Sentences with phrase «early printed series»

First inspired by the printed book in the late fifteenth century, early printed series frequently depicted narrative subjects drawn from literary sources.

Not exact matches

Earlier this year, Boston - based 3 - D printing company Voxel8 raised $ 12 million in Series A funding.

One of the earliest printed fictional diaries was the humorous Diary of a Nobody by George Grossmith and Meg Cabot is a # 1 New York Times bestselling author of books for both adults and tweens / teens including Princess Diaries, Mediator and Heather Wells Series.

«Fox and His Friends» is actually the 14th film in the collection, including the early works collected in «Eclipse Series 39: Early Fassbinder» (although some, including «The BRD Trilogy,» are out of prearly works collected in «Eclipse Series 39: Early Fassbinder» (although some, including «The BRD Trilogy,» are out of prEarly Fassbinder» (although some, including «The BRD Trilogy,» are out of print).

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While I would prefer getting this series digitally, I do have to admit that Tokyopop's early prints of the series were very nicely done with gold imprinting on the cover to make it extra sparkly!

Among the books arriving next week with waiting holds queues, is Debbie Macomber's next, Rose Harbor in Bloom, (RH / Ballantine; RH & BOT Audio; RH Large Print), released in time to take advantage of the Hallmark series based on Macomber's earlier books, starring Andie MacDowell.

Earlier this month, Lexington Law Firm published «Credit Cards: What We Found In The Fine Print,» a series of infographics featuring statistics about information found in the fine print of credit card agreement contrPrint,» a series of infographics featuring statistics about information found in the fine print of credit card agreement contrprint of credit card agreement contracts.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

Tokyo Color highlights Moriyama's long engagement with color photography, featuring a slideshow of his early explorations with color film, alongside a series of his recent color prints.

Robbins became a prolific printmaker producing series of serigraphs, lithographs and woodcut prints throughout the 1940s, 50s and the early 60s.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technique.

Meditation has as its foundation, as do his earlier signature Ink Pieces series, multitudes of characters which are printed on the paper one by one using lead type found by the artist.

Showing the artist's growth as a painter and his continuing interest in uniting painting and photography to test new strategies of figuration, the series, which debuted in London earlier this year, actually includes photos that the artist took himself and ink - jet printed onto the canvas (along with some photos he didn't).

American Epics: Thomas Hart Benton and Hollywood, a series of paintings, lithographs and prints from the early 1920s through the 1940s, will be on display at the Amon Carter Museum of American Art Feb 6.

That is because the titanic success of LOVE, which grew out of an early 1961 painting titled 4 - Star Love and evolved into a beloved series of prints and sculptures, cast the rest of his extensive career's worth of work in shadow.

There's his famous hypercolor, hypercontrast prints of hibiscus flowers; his tabloid «Death and Disaster» series from the early 1960s; square celebrity portraits of Elizabeth Taylor, Marilyn Monroe, and Jean - Michel Basquiat; a 1986 self - portrait of the aging artist in his «fright wig»; a grouping of massive Pop - ified Chairman Maos; and stacks of Brillo boxes.

The show included two mixed - media works from Hirst's series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown alongside an important early work, a photographic print sealed on aluminium, «With Dead Head» (1991).

LOS ANGELES — An early collector of Cindy Sherman's photography, Eli Broad has boasted about buying prints from her now - celebrated «Untitled Film Stills» series back in the early»80s for only $ 150 to $ 200 each.

In Shin's earlier series of relief prints, Pressed, the artist has used a collographic process — taking her own blouse, pair of jeans and coat and deconstructing them into fabric cut outs and seams to create the printing surface.

This exhibition highlights Continuous Reproduction, 1993, an early series of twenty - five gelatin silver prints that appropriates a propaganda image of young peasant girls to comment on the unsustainability of Mao's utopic vision.

Sue Williamson has been a key figure on the South African art scene since the early 1980s when she produced A Few South Africans, a groundbreaking series of portrait prints featuring women in the struggle against apartheid.

-- 21.10.2012 4th floor, A-wing, Cabinet of Prints and Drawings The one - room exhibition introduces the early work, from the 1970s, of the designer Jüri Kaarma (1950 — 2011), and the series of charcoal drawings Deaths and Entrances, which is here presented for the first time.

The series is printed as archival inkjet on highly textured watercolour paper giving the works a painterly style reminiscent of early Japanese watercolours and a tactile quality that harks back to Pictorialist aesthetic values.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

For this new series of printed transparent work (which is a continuation of his earlier series «Death Imitates Language») Van den Dorpel focuses on the structure of «nesting»: a strong organizing principle found in architecture, software development and human language.

The «Aluminum Series» prints were based upon paintings he created around a decade earlier.

