Sentences with phrase «early photography by»

In fact, it looks very much like silvery color fields by Jacqueline Humphries or an evocation of early photography by Marco Breuer.

But then its portraits range from early photography by Wilhelm von Gloeden and Wilhelm von Plüschow to Jimmy DeSana in performance, daubing white stuff in his crotch.

Not exact matches

The simple yet startling beauty of this small piece reminded me of early photographs by Muybridge I saw recently at the Tate Britain exhibition dedicated to this monumental man of developmental photography.

Among Graham's most important group of works is a series of photographs of upside - down trees, which both summon up the origins of photography itself, conjuring up the inverted and reversed images created by the early camera obscuras, as well as draw attention to the process of rationalisation whereby we frame and define our vision of the world.

This is something that you would be taught very early on if you were to attend a photography course as it is considered by many to be the basis for making well - balanced, appealing photographs.

Earlier in the week, I attended a photography class by George Okoro sponsored by MallforAfrica wearing this contrast denim on denim outfit.

About Blog Astro Photography Australia was started in early 2004 by Roger Groom in response to frequent requests for his astro pPhotography Australia was started in early 2004 by Roger Groom in response to frequent requests for his astro photographyphotography.

Directed by Chuck Russell, screenplay by Russell and Frank Darabont, based on an earlier screenplay by Theodore Simonson and Kay Linaker and a story by Irvine H. Millgate; director of photography, Mark Irwin; edited by Tod Feuerman and Terry Stokes; music by Michael Hoenig; production designer, Craig Stearns; produced by Jack H. Harris and Elliot Kastner; released by Tri-Star Pictures.

Principal photography was completed in Jordan in 2017, followed by a move to the U.K. early in 2018.

A lot of newly restored films show a marked difference from previous versions but the very nature of the film's photography, which was systematically desaturated by cinematographer Zsigmond with a method called flashing to evoke an earlier time, means that the improvements are not as obvious.

No word on when to expect this film, but judging by the quick turnaround in beginning principal photography, we wouldn't be surprised if it was ready by late 2019 to early 2020.

Bradley was exposed to photography at a early age by his father, who was an avid hobbyist who was always taking pictures of his young son no matter the time or location, going so far as to converting living space in the family home to a darkroom and hanging the results in every room.

Colourful and informative, it includes: - tips on editing - key words - writing about own photographs - the photography project process - How to analyse a photographer - Assessment objectives - Photoshop tool bar - photoshop shortcuts - Photoshop techniques - step by step Also included is a version with blanked out sections, which I used as an investigative lesson early on in the course where students had to fill the gaps.

Mick Walsh gets behind the wheel of an historic Alfa Romeo 8C 2300 and in, Potent Perfection, reveals what makes this famous model so special / Doug Nye shares some marvellous glass - plate negatives from the early days of motor sport in Europe and describes the men and machines shown in The motor racing photography of Maurice - Louis Branger / Famous furniture designer Ambrose Heal bought a Sunbeam Twenty new in 1930 and drove it extensively across Europe / This much - loved car is still in the family today, as Matthew Bell discovers in Family Business / Designed and built by Ken Delingpole and Ron Lowe, the Ford - powered Dellows were among the most successful postwar trials cars.

By Dan Krosse Photography: Jonathan Boncek On August 8, 2016 the defendant accused of nearly killing Caitlyn by taping her muzzle shut more than a year earlier, pleaded guilty to a felony count of animal crueltBy Dan Krosse Photography: Jonathan Boncek On August 8, 2016 the defendant accused of nearly killing Caitlyn by taping her muzzle shut more than a year earlier, pleaded guilty to a felony count of animal crueltby taping her muzzle shut more than a year earlier, pleaded guilty to a felony count of animal cruelty.

An early breakfast today is followed by your first surf theory and photography session.

Easy to forget that it was in the 60s that staircases first climbed to nowhere; that posters blown up to avatars took on the mantle of art; that subversions as diverse as the optics of Jo Baer and the combines of Joseph Beuys coincided; that Latin American artists from three nations had nailed disruption by mid-century; that the satirist Robert Crumb was already his fully irreverent self, and that Henri Cartier - Bresson's street photography, consigned in memory to an earlier time, was even more actively influential at the decade's closing.

Among contemporary American photographers, Opie is exceptionally attuned to the histories of representation, and Portraits and Landscapes vigorously embodies the artist's conversation with classical European portraiture as well as the American Pictorialist idiom within landscape photography championed by Alfred Stieglitz in the early 1900s.

Upon graduation she continued her photography career in London where she was awarded commissions by British Vogue, GQ and many other international titles while still in her early twenties.

