Sentences with phrase «early performance pieces»

Instead, highlights from 1963 to 2005 are arranged rhythmically, bestowing the exhibition with a forceful dynamic that determinately carries the viewer from September 11 - inspired sequences to new editions and first time gelatin prints of early performance pieces before breaking, not unlike a wave, in all its force in the back room, where the video «Viet - Flakes» (1965) shows the most horrific aftermath of war imaginable.

On the occasion of her first solo exhibition, at 106 Green in Greenpoint, Brooklyn, artist Nick Irzyk talked to Campbell about desperate humor, her early performance pieces,... read more... «Karin Campbell's grins and grimaces»

Early performance pieces were very interdisciplinary events, mingling music, sculptural stage props, immersive installation and music.

As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, and Chris Burden, Abramovic created some of the most historic early performance pieces and is the only one still making important durational works.

The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

She collaborated with Ulay from 1976 - 89, created some of the most iconic early performance pieces, and is one of few artists of her generation who continues to make important durational works.

A lineage would have to include early performance pieces, by Bruce Nauman and others, but a fatal shift in trajectory with Bill Viola and Gary Hill as well.

In addition to the installation, we will present a carefully curated, dynamic selection of works including a stunning new series of paintings by Terence Koh - ART HK 12 is one of the premiere occasions that the gallery has exhibited work by the ground - breaking contemporary artist - as well as a rarely seen editioned work documenting a seminal early performance piece by Tehching Hsieh and an important early work by Joseph Kosuth.

Not exact matches

Amos Wilder adds a piece to our understanding of what these performances might have been like: When we picture to ourselves the early Christian narrators we should make full allowance for animated and expressive narration... oral speech also was less inhibited than today... when we think of the early church meetings and testimonies and narrations we are probably well guided if we think of the way in which Vachael Lindsay read or of the appropriate readings of James Weldon Johnson's God's Trombones (56).

A solid performance after being forced to switch partners early on, and looked keen to try and get a goal down the other end during set pieces.

In addition to being a great piece of art, A Month in the Country sees several of British cinema's most formidable talents in some of their earliest performances.

You won't find much subtlety in the solid period - piece drama «Marshall,» but you will find plenty of crowd - pleasing courtroom theatrics, some wonderful performances from the main players — and yes, all sorts of reminders of how far we've come in terms of race relations since the early 1940s, and how very, very far we still have to go.

Add to this the measured - to - outraged performances by Jones and Cooper and you've got an early contender for best ensemble piece of the year.

The performances aren't bad, and I liked the working - class bickering of the early scenes, which feels of a piece with similar exchanges in Alien (even if the post-sync'd dialogue is painfully apparent).

For the latter shows, Greenwood will play the ondes Martenot (an early 20th century amplified keyboard) alongside Wordless Music Orchestra, a 50 - piece New York band, as Paul Thomas Anderson's brooding film plays on a 50 - foot movie screen in the United Palace Theater; those performances will take place September 19th and 20th.

From acquiring businesses to starting a new ad campaign, I look at how to structure a deal or break down a new initiative into smaller, measurable pieces so that we can start to gauge the performance at a fairly early stage and with minimal downside risk.

He attributes the turning point in his success to properly managing risk — cutting his losers early and letting his winners run; a piece of «uncommon sense» which most traders don't adhere to and explains why they're on one side of the performance column and Tyler is currently successfully sitting on the other.

Earlier this week we linked to a piece by Chris Brightman and Jim Masturzo at Research Affiliates that both looks back a 100 years at capital market performance and tries to project forward 10 - year asset class returns.

From early photo - text pieces, where Wilson dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist whose strong and humorous voice has endured and remained current through many waves of feminism.

Cage mentioned Robert Rauschenberg's early white paintings as an inspiration for «4» 33»» - the soundless piano piece whose performance makes his point that «there is no such thing as silence,» only failures of attention.

The show includes a screening of his early Fluxus film Tree Movie (1961/1971), but what I'm most looking forward to is the presentation of the drawings that served as scores for his performance pieces.

It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and will premiere in North America at DHC / ART.

From her early conceptual pieces to her current solo exhibition at the Guggenheim Bilbao, Ono's performance, film, musical, and written works engage the active participation of the audience.

In this, the piece echoes Blake's earlier performances, in which the passivity of their costumed presence foregrounds the audience's role in acts of sadism, exhibitionism, or nurturing.

Well, Jesus walks in Chelsea this month at Gladstone, where an early pair of videos that Barney filmed of 1991 performances at the gallery — which involved such «Cremaster» - era motifs as petroleum jelly, Houdini, and palindromic footballer Jim Otto — will be on view alongside other related pieces, bringing the work together for the first time in a quarter century.

