Sentences with phrase «early photography into»

Since 2014 Thomas Ruff has been working on his Negatives, a series in which he converts the typical sepia tones of early photography into cyan tones, thus not only harking back to the cyanotypes o...

Not exact matches

Image via Qiu Yang Photography Earlier this week I went into frenzy of beer battering, thanks to this recipe for Beer Battered Avocado Wedges from Avocado and Ales, which I adapted to create these beyond moreish Tofu Nuggets.

I got into photography earlier this year when I started my blog.

I go back and read some of Michael Roberts» early writing, before he moved into doing illustration and photography.

The way life is somehow breathed into this crumbly den, the way the evocative sound design pounds at the audience's ears and the way the stunning black and white photography always allows viewers to investigate the frame and find tiny nuances they hadn't seen earlier.

I wanted to make good on a failed solo attempt at this peak some 13 years earlier when my backpack rolled off a cliff and into a river gorge in a self - timed photography - related accident.

Artist Larry Clark, born in Tulsa, Oklahoma, gained early insight into the art of photography by assisting his mother with her portrait business.

Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.

One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..

With much of the work in «The Order of Things» focusing on the individual and cultural identity, the exhibition also includes a large selection devoted to vernacular photography from the late - nineteenth and early twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.

[4][5][6] Graham Thompson wrote «One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s.

The grapes are blended in a state - of - the - art cuverie designed by Jean Nouvel, visitors are ushered into the complex via a new art centre designed by Tadao Ando, and the latest architectural addition unveiled earlier this year is a semi-buried photography pavilion created by Renzo Piano with the dual function of «displaying art and preserving wine».

[19] «One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s.

Biography: Drawing from his early theatrical training, and influenced by historical methods of staged photography and constructed set design, Barry Underwood seeks to transform ordinary, everyday vistas into unique, and often surreal, experiences.

Symposium subjects included, among other things, discussions of Alfred Stieglitz as a major proponent and supporter of early American Modernism, the ways in which art critic Clement Greenburg's definition of Modernism shaped thinking about this issue for generations yet was exclusive to issues of race, gender and politics, the role of photography figured prominently into the dissemination of the term «modern,» and the many ways photography has played a major role in shaping the history of Modernism in America.

Drawing from his early theatrical training, and influenced by historical methods of staged photography and constructed set design, Barry Underwood seeks to transform ordinary, everyday vistas into unique, and often surreal, experiences.

Photography was my entryway into making, and I didn't start making until I was in my early 20s.

An avid collector of vintage postcards, Wegman first turned a group of postcards into a painting while working on an artist's book in the early 1990s, melding real and fictive space and photography with the whimsical effects available to painters.

Brandt is known for employing early processes that celebrate the material essence of analog photography, while van Empel's digital composites result from the meticulous assemblage of hundreds of the artist's own source photographs into one photorealistic image.

These works relate specifically to installations that were conceptualized, and sometimes realized in the early part of the artist's career — a time when Nauman's ideas were spreading into multiple mediums including sculpture, performance, video, photography, film, and sound.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

During the early 1960s Kitaj concentrated on combining figurative imagery with abstraction and began to incorporate collage into his paintings, drawing on photography and cinema and referring to historical events and political circumstances.

The works on display at kurimanzutto are echoes of these early experiments, now crystallized into a variety of gestures and forms encompassing sculpture, photography, as well as drawing and painting.

And Bunnell's 1970 MoMA exhibition, Photography Into Sculpture, introduced 23 artists, including Robert Heinecken who early on challenged art's categorical genres.

Her early work was initially in dialogue with minimalism but quickly spiraled out into ideas about hybridity and what has come to be known as the «post-medium» condition, a blurring of traditional distinctions between media such as painting, sculpture, and photography.

Mr. LeWitt's art collection breaks down into five main areas: Arte Povera, early Conceptual Art, English and European sculpture, vintage photography, and Minimal and Conceptual graphics.

The exhibition, comprised of reclaimed ephemera, film, photography, sound, and more, links these early migrations with the movement of more than 80 Asian, Black, and Latinos from America to Cuba between 1968 and 1971 — a time typically associated with Cuban exile into the US.

After making her debut with steel and colour objects in the late 1960s and early 1970s, her practice shifted into still photography and video.

As the artist told Roxana Marcoci in an interview after winning the Hasselblad Foundation International Award in Photography in 2016, «Early projects like the Television Spots and Monodramas were all about an alienation effect, putting an irritant into broadcast television by means of these counterfeit advertisements to make people look at the context around the ads in a different way.»

I would also love to see a post sometime about how the two of you got into photography and what your early experiences were.