Sentences with phrase «early printing presses»

And, to soothe the anxieties of print - culture stalwarts, in sleep mode the Kindle displays retro images of ancient texts, early printing presses and beloved authors like Emily Dickinson and Jane Austen.

Not exact matches

While the White House did try to focus its wrath on Wolff and publisher Henry Holt and Company — attempting to impose a cease - and - desist order, only prompting an earlier release of the book — there are more in - depth reports already headed for the printing presses of which the administration should be wary.

You know those press releases we printed out earlier?

Pressed again to account for Ryan Cleary's altogether pessimistic feelings for both the NDP and Confederation, the NDP leader made variations on his earlier points, reassuring us of his assurance that Mr. Cleary was not a separatist and would never again refer to him in print as «Jackie Layton.»

That would mean earlier print deadlines; that's what's been going on in many areas, given press synergy strategies, and it's one that remaining print readers are getting accustomed to.

Even so, the printing press was not a «mass» medium in the sense of reaching everyone; most people were spectators of the religious drama that was unfolding in the new medium — as in the early years of the Internet, when most people did not have access.

The project is due to begin in early 2017, following the installation of a new digital printing press in April of this year.

Codimarc, based in Oliveira Sao Mateus, Portugal is about to take its first step into digital colour label printing when it takes delivery of a Domino N610i inkjet label press in early December...

Press Statement by Andy Owusu, Special Aide to Chairman Wontumi: My attention has been drawn to a statement circulating on social media supposedly issued by one Evans Nuamah, said to be the manager of Madison Hotel, the place where some NDC thumb - printed ballot papers were seized earlier this morning.

Silver's press secretary, Mike Whyland, said the last batch of bills weren't printed until Sunday, which means they couldn't be voted on until Wednesday at the earliest.

WELCOME TO GOVERNMENT PRINTING PRESS The Government Printing Press, formerly «Imprensa Nacional», is the oldest Institution of the Government dating Rock art engravings found in Goa exhibit the earliest traces of human life in India.

An earlier press release stated that Author House had hit 50,000 titles as of Spring 2008 so, in theory, the total number of titles in print is currently 59,000.

In an earlier era, this involved complex typesetting equipment and printing presses.

In earlier times, before ebooks and print - on - demand technologies, vanity presses required the author to purchase a substantial number of copies of his or her book upfront.

I wasn't talking about hand written manuscripts, but rather the first print editions coming off the early presses in the mid-1500's, and even up through the mid 18th century.

As we mentioned earlier, print - on - demand presses such as Blurb, CreateSpace, and IngramSpark will offer you a sheet of trim sizes (Blurb's, CreateSpace's, IngramSpark's).

Although the school had done a limited edition of prints by three visiting artists including myself, I thought this use of the school's facilities very limited, so I suggested that the school invite my friend Kasper König, and later Benjamin Buchloh, to oversee the NSCAD — NYU Press to make monographic books that would involve such artists, musicians, and dancers as Simone Forti, Yvonne Rainer, Dara Birnbaum, Steve Reich, Michael Asher, and myself, as well as republishing the previously out - of - print early reviews and articles of Don Judd.

Elizabeth Armstrong and Sheila McGuire, First Impressions: Early Prints by Forty - Six Contemporary Artists (New York: Hudson Hills Press, 1989), 42.

In Shin's earlier series of relief prints, Pressed, the artist has used a collographic process — taking her own blouse, pair of jeans and coat and deconstructing them into fabric cut outs and seams to create the printing surface.

He began printmaking in early 1962 at Crown Point Press and had a distinguished position in the printmaking circles, despite the fact he only made around 100 prints and exhibited them in American galleries and museum shows.

These sculptures and others from the last twenty years are quite different from Hammons's body prints (the earliest works in the show), which he made by smearing his body in oils and pressing it against canvas.

Brown's alliance with New York's Parasol Press in the early»70s brought a roster of East Coast minimalist and conceptual artists to the Bay Area to make their first prints and helped Brown gain the reputation and connections to publish editioned works by artists of national and international renown, including LeWitt, Kounellis, Ed Ruscha, Richard Tuttle, John Baldessari and Helen Frankenthaler.

He travels to London to work at Petersburg Press, where he produces several prints based on early paintings, such as Hey!

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Earlier this year, Dzama made three new prints at Crown Point Press, which will be debuted here, and shown with behind - the - scenes / making of the art video.

Earlier this year he released print editions with Edition Jacob Samuel, Los Angeles; Cirrus Editions, Los Angeles; and Hamilton Press, Venice, California.

Judy Pfaff: Paperworks, Year of the Dog, Pig, Rat, Etc. contains a recent series of small, delicate drawings juxtaposed with large - scale works on paper of varied motifs and prints based on the Chinese New Year that the artist produced at Tandem Press earlier this year.

Ansel Adams (American, 1902 - 1984) Forest, Early Morning, Mount Rainier Park, Washington, 1949, printed 1950, from Portfolio II: The National Parks and Monuments, published by Grabhorn Press, San Francisco.

Since joining the Gallery in 1986, she has organized, collaborated on, and coordinated numerous exhibitions as well as authored and contributed to various catalogues: Three Centuries of American Prints from the National Gallery of Art (2016), Louise Bourgeois: No Exit (2015), Focus on the Corcoran: Works on Paper: 1860 - 1990 (2015), Yes, No, Maybe: Artists Working at Crown Point Press (2013), Shock of the News (2012), Stanley William Hayter: From Surrealism to Abstraction (2009), Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha (2005), Roy Lichtenstein: A New Gift of Drawings (2005), Drawings of Jim Dine (2004), A Century of Drawings: Works on Paper from Degas to LeWitt (2001), The Unfinished Print (2001), Prints Abound: Paris in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art (2001), Marc Chagall's Early Prints and Drawings (1995), The Great Age of British Watercolors: 1750 - 1880 (1993), Drawings from the O'Neal Collection (1993), Käthe Kollwitz (1992), Master Drawings from the Armand Hammer Collection: An Inaugural Celebration (1989), and English Drawings and Watercolors, 1630 - 1850 (1988).

Another early piece dealing with this sense of displacement is Untitled (Diane Arbus), 1992, a conceptual reconfiguration of MoMA's catalogue for a 1972 Diane Arbus exhibition, with the pages presented, not in the correct sequence, but in the order in which they came off the printing press.

In San Francisco for the opening of his print archive earlier last month, Mr. Ruscha made seven new etchings at Crown Point Press.

The official press release outlines the three areas to be included — Hebrew and Greek manuscripts, and early printed books.

It was an early, massive demonstration of how the printing press could give voice to a new European spirit of individualism.