Sentences with phrase «early photography techniques»

Photographer Stephanie Dowda, who maintains strong ties to Atlanta as she pursues an MFA at Virginia Commonwealth University in Richmond, similarly draws upon early photography techniques employed by occult aficionados.

Not exact matches

Colourful and informative, it includes: - tips on editing - key words - writing about own photographs - the photography project process - How to analyse a photographer - Assessment objectives - Photoshop tool bar - photoshop shortcuts - Photoshop techniques - step by step Also included is a version with blanked out sections, which I used as an investigative lesson early on in the course where students had to fill the gaps.

Fuss's work is distinctive for its contemporary reinterpretation of photography's earliest techniques, particularly the camera-less methods of the daguerreotype and photogram.

Over the past twenty years, Fuss has created a distinctive style by reinterpreting some of photography's earliest techniques, particularly the camera-less methods of the daguerreotype and photogram.

Borrowed Light will present a visual history of photography from its inception in the 1840s to the present day, chronicling various photographic processes, techniques, and artistic approaches — from an early half - plate ambrotype of Niagara Falls, to a Polaroid self - portrait by a young Robert Mapplethorpe.

A range of techniques including painting, sculpture, graphic arts and photography will be showcased thematically rather than chronologically, aiming to highlight dialogue between eras, revealing how certain artists have been prompted to reinterpret earlier works.

Clark learned photography early (his mother was a photographer of babies) and there's a great deal of darkroom technique behind these pictures.

In her essay «Perpetual Inventory,» Rosalind Krauss provides an appropriately sophisticated discussion of Rauschenberg's understanding of photography as expressed in the early 1960s, when he adopted the silkscreen technique.

The shock of Richter and Andy Warhol's early work was a combination of subject matter, new techniques and an unflinching approach to photography.

SEEING DOUBLE Nolan Preece / Kaethe Kauffman curated by Liz Gordon in collaboration with Katharine T. Carter & Associates OPENING RECEPTION SATURDAY FEBRUARY 18th 7 — 10PM exhibit featured 01.18.17 — 03.20.17 A photographer for over forty years, Nolan Preece has devoted his work to understanding and mastering the challenging techniques of early photography -LSB-...]

If in his early work, he favoured almost intangible media (ultrasound and magnetism), recently Barry has moved closer to traditional techniques such as painting and photography.

Having studied photography, his earliest works were two - dimensional collages that combined his own drawings, geometric shapes and found images with antique etchings of volcanic landscapes, employing the old fashioned technique of photo etching to create the final — distinctly uncanny — images.

The resulting marks are reminiscent of photograms, a cameraless photographic technique developed by early photographers but often associated with experimental 20th century photography.

For more than three decades, Adam Fuss (b. 1961) has created a body of work distinctive for its contemporary reinterpretation of photography's earliest techniques.

Exclusive to the Dallas presentation is a special section that illustrates the technology and techniques of early photography through works from the Dallas Museum of Art's collections as well as loans from the Amon Carter Museum.

The photographic techniques I employed likewise refer to the early history of photography.

The final section, «Protoshop,» presents photographs from the second half of the 20th century by Yves Klein, John Baldessari, Duane Michals, Jerry Uelsmann and other artists who have adapted earlier techniques of image manipulation — such as spirit photography or news photo retouching — to create works that self - consciously and often humorously question photography's presumed objectivity.

Kassay is perhaps most well known for his silver paintings, made using an electroplating technique that references early photography, which warp the reflection of their viewers as well as depicting subtle changes in light throughout the day.

«I wanted to have something more thematic and open to other techniques than the old chronological history of photography starting with early 19th century and going to contemporary,» says Bajac, who came last year from the Pompidou Center and wants to bring additional international perspectives, including those of Latin America and Africa, to his department.