Warhol based his Vesuvius (1985) print series on a painting from the early 1800s by the Neopolitan artist Camillo de Vito, Eruzione del Vesuvio.

Created early in his practice, Hammons's Body Print series (example at left) utilizes grease on paper to produce translucent images that resemble x-rays and recalls Klein's Anthropometries, in which women's bodies were used as paint brushes.

We will be presenting a work on paper by Mark Rothko from 1957, a suite of prints from the 1960s pop series by Roy Lichtenstein and a classic black and white work from 1955 by the abstract painter Franz Kline as well as two early works by Andy Warhol from 1964, one an iconic painting from his Electric Chair series, the other a silkscreen on paper from the Race Riot series.

Another early series, «Brown Polaroids» (1988), consists of four prints of brown velvet drapery, which Welling has said were inspired by imagining the 19th Century abstractly (think Victorian fabrics plus Industrial Revolution).

In 1887, the acquisition of nearly 700 prints from Muybridge's groundbreaking series Animal Locomotion initiated the Corcoran's early interest in photography.

Early prints like «Death of an Ant» (1956), with its magnified subject twisted in what seems an almost human agony, served as precursors to works like «To Edgar Allan Poe» (1971), a haunting series of lithographs that evoke the romantic sturm und drang of a poet Mr. Oliveira admired deeply.

A series of prints entitled Disasters of War, which he made during the conflict between Spain and France in the early 1800s, depicted the brutality and suffering of war so graphically that they were not published until after his death.

The exhibition, Prager's first solo museum show in the US, will also feature 30 prints and three films from her earlier series.

Other works, including four earlier light pieces and a series of prints, were weaker, partly because they had no force in relation to the overwhelming scale of Aten Reign.

The exhibition will also present a selection of the NY legend's early sketchbook drawings, along with a series of lithographs commissioned by gallery matriarch Barbara Gladstone in 1982, which would serve as the first prints ever produced by the iconic artist.

Kawase Hasui (Japanese, 1883 - 1957) Hori River, Obama from the series Souvenirs of Travel, First Series, early autumn 1920, woodblock print, ink and color on series Souvenirs of Travel, First Series, early autumn 1920, woodblock print, ink and color on Series, early autumn 1920, woodblock print, ink and color on paper.

On the mezzanine level, the three hundred stacked cardboard cartons in Box Sculpture engage the majority of the space, but if one explores around all sides, one finds a haphazardly placed series of nine framed prints, some leaning against the sides of the large sculpture, which offer selected images of the artist's earlier work.

Evoking the character and energy of the Jazz Age, the exhibition will be complemented by prints from Sheeler's «Doylestown House» series, early portraiture, and his photographs of modern sculpture, as well as period costumes.

These works consist of a series of printed, brightly colored forms held in place by stainless - steel tubing — a support system that also becomes part of the work, referencing the dialectic between image and object broached by his earliest works.

Included here are the twelve gelatin silver prints that comprise Roysdon's earliest body of work, Untitled (David Wojnarowicz project)(2001 — 07), in which she recasts Wojnarowicz's series Rimbaud in New York (1978 — 79), bridging a historical and contemporary dialogue of gender and identity.

Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.

Judy Pfaff: Paperworks, Year of the Dog, Pig, Rat, Etc. contains a recent series of small, delicate drawings juxtaposed with large - scale works on paper of varied motifs and prints based on the Chinese New Year that the artist produced at Tandem Press earlier this year.

In the early and mid - 80's he created series of captions that explored classical aesthetics from many angles, using new techniques and scale, such as Polaroids, photogravure, platinum, dye transfer prints and Cibachrome.

BUY ONE TONIGHT, READ IT FOREVER; THE BEST IN WORDS AND PICTURES; YOU ARE THE STORY: With that earnest air of hucksterism indigenous to an earlier time in American history, Allen Ruppersberg spins new narratives from old ones in his bright, sizable 1985 collage Cover Art (Wonder Series)-- a pristine composite of pasted - up texts like the above (whether in adlike tag lines rendered with vintage label - maker tape or via disconnected words and numbers torn from paper) and mostly midcentury print images (including a depiction of the pope, one of a monkey wearing a lab coat, and several nature

Another work in the show, Coke / Pepsi (155,172 Cans) is from an earlier series of Horowitz's of images of Coke and Pepsi cans printed on vinyl.

In a series of prints from the early 2000s, «The Laws of Nature,» cartoonish S&M scenes between a dominatrix and her lover - victim encapsulate her experience of love and marriage, an amalgam of pleasure, pain, succor, and abuse.

It presents, as evidence, over 100 prints offer a clear view of Stella's stylistic evolution — a series of reinventions from the minimalist geometric abstraction of the early years to the baroque exuberance of the later gestural work.