Over time, through their constant reconfiguration, the archive's various silhouettes began to lose their figurative quality, a process the artist likens to
early printing methods.
Not exact matches
Earlier this summer, Ford Motor Company showed off how it was testing 3D
printing technology to improve its manufacturing and create new prototypes of car parts more quickly than with conventional
methods.
Earlier this year, researchers at the University of Toronto working with Autodesk developed a new low - cost
method of creating prosthetic limb sockets using 3D
printing.
At each stage of the progression from
early woodcuts to steel engravings to modern
methods of
printing both line and full colour, the ability to reproduce more precise detail is possible.
The
method also represents an
early but important step toward building fully functional replacements for injured or diseased tissue that can be designed from CAT scan data using computer - aided design (CAD),
printed in 3D at the push of a button, and used by surgeons to repair or replace damaged tissue.
Echoing the original blotted - line
method that Warhol had applied in his drawings of the 1950s and
early 60s, his new mirrored abstractions were achieved through a fundamental
print making technique, folding an empty canvas over a freshly painted surface.
it was this
method of producing color
prints that in the
early 1980s helped Callahan achieve the desired form of expression for his colored work.
However, chromogenic
prints were an
early method for producing large scale
prints — and even today, digital c - type printers are capable of producing larger images than inkjet printers, which max out around 60 inches — which lead to the format's adoption by large format photographers, such as those of the Düsseldorf School.
With the vogue for Western science (rangaku, literally «Dutch studies») in the eighteenth century came a renewed, though marginal, artistic practice influenced by Western
methods and media that lasted into the
early nineteenth century; Western influence can also be seen in nineteenth - century
prints by such artists as Katsushika Hokusai (c. 1760 — 1849).
The artist's
earliest prints were executed as lithographs, a
method of printmaking that translates the drawn mark and the artist's hand more directly than other
methods.
Beginning with
early and ending with quite recent works — from the publication Gedruckte und ungedruckte Poster (
Printed and Unprinted Posters, 2003 — 2008) and the sequence of poster and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production
methods.
The usual factors to explain why books remain
print - bound include the preference of many for the «feel» of a book (and the ease of flipping through pages); the fact that e-books are usually only best read on a large monitor (on a desktop), making them less portable than a
print version; the lack of content in e-books; and the lack of a market and established distribution
methods, a point made
earlier on SLAW through a posting by John Davis.
Woodblock
printing seems to have been the
earliest method.