Xi had
earlier hit the headlines with his graduation
piece from Goldsmiths College, when he
scattered # 1,200 in a room and let the audience scramble for it in order to show «the greed at the centre of art and the mafia who run it like a market».
Judy Pfaff (a wall and floor
scatter piece that counters Reed's constraint with a kind of dissociative formalism — every time I see a photo of one of Pfaff's forever vanished
early installations, I have to catch my breath)