That said, Solomon's more controlled grid - like abstraction
seems to date from well before the New York School and is anchored in the
early Modernism and grid structure of the De Stijl group in The Netherlands.
In a way, as critic Charles Darwent has written, Ofili «
seems to be reliving 20th - century
modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of
earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.