Sentences with phrase «early pieces such»

You can see his earliest pieces such as Secret Woman — one of the first acknowledgements of Perry's transvestite alter - ego Claire — as well as more recent works such as The Huhne Vase.

Not exact matches

There are some factors that can increase the potential «virality» of your piece, such as making it long and detailed, adding elements of humor and surprise, and giving it an early push on social media, but it's also a game of timing and pure luck.

Then, by looking at the existing manuscripts today, and piecing together what we have and comparing it to a modern Bible such as the NASB, it is not hard at all to see that the Bible that we hold in our hands today is the same doc.ument quoted by the early church fathers who researched and verified all that they could.

Although the links of an earlier feminism between women and peace seemed totally broken in such a gathering of militant feminists of the 1970s, in fact bits and pieces of the old assumptions still survive today in feminist ideology.

Unfortunately, Britain risked such tinkering earlier this week, when it communicated a veiled threat to the Ecuadoreans that it might consider applying an obscure piece of UK legislation — the 1987 Diplomatic and Consular Premises Act — and enter the embassy to arrest Assange.

The piece was particularly popular overseas, as confused onlookers tried to establish what had caused such an outbreak of violence in a city which just weeks earlier has celebrated the pomp of the royal wedding.

One Region Forward will confirm such a vision as an early piece of the work, but we are not starting from scratch to define where we want to go.

«Human expressions such as yawn, sneeze, or giggle were used for earlier pieces.»

McKellar, working with Phillip Currie, studied beautiful cache of 11 such pieces that had been recovered from Grassy Lake, Canada many years earlier.

«In the 19th and earlier 20th century excavation of caves such as at Creswell Crags and Cheddar Gorge provided the first evidence for the archaeology of this period but open air sites were missing pieces of the jigsaw.

I wrote about this in an earlier MindBodyGreen piece, but it seems to be such a universal theme that I thought I would vlog about it.

Early on I realized the versatility of this classic piece but never really understood why it held such a prevalent statement in my everyday style.

For his part, though he doesn't exactly top the gritty, straightahead car chase that anchors the otherwise routine Bullitt, director Peter Yates revs up a few action set - pieces, such as a tense moment early on when scooter - riding Berke and Sanders are driven off the road by a big truck, a lengthy shark attack, and an explosive finale.

It is a buoyantly excessive feat of far - fetched camp that isn't as good as its highly - stylized cinematic cousins of the early 1990s such as Strictly Ballroom, The Adventures of Priscilla Queen of the Desert, and Hogan's own Muriel's Wedding, yet which nonetheless has enough of a unique voice to work as a very Australian piece of crowd - pleasuring fluff.

Admittedly, this change will take some time to gain momentum, but with early adopters such as Articulate (and the less vocal Adobe Captivate) jumping on board, all the pieces are in place for this new standard to flourish.

Have them revise a piece of earlier work for a real audience, such as social media, next year's teacher, another student, or a parent.

Unlike other companies vying for a piece of the primitive PC market in the early»80s, such as Apple and Commodore, IBM built its machine from non-proprietary parts.

Earlier this year «System and Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of vernacular artists such as Morton Bartlett, a doll maker who photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt apocalyptic fervor; and George Widener, a living artist whose mixed - media pieces entail complex mathematical and calendrical calculations.

In the late 1930s and early 1940s in pieces such as «PH - 313» (1942), the artist starts to move «closer to his abstract expressionist style,» says Dean Sobel, director of the Clyfford Still Museum in Denver.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

Cage mentioned Robert Rauschenberg's early white paintings as an inspiration for «4» 33»» - the soundless piano piece whose performance makes his point that «there is no such thing as silence,» only failures of attention.

The Met show features a number of early Kruger pieces with cutting texts, such as I Can't Look at You and Breathe at the Same Time (1981 - 84).

It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and will premiere in North America at DHC / ART.

Well, Jesus walks in Chelsea this month at Gladstone, where an early pair of videos that Barney filmed of 1991 performances at the gallery — which involved such «Cremaster» - era motifs as petroleum jelly, Houdini, and palindromic footballer Jim Otto — will be on view alongside other related pieces, bringing the work together for the first time in a quarter century.

Earlier major works have included large - scale pieces that often hinge on a single fundamental element, such as fire in this year's interactive performance piece The Burning Boards, and sand in 2004's Sandcastle, which was part of the Whitney Biennial.

Starting as early as with Matisse and presenting a curated selection of major modern masters such as Julio Gonzalez, Joan Miró and Roberto Matta, the show will feature also some seminal Russian avant - garde pieces by Rodchenko, among them Spatial Construction, redefining the concept of image and space in its entire understanding.

