Sentences with phrase «early painting constructions»

Not exact matches

Earlier this week, «construction talks» began on expanding the traditional Chinese door painted in red that is wide open for Chinese international students interested in studying in Canada.

Serbia has eight UNESCO world heritage sites, including the Decani monastery, the largest construction project of medieval Serbia, which houses perfectly preserved 14th century paintings and Gamzigrad, a late Roman fortress built in the early years of the 4th century.

See all of Lucy's Courses and Classes on ArtTutor Lucy Somers is an early career artist exploring paint in a variety of different manners, working abstractly and conceptually, creating painted environments, and painted constructions.

As in earlier works drawing is achieved via construction, lines are real, the edges of joined or overlapping parts but the plywood gives the «drawing» more precision, more clarity when compared with lines created in earlier paintings by joining or grouping canvases, which are inherently softer.

Framed by Gill & Lagodich in a custom - made variation of an early 20th - century American Modernist painting frame; simple, flat artist - made construction; painted wood, antiqued gesso, stone gray patina; molding width: 6» Museum purchase funded by the John R. Eckel, Jr..

This exhibition will include her early paintings of the 1950s, her «painting constructions» with moving parts of the 1970s, and later crossovers between painting, performance, and film.

Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.

The Academy's show curator, Paul Moorhouse, has had the inspired idea of reducing the selection to three sections of monumental paintings entitled Construction, Expression and Imagination — from the late 1960s, late 1970s to early 1980s, and 1990s.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

His early expression came in the form of paintings, however, his artistic style soon moved away from illusory media and he embraced constructions in which materiality was central to the work.

While celebrated for his paintings, Miró strove to «destroy painting» through an art form that transcended the two - dimensional plane and was an early pioneer of construction; a radical approach to making that forever transformed the discipline of sculpture.

George Ortman's painted constructions of the 1950s and early 1960s are pioneering works.

Graduating painting at Columbia University and the University of Illinois, Carolee Schneemann started using simple mechanisms to set her paintings in motion at the early stage of her career, integrating photographs and everyday objects into works she referred to as «painting constructions».

Early examples of the revolutionary assemblages of found objects by Tony Cragg will be on display, as well as a painted steel work by Julian Opie titled Abstract Compositions with Pilchards (1984), both of which look ahead to the equally systemic and primary - coloured construction of stacked IKEA tables by Ryan Gander, Samson's Push, or Compositie (2010).

Works from the early»50s, such as White Blue Construction (1951) and the gentler, soft paintbrush marks of Banlieue (1953), are both small symphonies of rhythm and color informed by the paintings of Paul Klee and Piet Mondrian.

Burgoyne Diller: Pioneer of Abstraction will include important paintings, drawings and constructions from 1935 through 1963 and will offer an understanding of the artists development from early cubist - inspired compositions to his better - known geometric abstractions.

With a self - imposed mandate to free painting from the confines of two dimensions and release it into a three - dimensional realm, Mr. Stella changed gears in the early 1970s to produce relief - like painted constructions made out of aluminum or wood.

In early sculptures such as Untitled (Latin Study), 1985, he used wooden armatures to create three - dimensional constructions that appear as constellations of floating painted brushstrokes rendered tangible, their shadows producing flat compositions on the walls behind them.

In the early 1970s, he began a private study of oil painting, although he was assigned an official Cultural Revolution era job as a steel beam construction worker.

Inversion Landscape no. 1 plays with the motifs and constructions of these early Northern Renaissance paintings, but in this painting I wanted to destabilize the pictorial space, creating an unsteady, tenuous world, both beautiful and seemingly dangerous.

Kienholz first began incorporating found objects into his earlier work (wood constructions that were painted, mostly using brooms for brushes) around 1955.

The show highlights over 30 years of Briseño's work featuring early and never before seen paintings, as well as sculpture, photographic constructions, digital works, and public art.

The largest of these works, Barbara in Spiral Heaven, 1989, carries traces of the artist's hard - edge paintings of the late 1960s and early 1970s, as well as his groundbreaking quilted canvas constructions of the mid - to late 1970s.

The early paintings of the 1960s, which culminated in the seminal grid constructions made of fiberglass that became the foundation of his subsequent work, and a wide assortment of paintings since 1970.

The sleek, boxlike constructions of the 60s and 70s made of industrial materials are included in the show, where brown, an essential component of his earlier paintings, is initially applied in the form of paint.

It includes more than 200 works, among them early paintings and constructions; drawings; photographs; posters, books and catalogs he designed; the sculptures he prefers to call structures and the wall drawings that are probably his greatest inspiration.

During the early»70s, Hanson created a series of shell -, leaf -, and flower - shaped cloth constructions, built of sewn bits of canvas that were then painted.

These range from the emotionally charged constructions of the early 1960s and his impeccably painted landscapes of the American West, to his deeply disturbing portraits from the late 1970s and his remarkable recent narrative tableaux, which seamlessly blend painting with found materials to create an extraordinary illusion of depth.

This includes rare early drawings, stained - glass assemblages, sandblasted glass constructions, and a range of pure abstract paintings.

H. Glasgow Construction Company of Madeira, Ohio, will complete the work by early winter, finishing with the refreshed look of a new coat of paint.