Sentences with phrase «early paintings there»

In all of these early paintings there is a sense that Herrera sees the canvas as the support for an image, and that the concerns with which she is working are all contained right there on the surface of the work.

Not exact matches

The investigation followed a report by Reveal on Sunday alleging that Tesla under - counted and mis - labeled employee injuries at its electric vehicle factory in Fremont, California, as well as a paint shop fire that occurred there in early April.

Earlier in the summer, we came to the realization that our house was in major need of deep cleaning, some painting, and a bunch of small fixes here and there.

My approach in the early days would be do craft with them separately (i.e. when one was napping and then the other at nursery) or I would do the same craft but would let the little one sit there and basically get covered in paint, whilst I focussed on the older one.

If your house was constructed earlier than the 70s, there is a high likelihood that the paint used is lead - based.

Be sure to get your nursery project underway early, so there will be plenty of time to air out new furniture and freshly painted spaces.

At Saqqara, there were early reports of extensive damage to the tomb of Maya, the wet nurse of King Tut, which is well - known for its elaborate paintings.

Annie Sloan's rustic sitting room in Normandy is constantly evolving, but the painted scene above the fireplace has been there since she first painted it in the early 1990s.

There's a moment early in the seventh and final season of True Blood when Jason Stackhouse (Ryan Kwanten) looks at the writing on the wall — literally words written on a wall, spray - painted to the side of a building in a neighboring town which has been all but abandoned.

The Elan's wedgy styling as long been an acquired taste but there's some visual interest here with the British Racing Green paint scheme and an oh - so - Lotus yellow stripe down the centreline of the car, while the cabin is more modern than those early MX - 5s and far more cossetting than that of the Elise that replaced the Elan in 1996.

Matteo Bandello, a young monk who later became a famous writer of novellas, observed Leonardo «go early in the morning to work on the platform before The Last Supper; and there he would stay from sunrise till darkness, never laying down the brush, but continuing to paint without eating or drinking.

The early literature on social organization of wolves painted the picture that there was an alpha wolf, and that all the other wolves tried to get to the top in their lifetime.

As I pointed out earlier this month, though, the predation Loyd documented was notable for how little there was — especially where birds were concerned (though, of course, ABC and The Wildlife Society painted a very different picture in their joint media release).

I admit to waking up early for the two days that we were there just so that I could spend a couple of hours painting and reading by our balcony.

There are lots of excellent museums, including the charming Puget Museum, which is set in a 15th - century mansion and displays paintings depicting everyday life in Ibiza over the 19th and early 20th centuries.

Didn't ruin my stay or really bug me all that much, but there were people painting right outside our window early in the morning

There's a visual filter on that progressively renders the world between what looks like an early Monet painting and into a vibrant, richly detailed world in the foreground.

There existed only an early build of a prototype level and concept paintings.

Whilst early screenshots of the game in development painted perhaps a prettier picture than has been delivered — mostly in regards to the lighting effects, which have undeniably been dialed down — there is no denying that it's still a very nice looking game.

paintings on velvet, Amish scenes, signed A / REA, on the back there is a note, «this is a painting on velvet by Ann Rea» Is this an «earlier You»?

Duality exists in almost all my work, even these newest paintings that are more upbeat than some of my earlier work — there is still that dark element lurking, Sometimes that dark element fills the whole painting and IS the painting which was the case 4 years ago when there was a tragic death in our family.

Parkinson writes that «Opticality seems an important sub plot in this show, and its» not just the Peter Young or the stunning Cantus Firmus by Bridget Riley that I have in mind, there is also the early Sean Scully painting East Coast Light 2, the pulsating Auditorium by Dan Walsh, Depth of Field by Richard Kirwan, as well as the strangely photographic Flirt by Jane Harris and Untitled (fold) by Tauba Auerbach.

Going back to how you [Gooding] describe the earlier work, there was in fact a self - conscious desire to block off or direct the viewer's process of looking at it or looking into it, and this later evolved into a later stage in which there was actually an invitation to «look in», but in which at all times the viewer was encouraged to be aware that the painting was made out of real things, real physical layers, rather than illusions.»