Earlier major works have included large - scale pieces that often hinge on a single fundamental element, such as fire in this year's interactive performance piece The Burning Boards, and sand in 2004's Sandcastle, which was part of the Whitney Biennial.

Her early performances, called Mirror Pieces (1968 — 71), were held in large spaces and incorporated the use of large and small mirrors, either as a central motif or as props.

Photo courtesy of Creative Time Today we took an early lunch and headed over to Grand Central to see Nick Cave's amazing performance piece — Heard NY.

Rauschenberg, Cunningham, and Cage continued to collaborate in the early years of the company, with Cage providing musical direction and Rauschenberg designing costumes and set pieces and occasionally joining in the performances.

From The Infinity Engine, the exhibition splits into Hershman Leeson's early works which are characterized by drawing, painting, sculpture, and feminist performance and protest pieces, and mid-career works which focus on the internet, artificial intelligence and technology.

With fellow students Robert Rauschenberg, Cy Twombly, and John Chamberlain, she thrived in the unique cross-disciplinary curriculum at Black Mountain and brought this sense of exchange and collaboration when she moved to New York, working in dance and performance in renowned early pieces with Rauschenberg, Claes Oldenburg, and Carolee Schneemann, among many others.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Cecilia Biagini (Buenos Aires, Argentina) started her artistic practice in the early 1980's, and has been involved as painter, photographer and sculptor alongside as an actress in films, theater productions and performance pieces.

Vito Acconci talks about his early experiments with poetry, the unique concerns of performance art of the late 60s and 70s, and his works «Following Piece» and «Conversions.»

Better known for durational performance pieces and videos (one involves his mother spitting repeatedly in his face), the artist found early inspiration in the compositions of Elizabeth Peyton, and originally trained as a painter.

In the second part of the interview G.H. Hovagimyan talks about the early days of digital and internet art and his early works in the internet: Barbie & Ken Politically Correct, and other pieces which extended his conceptual art practice and his performance work in the 70s.

The most powerful moment is the pairing of a diminutive black totem — Sol LeWitt's rough - hewn Early Wood Structure (1962)-- before a massive wall that serves as substrate for a performance piece by Wangechi Mutu.

Building on early ventures into performance art, Howard's work during the 1980s, including his staged project «Win a Trip to Paris Sweepstakes», was of a piece with the Fluxus movement.

Opening: Lorraine O'Grady at Alexander Gray Associates This exhibition focuses on two early projects: the performance art piece Rivers, First Draft and her first collage series Cutting Out The New York Times, showcasing «the artist's nuanced perspectives on art history — specifically Dada and Surrealism — and the topical issues of the late - 1970s and early 1980s, when Multiculturalism and Feminism were articulated and tested in the art world,» according to a press release.

That event at a time when we were all in a sense painting the same kind of paintings and painting very conventional, art school, junior Abstract Expressionist versions of that, that sort of early happening theater event or performance piece was in a way something that was pent up inside the spirit of the times and erupted from time to time in unlikely ways and then later manifested itself in a different kind of art.

The film is one of four remakes of Morris's performances from the early 1960s by Babette Mangolte entitled Four Pieces by Morris (1993), first screened at Morris's 1994 Guggenheim retrospective The Mind - Body Problem.

At MOCA,» Destroy the Picture: Painting the Void, 1949 - 1962,» assembles a group of early experimental pieces that explore the materiality of gesture, performance, time - based, and assemblage strategies.

The exhibition includes early interventions and sound pieces, video works, installations, photography, and solo and collaborative performances.

She is currently working on a performance art piece with performance and video artist Dean Moss, whom she worked with on a series called Figures on a Field, using dancers and audiences to reinterpret scenes from some of her earlier work.

The pieces range from the artist's body - centered early performances of the 1980s, through large sculptures of threatening household objects, to more recent, politically charged installations.

It begins with her early choreographic works and pioneering video performances, and culminates with her most recent piece «They Come to Us without a Word».

[11] Drawing Restraint 10 — 16 (2005 — 07) are site - specific performances that recall the earlier Yale pieces.

Artists like Chris Burden, Carolee Schneemann, and Mike Kelley were known early in their careers for performance pieces that, later on in time, took on different aspects as objects stood in for actions.

The exhibition will balance the Cuban artist's early performances — such as Tribute to Ana Mendieta, 1985 — 96, a series of reenactments of the older artist's body works, and Studio Study, 1996, an endurance piece in which she stood for hours on a high pedestal while holding raw meat — with pieces that followed her development of Arte de Conducta, or the «Art of Behavior,» around 2002.