Sentences with phrase «early paintings exploring»

BOOKSHELF «American People, Black Light: Faith Ringgold's Paintings of the 1960s» accompanied the first comprehensive survey of the artist's early paintings exploring race, class and gender issues.

Her early paintings exploring colour and structure relationships later developed into freestanding, multi-panel monochromatic works that occupy the space between painting and sculpture.

Not exact matches

In college I studied painting and after college I went into the early childcare field while also further exploring textiles.

We'll explore ways to introduce the language of color into the early grades curricula as you work on seasonal themes, curriculum inspirations, color dialogues, painting techniques, and the important practical work of set up and clean up with children.

Explores how attitudes have changed throughout history, from early medical drawings, 19th - century paintings, anatomical models and cultural artefacts, to works by artists such as Damien Hirst, Helen Chadwick and Wim Delvoye.

On an early design option on Hela that I painted I wanted to explore the idea of a veil or covering of some sort to play with the idea of her being the Goddess of Death.

See all of Lucy's Courses and Classes on ArtTutor Lucy Somers is an early career artist exploring paint in a variety of different manners, working abstractly and conceptually, creating painted environments, and painted constructions.

[This] show of his early work... is a visual delight, with each painting exploring very different ideas of color and shape in space.

In this lecture, John Elderfield, The Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, New York, will explore the significance of Diebenkorn's early work in New Mexico.

Visitors can explore Xu Beihong's career from early works including a 1918 landscape painting, drawings and paintings created during his studies in Europe, and several of his well - known and loved horse paintings.

Beginning with his early text and photo - text paintings from the 1960s, he has explored these dichotomies through hybrid compositions of photography, text and painted images.

McCarthy's provocative early performances in the late 1960s and 70s used his own body as the raw material to explore masculinity, where, drawing on performance art and action painting, he substituted the Viennese Actionists» sacrificial use of blood with ketchup and the Abstract Expressionists» paintbrush with phallic false limbs.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

Young has explored the potential for organic elements in abstract painting since the early 1960s.

In the early fifties, as he was embarking on a major phase of abstract painting, Guston explored the power of simple lines in drawings reminiscent of exercises in calligraphy.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional worlds.

Chris Pfister is an American artist who explores themes of industrialization in gray - scale and sepia - toned paintings that recall early landscape photography.

«I Love You» (1994 - 1995), one of Hirst's early butterfly colour paintings, is included in a room exploring the origins of the collection in the 1990s.

Painting with complex diversity has some mileage still to explore given that this type of work is both in its relative infancy and very unfashionable.The general downturn in the complex diversity of abstract work, from the 50's to around the early 60's, is a notable historical shift (anyone with relevant sources / references please let me know), granted that some abstract painters have continued to explore complex diversity in their work; Alan Gouk and Gary Wragg being two of the most notable painters.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Water and Shadow: Kawase Hasui and Japanese Landscape Prints presents more than 100 woodblock prints, rarely - seen screens, scroll and fan paintings, and preparatory materials that explore the dynamic early work of famous Japanese landscape artist Kawase Hasui.

In this current series, I continue to explore the freedom of abstract gestural painting from my early work and which reemerged in my later work, yet in this body of work I combine these images with images from my mid-career hardedge geometric paintings.

«Painting with Light» at Tate Britain 11 May Currently on view at Tate Britain, «Painting with Light: art and photography from the Pre-Raphaelites to the Modern Age» is an expansive new exhibition spanning over 70 years and exploring the symbiotic and sympathetic early relationship between photography and art.

Debating Modernism I explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century.

Painted using a predominantly black and white palette, through portraiture Baselitz explores notions of time passing, physicality and the self, themes powerfully addressed in the earlier, celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.

All these will be featured extensively in this showcase alongside the often overlooked female pop - artist Marjorie Strider, who will be introduced through early and later masterpieces exploring the spatial embeddedness of painting, relief and sculpture.

Imperfect Chronology — Debating Modernism I explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

Several galleries in Survey will feature strong political presentations, including The Box who will show early drawings and paintings by Judith Bernstein (b. 1942), an artist who explores political landscapes and elements of power and aggression in society.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Earlier, a Golden Lion for lifetime achievement was awarded to the American artist Carolee Schneemann, whose paintings, performances and videos explore the boundaries of the body and the political power of women's sexuality.

In 2010, Baldessari was awarded a retrospective at the Tate Modern, London, in which his early combination of text and images in paintings were explored with the artist's air of wit, ironically mocking the conceptual art and yet delivering it.

As with her early design work, her vividly - coloured paintings explore complex arrangements of forms, ideas of depiction versus reality, and the expressive relations between objects and colours.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

From his earliest experiments in painting, Hockney develops a naturalism that explores the experience of looking at the world.

A selection of a new series of paintings, The DNA Series, is a return to the black acrylic squares Corse began exploring in the early 1970s.

A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting.

«The vast horizontality of the land...» This idea of moving westward was something he had already explored in his earlier figurative painting, Going West (c1934 - 35).

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

Since the early 2000s the artist has explored the social and cultural implications of political acts through painting, sculpture, installation, and performance — both live and filmed — using himself as protagonist, proxy, and test subject.

The RA's exhibition explores Diebenkorn's practice across four decades, focusing on the three different stages of his career from his initial embrace of abstraction in the early 1950s, his shift to figurative painting in the mid-1950s, and his return to abstraction in the late 1960s.

The first exhibition to explore this formative period, Wayne Thiebaud 1958 — 1968 brings together more than 60 early paintings gathered from private collections and museums throughout the United States.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

18th - Century Paintings — The introductory section of the exhibition explores the foundations for the formal experiments of the 19th century, and includes works by early masters such as Anne Vallayer - Coster and Pierre - Joseph Redouté.

From the visual representation of time (known by Latham as the «quantum - of - mark») in the early spray paintings and One - Second Drawings, to the book reliefs of the 1960s, the roller paintings of the 1970s and the late glass tower works which incorporated bits of all theorems, John Latham maintained a steadfast devotion to exploring the most complex cosmological ideas and questioning the traditional notions and structures of art, science and philosophy.

Born in Tupelo, Mississippi and raised in Louisville, Kentucky, Gilliam has been based in Washington D.C. since the early 1960's, and is part of a generation of Washington - based painters who have explored the boundaries of color, scale, and shape in painting.

Travelling through the past 50 years of art history and 50 years of Ligon history, you begin to witness how the artist has responded and «found» a voice to explore different trends, from his early interest in abstract painting to his discovery of conceptual art and film.

Abstraction Across America, 1934 - 1946 explores two contemporaneous but geographically and philosophically distinct groups of early American modernists who laid the groundwork for abstract expressionism; the American Abstract Artists (AAA) and the Transcendental Painting Group (TPG).

However, in the late 1960s and early 1970s Lostutter produced a number of small watercolors and drawings of female subjects where he began to explore many of the elements seen in his later paintings.

Display one explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

For Frieze magazine, Morton reviewed Story's 2011 show, «Angeles», at Carl Freedman Gallery where she explored the world of early cinema with paintings of cameras in a subdued colour palette of off - whites and terracotta.