Sentences with phrase «early painting galleries»

She is a unique talent with an interesting story — her colorful mother opened one of the early painting galleries in The City, the East / West Gallery, just down from Ghost House.

Not exact matches

Scientific examinations have also provided insight into materials and techniques of a 17th century painting long thought to be by an anonymous Spanish artist, bolstering evidence that the painting could be an early work by Diego Velazquez, according to Ian McClure, the Susan Morse Hilles chief conservator at the Yale University Art Gallery.

The National Gallery in London has now released its own enhanced ebook to coincide with its showing of Titian's painting based on the mythological poetry of Ovid earlier this year.

Kalm notes that «Having a career that took off in the early 60s, with the legendary Ferus Gallery, [Foulkes has] been in and out of fashion, but has maintained a consistent practice that pushes the boundaries of painting.

Altoon Sultan blogs about Nicholas Krushenick: Early Paintings at Garth Greenan Gallery, New York, on view through October 11, 2014.

The exhibition currently showing at the Waddington Custot gallery in London, Pi in the Sky, presents D'Arcangelo's paintings and drawings from the late 1960s to the early 1980s in his first ever UK solo exhibition.

The earliest two of these seemed quite similar to a series of yours that I saw at the Tarpey Gallery last year, a show entitled From the Earth Wealth, paintings based on North West Leicestershire settlements.

Meanwhile her painting was eventually widely celebrated in the early 80s, when she exhibited at the Hayward Annual, had a solo show at the Museum of Modern Art in Oxford, and a retrospective at the Serpentine Gallery.

Her latest canvases in bold, colorful patterns, which she completes at a ferocious pace, retail in the mid — six figures at New York's Gagosian Gallery and London's Victoria Miro; one of her rare early paintings sold at auction in November 2008 for $ 5.79 million, a record at the time for a living woman artist.

Jessica Silverman Gallery is pleased to present «1960s Portal Paintings,» a show of early works by Suzanne Blank Redstone.

In the show at Betty Cuningham Gallery you are exhibiting both recent figure and earlier still life paintings.

Take Michel Majerus's Tron 3 (ocker Pantone 143)(1999), which dovetails a silk - screened vignette of early digital - era graphics into the corner of a square of yellow emulsion: if you removed the silk - screened canvas and completed the square, it could have been a wall painting by Günther Förg, an artist of the gallery's original programme.

Additionally, like much early feminist art, McNeely's paintings were largely ignored by the gallery system, finding a venue only in the cooperative galleries.

For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

BEST GALLERY SHOW I REGRETTABLY DID NOT REVIEW «Ad Reinhardt: Blue Paintings» at the David Zwirner Gallery, which brought together 28 luminous abstract paintings from this artist's early - 1950s «blue period» — the mosGALLERY SHOW I REGRETTABLY DID NOT REVIEW «Ad Reinhardt: Blue Paintings» at the David Zwirner Gallery, which brought together 28 luminous abstract paintings from this artist's early - 1950s «blue period» — the mPaintings» at the David Zwirner Gallery, which brought together 28 luminous abstract paintings from this artist's early - 1950s «blue period» — the mosGallery, which brought together 28 luminous abstract paintings from this artist's early - 1950s «blue period» — the mpaintings from this artist's early - 1950s «blue period» — the most ever.

His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection of early, Hard - Edge paintings curated by gallery - mate Rashid Johnson.

So does the judicious hang, in which a few key works from Stella's early days pop up in the later galleries; a 1962 painting of concentric rainbow squares hangs next to a colossal 2009 assemblage of fibreglass and steel.

This first solo exhibition with the gallery features early conceptual works and video together with a group of recent paintings.

[17] Her disciplined work lost ground to the assertive gestures of the Neo-Expressionists in the 1980s, but a 1999 show at the Serpentine Gallery of her early paintings triggered a resurgence of interest in her optical experiments.

NEW YORK — MARC STRAUS is proud to announce that Doug Argue has joined the gallery, where an exhibition of new paintings will open in early 2018.

In 2015, the gallery presented Marvelous Void, the first exhibition to feature a selection of McLaughlin's geometric abstractions alongside two early Japanese ink paintings that exemplify Sesshu's concept.

