Sentences with phrase «early paintings installed»

Kitnick will discuss Donald Judd's early paintings installed in the Cobb House and Whyte Building, as well as the works from 1959 — 1961 that will be on display in «Donald Judd: Paintings» at the Institute of Contemporary Art, Miami April 5 — July -LSB-...]

The first program within the series will be on Monday, March 19, 2018 at 6:00 pm at the Crowley Theater with art historian Alex Kitnick who will discuss Donald Judd's early paintings installed in the Cobb House and Whyte Building, as well as works from 1959 to 1961 that will be included in the exhibition «Donald Judd: Paintings» at the Institute of Contemporary Art, Miami this April.

Not exact matches

The paint shop facilities have already been installed and the first car bodies will be painted in a test - operation as early as August.

Markus Linnenbrink to install a 7 x 90 foot epoxy resin painting in the Concourse Lobby of 75 Rockefeller Plaza in New York, New York in early 2017.

Once the seven paintings by Martin, from the 1960s through the early 2000s, are installed and lit, Tuttle will create new wire pieces that respond to the paintings and engage with the distinct light and shadow of their illuminations.

In conjunction with the May 2017 opening, MASS MoCA also installed a temporary exhibition of early Holzer works, including rarely seen sketchbooks, notebooks, hand - drawn posters, and paintings.

Bourgeois's earliest works were paintings and drawings, so this is what's installed at the beginning of the ramp.

The building contains early paintings and drawings by Judd, as well as furniture he designed and plans for architectural projects installed throughout the two stories and more than 15 rooms.

Originally a single - family residence, Judd remodeled the Cobb House to serve as a suitable space to install his early paintings — abstract multicolored works dating from 1956 to 1958.

An understudied part of Judd's work, his paintings are infrequently seen outside of Judd Foundation spaces in Marfa where he permanently installed his paintings from the mid-1950s to the early 1960s in the Cobb House, Whyte Building, and Architecture Studio including an exhibition at the Kunsthalle Bielefeld (May 5 - July 21, 2002) that then traveled to The Menil Collection (January 31 - April 27, 2003).

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

His modular paintings (first shown in the exhibition Kurgan Waves, at the Canada gallery, New York, in 2006) are composed of single - color canvases installed to create geometric, often overtly figural forms, such as the long - legged, slicker - and - galoshes - wearing The Fisherman's Friend from 2005, one of the earliest works in the exhibition.

The works are arranged more or less chronologically with the earliest pieces on the top floors, and more contemporary works installed on lower levels, including Hartley's Painting Number 5 (1914 - 15), created during the artist's stay in Berlin.

Spring: helps organize and install what will be her last exhibition at The Downtown Gallery, Georgia O'Keeffe: Recent Paintings and Drawings, which opens in early April.

«I am bowled over by the amazing transformation the Wadsworth Atheneum has undergone in the eight short years I've been here, from my earliest days of having to close galleries because water was seeping through the walls, to now watching in awe as row upon row of stunning paintings are installed in those same spaces, now exquisitely refurbished,» director Susan L. Talbott told the Observer in an email.

Andrew Masullo's idiosyncratic, small, colorful abstract paintings (a sort of Mary Heilmann meets Thomas Nozkowski) installed playfully not following a center line seem to be looking back to the same art historical moment in the early 19th century as Bess.

Titled «HOWL, eon (I and II),» the vast paintings were installed at SFMOMA earlier this month and will remain on view in the museum's atrium for three years.

Several months ago, she opened her latest permanent site - specific work, «Planar Pavilions,» a loose grid of 10 configurations of black - painted cinder - block walls of varying heights — some low enough to sit on, others as tall and imposing as linebackers — along a gentle slope, which calls to mind the crumbled foundations of a future civilization as well as the constellation of concrete boxes Donald Judd installed in the early 1980s on his own property in Marfa, Tex..

He mounts one of his earlier paintings, a 1994 piece called Cell with Conduit, in the entryway, and on the adjoining wall installs a mural - size metallic digital print that echoes the wall's cinderblock pattern.

Frank Auerbach, Early Works 1954 — 1978, exhibition installed by independent curator and art historian Catherine Lampert will feature eighteen works from private collections, oil paintings and charcoal drawings, some not seen for over thirty years.

Presented in two concurrent parts (at Bard College's Center for Curatorial Studies [CCS], along with a two - work Manhattan component titled «Small Things,» installed in a Chelsea parking lot), the show featured a few early works — a pair of unassuming paintings, a modest brass sculpture, and an early neon — that give no hint of the raucousness to come.

Jasper Johns: Seeing with the Mind's Eye will be installed roughly chronologically, beginning with a selection of Johns's first mature paintings, drawings, sculptures, and prints from the 1950s and 60s, focusing on one of his most iconic early subjects: numbers.

(the painted bikes were installed by other guerrilla activists earlier)

A: Early on, and preferably before rooms are painted, patched, or wallpapered in case wiring or outlets have to be installed or holes cut for cans, chandeliers, swing - arm wall lamps, or sconces.