Paintings by George Bellows, several early drawings by Joseph Stella and the accompanying photography of immigrants and urban life by Alfred Steiglitz, Paul Strand, Lewis Hine and others are also interesting and provocative.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

On view are Illustrations by early modernist Arthur Dove and others, a genre group by John Rogers, experimental photography by Martina Lopez, abstract work by James Rosenquist as well as works by Alonzo Chappel, François Girardon, George Grosz, Daniel Ridgeway Knight, Henry Varnum Poor, Adolf Schreyer, and others.

This year's Standard Bank Young Artist Award winner — a prestigious early - career prize previously won by William Kentridge and Pieter Hugo — Modisakeng has parallel interests in photography and video.

His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

In the mid-19th century, a sudden cultural mix of early photography, science à la Darwin and fantasy by way of Lewis Carroll fueled an ironic response from certain educated Victorian ladies, whose pastimes included scrapbook diaries, parlor games (such as exquisite corpse) and — as on vivid display at the Met — photocollaged family albums.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Marking the culmination of a year - long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

Artist Larry Clark, born in Tulsa, Oklahoma, gained early insight into the art of photography by assisting his mother with her portrait business.

Over the past twenty years, Fuss has created a distinctive style by reinterpreting some of photography's earliest techniques, particularly the camera-less methods of the daguerreotype and photogram.

Russian Photography after the Revolution will feature rare, large - format gelatin silver prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in early twentieth - century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).

Cézanne's influence on early 20th - century American photography is examined for the first time with examples by Alfred Stieglitz, Edward Steichen, Paul Strand, and others who played a pivotal role in introducing modernism to America.

Works by Eadweard Muybridge and Etienne - Jules Marey demonstrate the impact of early photography on our concept of truth, time, and movement.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.

Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of conceptual art all grouped in arrangements to emphasize the range of possibilities offered by photography as a medium.

Brydelsky's work aims to build upon their earlier technology of paint and brush by incorporating multi-media elements of photography, encaustic and collage.

Borrowed Light will present a visual history of photography from its inception in the 1840s to the present day, chronicling various photographic processes, techniques, and artistic approaches — from an early half - plate ambrotype of Niagara Falls, to a Polaroid self - portrait by a young Robert Mapplethorpe.

Alongside early works by Georgia O'Keeffe, cityscapes by Edward Hopper and photographs by Alfred Stieglitz, Paul Strand and Edward Weston are rare loans such as a painting by E E Cummings, better known for his poetry, and Edward Steichen's c1920 work Le Tournesol (The Sunflower)-- one of the few paintings not destroyed by the artist when he turned to photography and not seen in Europe since being shown in Paris in 1922.

Be sure not to miss the solo shows such as Back - Drop by Alain Bublex presented by Georges Phillippe & Nathalie Vallois from Paris; Message to the Future by Danny Lyon presented by Etherton from Tucson; Twenty Photographic Pictures by David Hockney by David Hockney presented by Galerie 1900 - 2000 from Paris; solo show by François - Xavier Gbre presented by Fakhoury from Abidjan; Fred Herzog: Early Color Street Photography by Fred Herzog presented by Equinox from Vancouver; but also duo shows Creative Destructions by Stephanie Syjuco and Nina Katchadourian presented by Catherine Clark from San Francisco and No Joke by Roger Ballen and Asger Carlsen presented by DITTRICH & SCHLECHTRIEM from Berlin and V1 GALLERY from Copenhagen, among others.

The Met has done well by the Met Breuer, restoring a landmark building and opening with a blockbuster, «Unfinished,» soon followed by insightful looks at early Diane Arbus, Marsden Hartley, photography in India, and more.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

Painting suffers a crisis of faith during the rise of photography and the Pictures Generation, and Rudolf Stingel puts ornament once again on trial, though now by appropriation; Untitled (1992) instructs us how to create a painting, just as Seuphor proclaimed «le néo regard» («a new way of seeing») more than six decades earlier.

4 - 5 p.m. Lecture: «The Positive Image: Early Photographic Processes,» by award - winning photographer Phil Nesmith, who offers an overview of photography's early days and today's renewed interest in 19th - century meEarly Photographic Processes,» by award - winning photographer Phil Nesmith, who offers an overview of photography's early days and today's renewed interest in 19th - century meearly days and today's renewed interest in 19th - century methods

The group show curated by Katherine B. Cone and Jon Cournoyer is a selection of photography, art and ephemera from the California punk and hardcore scene emphasizing the explosive period of the late 70's to early 80's.

From early works by the founding father to a new series by a modern - day innovator, these are the photography shows to see this season.

Featuring artists Lori Nix, Torbjørn Rødland, and Teija Isorättyä, and moderated by curator Dr. Patricia Berman, this panel will consider the ways in which Munch experimented with photography in his private practice, and how the artist's early experimentation and self - reflective strategies corresponds to the innovative, performative, and creative measures employed by artists working in photography today.

The earliest acquisitions were images by Luke Swank, Walker Evans, George Platt Lynes and László Moholy - Nagy purchased in 1933; photography became a regular part of the exhibition and acquisition program in the 1960s.