp, two whimsical sculptural figures by Joan Miró and an early, Cubist bronze by Alberto Giacometti.

Personally, I would much rather look at a Noland or a Riley than any of the great masters, even those of the early modern period, including Manet, Picasso and Matisse.

The Barnes holds one of the finest collections of Post-Impressionist and early Modern paintings, with extensive holdings by Pierre - Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine and Giorgio de Chirico, as well as American masters Charles Demuth, William Glackens, Horace Pippin and Maurice Prendergast, Old Master paintings, important examples of African sculpture and Native American ceramics, jewelry and textiles, American paintings and decorative arts and antiquities from the Mediterranean region and Asia.

There is certainly a lot of modern construction, including master - planned communities like Lone Star Ridge, but it also still contains a sprinkling of historical housing left over from the early days.