Sentences with phrase «early recorded music»

It also reveals his reverence for cultural forms «destined to disappear,» from postcards and wall calendars to hand - painted signs and early recorded music.

Not exact matches

Laurence has had «quite an eclectic and interesting experience in the media,» said Tory, noting Laurence's early career involvement with the film and music recording industries, as well as pay television.

Paid subscriptions jumped 30 million in the quarter and increased by 100 million from a year earlier, he added, citing record sales in the categories of apps, music, extended warranties, Apple Pay and iCloud.

Coming from Cash, however, knowing that he spent much of his career at odds with his record company and / or music producers, and that he began making these recordings just after the peak of the earliest portion of his career, these renditions take on the authoritative voice in his catalogue.

Early MXPX albums, released on the then - small Seattle - based label, became some of Christian music's first crossover records and eventually achieved the band a major label deal while also garnering Tooth & Nail mainstream attention.

Perhaps it is interesting to look at some of the personal names in the early church recorded in the NT, Stephanas (the pagan Olympic games laurel wreath) Apollos (god of music and sun) Aquila (the eagle, the Roman animal emblem) Narcissus, Hermes, Nympha, Olympas, Artemus, Fortunatus, all derived from pagan mythology.

Last year, researchers in Finland and Canada found that patients in the early stages of stroke recovery who listened to their choice of music experienced improved verbal memory and attention compared with patients who listened to audio books or no recordings.

Before the first episode of the series even aired, he also won a small role in Brian De Palma's 1976 horror picture Carrie, and at the early peak of his Kotter success he even recorded a series of pop music LPs — Can't Let Go, John Travolta, and Travolta Fever — scoring a major hit with the single «Let Her In.»

People also remember her from her earlier work in the 1995 cult hit Empire Records and in her appearance with Alicia Silverstone in the music video of Aerosmith's «Crazy».

An early scene that sees Toni skipping rope and contemplating the world around her (her defining characteristic) is exemplary: all of a sudden, the soundtrack becomes possessed with what sounds like a piece of music originally recorded for a 1940s swamp - monster horror film.

Whit Stillman «s «The Last Days of Disco» attempted to be that film for the early»80s and the waning days of the»70s musical fad of choice; Michael Winterbottom «s «24 Hour Party People» captured the Factory records heyday of the late»80s; and now, behold, Mia Hansen - Love is bringing us «Eden,» a chronicle of the electronic music boom of the»90s.

The daughter of a record collector and professional Cellist, Levi learned to play instruments at an early age, eventually going on to attend Purcell School, Britain's oldest specialist music school for young musicians.

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But wait: didn't Apple more or less control the market for digital music in the early days of iTunes, and dictate prices to the major record labels in order to keep prices low?

In my early days, it was a matter of explaining how the Dolby Noise Reduction System improved a tape recorder's ability to record and playback music without an annoying hiss.

In my early teens I heard classical music emanate from my father's record player and I was hooked immediately.

Breaking from the traditional process of creating music for video games, the team actually recorded as many musical «moments» as they could early on into development.

Orchestral performances of the 8 - bit music were recorded and published as part of the Suite Wizardry series as early as 1989.

I thought the music in that game was fantastic, and I actually did two arrangements of Marble Madness songs on marimba for fun during the early days of recording for Night Game.

Dustin Adams and his jazz trio will play songs from the 1930s and early»40s, representative of the music in Still's record collection.

Its tempting to want to protect Clement Greenberg for sake of friendship and acknowledgement of his brilliance.I would agree with Alan that probably was best expoused in words on a page, altho he could be wicked in the studio, with his intuition and eye.I am more able to understand now his obsession with class, race, antecedents, personal biography and history.Co - incidentally Larry Poons friend T - Bone Burnett just produced a masterpiece which appeared on BBC FOUR on Arena.It was recordings of early American music, blues, cajun and country.What was so startling was the lyrics of dis - possession, poverty, betrayal and the way Pain if being alive was so universal.Despite his portayal as a formalist supporter of Noland and Olitski, Clem never lost his imigrant status.He had Soul in droves

The sound collection includes all forms of recorded sound, extending from the early days of wax cylinder recordings to today's digital creations, with recorded music, oral histories, lectures and many other types of recording held on formats such as shellac and vinyl records, reel to reel tape, audio cassettes and CDs.

This definitive, chronological visual record spans Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

The work as a whole is inspired by the producer Lee «Scratch» Perry's legendary Black Ark recording studio in Jamaica, the site where reggae and early dub music developed.

Title: Paula Scher: Works (concise edition)[Unit 37] Editors: Tony Brook & Adrian Shaughnessy Design: Spin Edition of 2000 «Paula Scher is the most influential woman graphic designer on the planet» Ellen Lupton Abstract: The Art of Design, Netflix Book This monograph covers Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

The multimedia duo syncs electronic music with historical recordings and film sourced mainly from NASA's earliest manned missions — and packed the house at Wilco's Solid Sound Festival at MASS MoCA last summer.

The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.

Mathilde Fernandez was brought up by a family of progressive rockers, and spent her early years attending performance art and music concerts; early encounters that were to be as informative as her mother's favourite Kate Bush record.

Taking the conversion of infrastructure — oftentimes cold, invisible technical systems — into a kind of lauded aesthetics that penetrate power structures as the point of departure, the trio plunges into post-1950s Chinese audio - visual materials — from the archive of the propaganda pictorial Renmin Huabao, government recordings, to politicized pop music from the early 2000s and their music videos — to trace an aestheticized infrastructure's horizons and its ideological workings.

(Ellen Lupton), This definitive, chronological visual record spans Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

It's back to school time, which means that leisurely breakfasts... [cue music] early morning sunshine bathing you through the windows, birds singing their happy tune while you slowly munch through a bowl of cereal, your happy children all around [record screeches and stops]... are over.

An early investor in Spotify has also said the firm had another plan up its sleeve to reduce its reliance on the record labels that provide so much of its music: Offer artists a platform to reach fans directly.

Library & Information Science Manager — Duties & Responsibilities Assist with operational management of the University of Pittsburgh archive department and associated collections Oversee reference services for patrons interested in use of library materials and services Develop a rapport with patrons and orient them to library collections, policies, and procedures Maintain detailed records regarding volumes, patron use, purchasing, employee schedules, and budgets Train and orient volunteers and junior staff members in policies, procedures, services, and collection materials Proficient in industry software including PubMed, CINHAL, MedlinePlus, Ovid, and EBSCOHost Monitor library ensuring an environment conducive to study and concentration Assist in the creation of a University of Pittsburgh LibGuide for the United Electrical Workers Collection Utilize Archivist Toolkit to create finding aids for the Paul LeBlanc Papers, the Garden Club of Allegheny County Collection, the Stanley J. Rainka Papers, and the Pittsburgh Chamber Music Society Papers Trained in early childhood language and literacy development theory and practice Design and implement engaging educational activities for preschool students Serve as liaison between school and families regarding student development and progress Assist with the planning and implementation of daily Children's Museum activities Foster an atmosphere of fun, enthusiasm, and dedication to education Provide administrative services including phones, faxing, filing, and data entry as needed Represent company with poise, integrity, and positivity