Sentences with phrase «early photography came»

Not exact matches

Webb came onto the scene during a golden age of photography, in the late 1930s and early»40s, alongside artists like Margaret Bourke - White, Ansel Adams, Henri Cartier - Bresson, Dorothea Lange, and Gordon Parks, to name just a few.

Bring your camera and come early in the day to make use of the bird photography blind.

The butterfly farm is a rare opportunity for photography and a sure delight for visitors of all ages.Special offer Your admission ticket gives you a free pass for the rest of your vacation, so come early and visit us often.The Butterfly Farm is located at Palm Beach.

However, photography's invention came earlier, with the lens» (apparent) empirical means to capture subjects in ways superior the eye of the artist, and thus lay bare and freed, forcibly perhaps, Western artists to seek other means and methods of expression.

provides a contemporary counterpart to Paper Promises: Early American Photography, which outlines the ways in which photography on paper only belatedly came to be popularized in the United States in the mid - to late nineteenPhotography, which outlines the ways in which photography on paper only belatedly came to be popularized in the United States in the mid - to late nineteenphotography on paper only belatedly came to be popularized in the United States in the mid - to late nineteenth century.

The threads that can be teased from these different approaches remind us that photography itself comes from science, and that its early practitioners were as varied as their contemporary descendants.

A leading documentary photographer who was active in the New York Photo League in the 1930s, Siskind moved beyond the social realism of his early work as he increasingly came to view photography as a visual language of signs, metaphors, and symbols — the equivalent of poetry and music.

This timely exhibition is drawn from two facets of Neil K. Rector's world - class art collection: Soviet and Russian photography from the 1970s to the early 1990s, and the work of Moscow - based unofficial artists who came to prominence in the 1960s and 1970s.

Ulrike Ottinger is a German filmmaker, documentarian and photographer that came to filmmaking in the early seventies via a career in the visual arts (painting, works on paper, photography, and performance).

Brian Griffin has been early on recognized as one of the most eminent British photographers of the seventies and eighties and as part of the «British Photographers of the Thatcher Years» with Martin Parr, Paul Graham, Graham Smith, Jo Spence and Victor Burgin, with whom he has exhibited in many iconic exhibitions: Young British Photographers at the Museum of Modern Art, Oxford in 1975 that toured in Europe and the United States; Portraits of Our Time at the Photographer's Gallery in London in 1978; Three Perspectives on Photography: Recent British Photography, Hayward Gallery, 1979, among Martin Parr, Graham Smith, Jo Spence, Victor Burgin; Ten Contemporary British Photographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festival in 1986.

Her early work was initially in dialogue with minimalism but quickly spiraled out into ideas about hybridity and what has come to be known as the «post-medium» condition, a blurring of traditional distinctions between media such as painting, sculpture, and photography.

A shift came in the early twentieth century with the emergence of two related innovations: the so - called Neues Sehen, a tendency in photography and visual art propelled by the development of modern camera technology, and the Neues Bauen in architecture and urban design; the nexus between them is exemplified by the work of László Moholy - Nagy, who taught at the Bauhaus.

The announcement came in the midst of her mid-career retrospective, «Carrie Mae Weems: Three Decades of Photography and Video,» a monumental exhibition that concluded at the Guggenheim Museum in New York earlier this year.

As Wall engaged further with his own artistic practice throughout the late»70s and early»80s, a photography scene was beginning to emerge around him — a loose group of contemporaries who would come to be called the Vancouver School (including, among others, Rodney Graham and Ian Wallace).

«I wanted to have something more thematic and open to other techniques than the old chronological history of photography starting with early 19th century and going to contemporary,» says Bajac, who came last year from the Pompidou Center and wants to bring additional international perspectives, including those of Latin America and Africa, to his department.