When the CAMH survey show came together, Jones was surprised to see how those early drawings evolved over a decade into three - dimensional pieces, such as the works of her «SHHH» series, which are made from noise - cancelling electric guitar cables that she «plugs» directly into walls.

Her early work used materials such as beeswax before she moved on to large polyurethane pieces in the 1970s, and later to gold leaf, zinc and aluminum.

The rare, sculptural collages, which are eulogies and odes to punk stars such as Ricky Williams, Frankie Fix, Johnny Strike, and De Detroit, bare a striking resemblance to Conner's assemblage pieces from the early 1960s.

Displays have included canvases by early modern masters such as Picasso and Braque, Dada and Surrealist pieces by Duchamp and Ernst, and contemporary work by Simon Starling.

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

The selection of works, again arranged retrospectively, extends from Serra's early pieces in rubber and lead, such as the Belts, 1966 - 67, and Lead Props, as well as his characteristic steel sculpture Strike: To Roberta and Rudy 1969 - 71 and Delineator (1974/75).

Installed with forms that Judd would become known for, such as stacks and progressions, were earlier pieces in wood that Judd made with the help of his father in 1963.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

The Herd series relate to the artist's angular metal pieces from the 1980s and early 1990s, such as Deux Pattes (1981), Mangueria (1981), and Trois Pattes (1991), as well as his painted bamboo pieces, including India Hanuman (1981) and Kali (1981).

It will range from very early drawings from his days as a studio assistant to another giant of British sculpture, Henry Moore — some with scribbled corrections by Moore himself — to jewellery - sized wearable pieces and giant sculptures big enough for visitors to walk into, such as his 1983 wooden sculpture Child's Tower Room.

Throughout her youth, Kara began experimenting with various avant - garde styles, creating pieces in order to tell a story or make a statement rather than achieve beauty or perfection — in that sense, her work was much closer to the earliest avant - garde movements of Europe than her contemporary fellow artists such as Jasper Johns, who also dabbled in explorations of the early 20th century art.

It's clear there has been an evolution in the artist's stacking: from earlier works such as Minster — several piles of «abandoned pieces of scrap metal» — to gleaming forms from the last decade, which Cragg more elegantly describes as «stacked horizontal ellipses».

Like his earlier works, these pieces are assembled from found materials such as pieces of wood or packaging, or cast in bronze and covered in white paint and plaster.

An early practitioner of body art, Oppenheim often utilized his body as an art form, favoring brief, performative pieces over durable mediums such as painting or sculpture.

His tiled pieces (also seen at the FEEL UP collaboration with Eddie Peake at Lismore Castle in Ireland in early 2015 and his first solo show home from home at Arts & Jobs London in 2012) as well as the steam like aluminium panels (also shown at Jhaveri Contemporary in 2014 and Gwangju Biennale of the same year and at He Looked Me Up at Marian Cramer gallery in 2012) resemble the interior architecture of specific public spaces such as toilets, saunas and bathhouses.

Displaying early works from the 1960s alongside recent pieces, this new retrospective explores timely themes such as climate change, animal extinction and gender identity.

Yet pieces such as Salvadori's «Continuo Infinito Presente» share the earlier artists» interest in simplicity, physicality and industrial materials: It's simply a circle of heavy steel cable, suggesting both a construction project and an enso, the swoop of black ink that represents enlightenment in Zen calligraphy.

This time, Mr. Gouzer and his fellow specialists at Christie's aimed to combine high - value, early - 20th - century works including Picasso, Giacometti and Monet, which would normally headline an Impressionist and modern sale, with desirable contemporary pieces by artists such as Andy Warhol, Jean - Michel Basquiat and Peter Doig.

His early pieces were made from welded iron rods, but he later used such materials as heat - shaped Plexiglass, paper, polyurethane, industrial rubber, brown paper bags, and aluminum foil before returning in 1974 to the use of auto body parts.

«Video Acts» concentrates on path - breaking pieces from the late»60s and early»70s by people such as Bruce Nauman, Vito Acconci, Joan Jonas, Nam June Paik, Peter Campus, William Wegman and John Baldassari: a history lesson from which every visitor will learn.

«Period piece» refers to films set in an earlier time period, that offer a cinematic snapshot of a historical moment, such as Charlie Chaplin's «Modern Times».

Magnetic Fields features early - and later - career works, pieces from specific series, several exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.

The piece, which sold early in the weekend, is a fascinating departure from the hyperrealistic sculptures of human figures and plants for which Matelli is best known, as seen in such prominent recent public installations as the High Line.

That literalist quality is extended in these functioning pieces: their radical blurring of art and life recalls earlier conflations of sculpture and useable furniture by artists such as Franz West, with whom Lucas collaborated on several occasions, and the American artist Scott Burton.