Sentences with phrase «early photographic series»

This photograph of a Corsican menhir from around 3000 BC comes from one of her most important early photographic series, «The Voyage of the Beagle,» in which she applied the taxonomical curiosity of Darwin's famous expedition to the different ways in which we human beings have represented ourselves over time.

Trevor Paglen: Sites Unseen is a mid-career survey, the first exhibition to present Paglen's early photographic series alongside his recent sculptural objects and new work with AI.

Beginning with her early photographic series Women of Allah (1993 - 1997), and continuing through her current practice, Neshat has consistently and fluently probed issues of gender, power, displacement, protest, identity, and the space between the personal and the political with a singular and powerful aesthetic.

Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as Bus Riders (1976), Untitled Film Stills (1977 - 1980), and the untitled rear screen projections (1980).

Episode # 139: Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as «Bus Riders» (1976), «Untitled Film Stills» (1977 - 1980), and the untitled rear screen projections (1980).

Not exact matches

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Still working today on photographic projects of unrivaled global scale, this intimate exhibition will showcase a rare portfolio of 20 of the most important images from Salgado's early Latin American series.

From his earliest photographic self - portraits to his sculptural still lifes, each series is a remarkable creation suggestive of interiors or furniture, theater settings or architecture, yet they often seem absent of an immediate identifiable content, as if they confront the viewer with a riddle.

Her early photographic works include the Women of Allah series (1993 - 1997), which explored the question of gender in relation to Islamic fundamentalism and militancy.

Traces of Spaces is a photographic series of 11 large - scale color photographs of four closed Paris metro lines (St. Martin, Champ de Mars, Arsenal, Croix - Rouge), which ran underneath the current functioning metro in Paris and closed in early 1939.

In the early 1960s, Pistoletto began making his famous series of Quadri specchianti (Mirror Paintings): sheets of polished inox steel, like mirrors, onto which he applied images he obtained through a photographic reproduction technique.

His critically acclaimed photographic series Crowds and Riots, 2008, explores crowd phenomena in the twentieth century, focusing on subjects including the clashes between police and protestors that defined Vancouver's Gastown neighbourhood in the early 1970s.

Comprehensive in scope, the exhibition traces the evolution of Weems's career from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her in the forefront of contemporary art.

The show included two mixed - media works from Hirst's series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown alongside an important early work, a photographic print sealed on aluminium, «With Dead Head» (1991).

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

The seven - part sculptural series What It's Like, What It Is # 2 (1991), commissioned by the Hirshhorn Museum and not exhibited since 1992, breaks from Piper's Conceptual use of the frame and grid, confronting the viewer with photographic cut - out figures both iconic and anonymous sourced from movements in American History, from the civil rights era to the early 1990s.

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

Neshat's early photographic works include the Women of Allah series (1993 — 1997), which explored the question of gender in relation to Islamic fundamentalism and militancy.

Her early works began grappling with issues of femininity and sexuality, with the black and white series I am a Woman (1994 - 1996) and Born with Cultural Revolution (1995) counted as some of her earlier photographic works.

On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).

This exhibition includes a selection of Wilke's early sculptures, films, drawings and collages alongside photographic works from her S.O.S. Starification Object Series.

With a critical eye to the ways in which images are used within mass media and the photographic medium is viewed in the cultural landscape as a whole, the artist employed early methods of appropriation, and in one series, «Stills» shows the way the potential of human life literally hangs in the balance in a collection of press images of people falling from buildings.

Lake's groundbreaking early work includes «A Genuine Simulation of...» (1973 — 74), a series of photographic self - portraits retouched with Covergirl makeup, and Miss Chatelaine (1973), a grid of black - and - white photos of the artist, each embellished with a different hat or head of hair cut from Chatelaine, a Canadian women's magazine.

The exhibition will provide an opportunity to trace the evolution of Weems's career over the last 30 years from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her at the forefront of contemporary art.

She is perhaps best known for the early black - and - white photographic series Untitled Film Stills (1977 - 1980).

Beyond Minter's well - known saliva - drenched paintings like «Pop Rocks,» the exhibition also showcases some of the artist's early work like her photographic series Coral Ridge Towers.

These include his 2001 «Shopkeeper Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late 1970s.

Rarely seen since the 90s, this early gallery work from a pioneering artist seems eerily prescient in the age of a new populist, digitally enabled, right - wing media, installed alongside it's complementary photographic series Cartooned Life, as seen in its original installation in 1995.

The two series are among his earliest projects, which broke with mainstream photographic traditions to reveal pronounced modernist references.

Earlier films and photographic works include «Young Soul Rebels» (1991), which was awarded the Semaine de la Critique Prize at the Cannes Film Festival; the acclaimed poetic film - essay and photographic series «Looking for Langston» (1989); and «Frantz Fanon: Black Skin, White Mask» (1996).

The exhibition, Kia LaBeija: Fear is Only a Fraction of Love, introduces the newest photographic series featured earlier this year on the cover of Artforum.

The isolation of facial features, including lips, chins, eyes, eyebrows, and ears, is a working paradigm Samore employed most notably in his 1990s photographic series Allegories of Beauty (Incomplete) and begun ten years earlier with the black and white series entitled Situations.

Beginning in early 2008, Monk found inspiration within Ed Ruscha's 1967 iconic photographic series and limited edition book, Twentysix Gasoline Stations, where Ruscha shot black & white photographs of twenty - six different gas stations found along the legendary Route 66 highway on a road trip from his studio in Los Angeles to his home state of Oklahoma.

Since the early 1990s, Catherine Opie has produced a complex body of photographic work, creating series of images that explore notions of communal, sexual, and cultural identity.

Recalling the revolution of early club culture in China, a photographic series reproduces midnight's dream - like atmosphere, when dance halls are a form of society and togetherness is love.