Painting may never have died completely but there was a moment, in the late 1960s and early 1970s, when its dominant conventions felt hopelessly inadequate.

In fact there is an autobiographical undercurrent that unmistakably characterize them as a new direction in American Painting that developed in the late sixties and the early seventies.

It is a lesson in an aspect of AbEx that often gets lost in its hagiography: with all the influence of early modernism, the AbEx painters succeeded by grasping the universal notion that painting is an improvisational art that can not be exhausted as long as there are artists willing to risk thinking for themselves.

Cage mentioned Robert Rauschenberg's early white paintings as an inspiration for «4» 33»» - the soundless piano piece whose performance makes his point that «there is no such thing as silence,» only failures of attention.

Treanor adds that there may have been fewer female artists working in abstraction because, in the early modern period, women were steered toward still - life painting or portraiture.

And as early as 1943 the principal tenet that was to distinguish the new abstraction from earlier, pre-war abstract art was clearly formed, as evidenced in a brief «manifesto» of the rising movement crafted by Mark Rothko, Adolph Gottlieb, and Barnett Newman for The New York Times in response to a negative review of the new style: «There is no such thing as good painting about nothing.

There has always been a push - pull in Fukui's collage - based paintings of the last few years — a sensation of almost falling into the celestial spaces of the early series, or of being drawn in to the densely packed imagery of his Art in America or Superheroes series.

There can't be many books that combine a formal analysis of mathematical patterns in Agnes Martin's painting with gems such as «I had been early to take up roller disco.»

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

In format they are very like the early circles, but there is much more variety to their paint handling.

As I said earlier, ever since I started painting there was a connection to certain areas of the culture that, again, wasn't a major motivating factor.

In the early 1960s there's yet another change, where she moves into a thinner kind of painting and more emphasis on color.

There, she made the earliest paintings in this exhibition.

Just as important, this painting is not an early modern balancing act, with this strip here offsetting that strip there.

A title here and there — such as Trane or Free, White, and 21 — alludes to the real world, but so does Frank Stella when he picks New York neighborhoods for Stella's early paintings.

So the title Fast Forward came in part from an article I read on Keith Haring, that was talking about the climate, this moment, in the early 1980s in particular and more generally, and that there was this idea that there was suddenly a kind of new freedom for artists to paint what you want.

He rarely did, for his shows: instead he'd arrive early at whichever city the show was in and make the paintings there.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

She spoke of burning her paintings at the end of every year during the early part of her career, and there are descriptions of her throwing works into a bonfire before she left New York in 1967.

There are only three known self - portraits in existence by Turner (his most famous self - portrait from 1799 is on display in the Clore Gallery at Tate Britain) but we were fortunately able to borrow an early miniature in watercolour from the National Portrait Gallery collection, painted when he was approximately 15 years old.

Now and then there are allusions to Wassily Kandinsky's energetic «Improvisations» from the early years of this century as well as momentary references to the paintings by Joan Miro from the twenties and Arshile Gorky's work of the forties.

There are some very early works from her pre-abstract period when she painted from life, as well as some delightful photographs of Sandra

From a slightly earlier generation, there are the paintings and sculpture of Oswaldo Guayasamín (1919 - 1999) of Ecuador.

There was also increased recognition for significant artists whose importance might have been overshadowed previously, such as 84 - year - old Sam Gilliam, whose abstract «color field» painting at New York's Mnuchin gallery sported a red dot sticker — meaning it was sold — early on.

There he was introduced to the work of Mark Gertler, Henry Moore, Augustus John and other prominent English artists of the time whose emphasis on visual acuity and technical skill would have a major effect on Mead and accounted for the restraint of his early paintings.

When he painted this early work there were real hopes of the Enlightenment spreading to Spain.

Because her father was an artist and graphic designer, there were many art books and supplies at home, and Abbott was drawing and painting from an early age.