Gallery Talk on Icons of the Desert: Early Aboriginal Paintings from Papunya given by Fred Myers, Silver Professor and Chair of Anthropology, NYU.

The present work is one of Haring's earliest «tarp paintings» and was exhibited at his pivotal one - man show at the Tony Shafrazi Gallery in Soho the year after its creation.

Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.

Gagosian Gallery New York present the first US exhibition of Hirst's 2016 «Colour Space» paintings series, following their debut at Houghton Hall earlier this year.

For eight years prior to that Mr. Clamp served as the director of a gallery on Manhattan's Upper East Side specializing in late 19th - and early 20th - century American paintings.

Marian Goodman began her professional relationship with Richter close to three decades earlier and recently opened her latest exhibition of Richter's «Strip Paintings» in the gallery's Manhattan location.

Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other work.

The current exhibition includes more than 20 paintings and sculptures the artist made in Dresden during the 1960s and early 1970s, when the political circumstances in the then - German Democratic Republic «kept most contemporary works of art underground», says Gordon VeneKlasen, the director of the gallery who organised the show.

«Ben Wilson: An Abstract Expressionist Vision» will be the next exhibition opening at the Quogue Gallery, featuring 14 paintings, oil on canvas or Masonite, dating from as early as 1963 and running to 1990.

Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.

Organized by former National Gallery of Art curator Ruth Fine, in cooperation with PAFA's Robert Cozzolino and Michael Rosenfeld Gallery, the exhibition reveals the range and power of his abstraction through nearly 100 paintings and works on paper made between the early 1930s through the 1970s.

March 2011 Early Drawings Atelier de Merz, Staten Island, NY March 2011 Early Paintings Deep Tanks, Staten Island, NY Aug. 1986 Detente, an installation Hey Viv's, Staten Island, NY Apr. 1983 Recent Paintings Brooklyn Waterfront Artists Open Studio Show Apr. 1982 Three Fates, an installation Brooklyn Waterfront Artists Open Studio Show June 1981 Paintings Mason Gross School of the Arts, Rutgers University Apr. - May 1981 Paintings Livingston Art Gallery, Rutgers University Apr. 1980 Paintings & Color Xerox Prints Douglass College Library, Rutgers University

Fontana also saw that in a more concrete sense, as with Robert Rauschenberg's White Paintings of the early 1950s, a pure white surface could be a receptor for the movements of light and shadow in the gallery space, furthering his quest for direct interface between viewer and work.

He was interested in art and painting very early and had his first solo exhibition already with 19 years in a gallery in Münster.

His luxuriant paintings of vices and voyeuristic pleasures were celebrated in his first solo museum show earlier this year, at Philadelphia's Moore College of Art & Design; his work is appearing in gallery shows and art fairs around the world; and, this month, he will be the subject of Jeffrey Deitch's first show heralding the dealer's triumphant return to SoHo.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

The only artist to be selected for more than one gallery is the painter Philip Guston, who will be represented by a painting from the early 1960s chosen by Christopher Wool and a painting from the mid-1970s chosen by Amy Sillman.

In 1966, Martin was included in two early shows of art that gathered examples of the new approach: Systemic Painting, curated by Lawrence Alloway at the Solomon R Guggenheim Museum, and 10, featuring work chosen by Robert Smithson at the Dwan Gallery.

January 4, 2005, Philadelphia, PA — An exhibition of early paintings by Thomas Chimes will be on view at Locks Gallery from February 1 to March 19, 2005.

A new exhibition at the Walker Art Gallery of work by David Hockney brings together a unique selection of paintings and prints, which chart the early development of this iconic British artist.

«David Reed: 30 Years of Painting,» a slide talk by Exhibitions Curator Kevin Mullins 7 p.m. Thursday, April 21 Ulrich Museum of Art (galleries open early for viewing at 6 p.m.)

A couple of the early abstract Berkeley paintings feature here, these leading to the second gallery where we see Diebenkorn abandon abstract painting and become part of the Bay Area Figurative Movement.

He was one of fourteen artists included in «Unbound: Possibilities in Painting», the important exhibition of international artists held at the Hayward Gallery in London earlier this year.

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

Published on the occasion of the exhibition Jörg Immendorff: Maoist Paintings: The Early Seventies, 29 October - 19 December 2009 at Michael Werner Gallery, New York.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.