Sentences with phrase «early scene in»

Here are a few iPad screencaps from an early scene in that issue:

Uriah Arnham had me cracking up during an early scene in which his character sniffs a bunch of coke in a car and a crazy chase ensues.

Though Bigfoot often uses Doc (and his property) as an outlet for pent - up rage, his actions are driven by a displaced homoerotic tension, comically depicted in an early scene in which he brazenly fellates a frozen, chocolate - coated banana.

An early scene in Endless Poetry has Ricardo, a newly self - accepting gay friend of Alejandro Jodorowsky's, telling Jodorowsky that he wants to be more than friends.

There's a fairly early scene in which someone is shot, something that happens in movies all the time, except that this scene is agonizing, one of the most agonizing of its kind that you will ever see.

(Final Frontier holds another contender: an early scene in which the Enterprise crew is singing corny camp songs!)

An early scene in a strip joint — also teased in the trailer — sees Clarence and Rell accusing each other of either sounding like either Richard Pryor doing an impression of a white guy, or «John Ritter all the time.»

In an early scene in Chilean director Sebastián Lelio's A Fantastic Woman, performing on stage, the transgender, sultry nightclub singer Marina flirts with Orlando, her older lover and partner.

An early scene in Trophy unflinchingly follows of a group of South Africans as they take down a rhinoceros and use an electric saw to chop its horn off before setting it free.

«Nothing's been the same since New York, clinic» Tony Stark (Robert Downey Jr.) notes in an early scene in the new superhero adventure, treatment Iron Man 3.

In an early scene in Christian Petzold's 2015 Phoenix, protagonist Nelly Lenz lies in a hospital bed as her friend Lene Winter lists family and friends who have been murdered in the Holocaust.

An early scene in the movie finds a man suffering from dementia commenting that the movies these days are just «sequels and remakes» and are mostly «crap.»

There is an early scene in which Christy's brothers and other neighbor kids are playing soccer in the street, and crippled Christy, playing goalie, defends the goal by deflecting the ball with his head.

There's a wistfulness to an early scene in Snatched as she putters around her quaint two - story home: starting the draft of her profile on a personals site; checking the door locks to make sure she's tucked in safe; calling the kitties upstairs to bed.

Perhaps the most interesting segment is the dissection of one early scene in which viewers learn about which shooting locations were real and which were inside a studio (with surprising revelations).

There's an early scene in that movie where Washington Post editor Ben Bradlee meets with his publisher Kay Graham, who implores Bradlee to lighten the style section's coverage of President Nixon's daughter and her White House wedding.

«I feel like I can't breathe,» imparts desperate housewife Jill (Marianna Palka, who also wrote and directed the film) to her perpetually distracted and utterly assholish husband, Bill (Jason Ritter), in an early scene in the biting new comic drama, Bitch.

The song plays over an early scene in which, their two kids asleep, Jack and Kate have a rare opportunity for intimacy.

But after a pacy early scene in which courier Lara leads a wild bike chase through East London, the action reverts to the tried - and - true as the narrative focuses once again on tomb raiding, ruthless mercenaries, mad races through the jungle, much hanging from precipices, secret chambers being penetrated and dormant curses being unleashed after two thousand years.

The film's aspect ratio changes throughout for no discernible reason; an early scene in which Luisaidh witnesses a neighbour committing suicide is quickly forgotten; and the frequent never - explained sight of a naked man in another neighbour's garden just seems like the kind of quirky visual gag you'd find in a Richard Curtis movie.

Aside from an excruciatingly mannered early scene in which Angela and Ricky's Aunt Martha (Desiree Gould) comes on like Parker Posey chewing tinfoil while scraping a knife against a glass bottle with one hand and dragging her fingernails down a chalkboard with the other, the rest of the film is pretty plain: Sleepaway Camp is shot like a 1970s TV sitcom, and as a look back at anno domini 1983, it has a documentary quality.

The Benjaminian Writings on the Wall and Petzold's Archaeology of Genre In an early scene in Christian Petzold's 2015 Phoenix, protagonist Nelly Lenz lies in a hospital bed as her friend Lene Winter lists...

This early scene in the film, with the dirty, hateful mother laying among the detritus of the market — fish heads and guts and the such - as the child is born, and just as quickly discarded, is the first indication of how the director is going to be conveying the smells of the film.

Yet in an early scene in her new movie she's apprehensively clutching a guitar on a small stage, singing an original song over the hum of a...

In fact an early scene in which the mythology and back - story of the inhabitants of Barsoom is laid out in voice - over sent shivers up my spine recalling the opening scene of David Lynch's misbegotten 1984 film Dune, a failed big budget adaptation of classic science fiction literature hailed at the time as the «new Star Wars».

An early scene in a classroom, with sponge - like students gleefully soaking in misinformation, is particularly stirring.

During one early scene in which Lily and a psychiatrist (Henry Cusick) blithely chat about the scientific value of the brain over the heart, she defends the heart as something she's studied all her life, yet rarely understands.

I divulge this information because of how an early scene in «The Good Dinosaur» affected me.

«Overly sensitive viewers should avoid this enigmatic, ailing and, at times, shocking stylised black - and - white film due to the scenes of drastic violence towards animals»: unsurprisingly, the screening was more than half empty, all for the sake of an early scene in which a donkey is slaughtered.

I vividly recall being deathly afraid of an early scene in the movie that introduces the deformed character Sloth.

An early scene in Homesick finds the protagonist, Charlotte (Ine Wilmann), at her best friend's wedding reception.

An early scene in which the Tramp imitates a fairground automaton showcases Chaplin's supreme understanding of cinematic rhythm, and another where the Tramp finds himself inside a lion's cage reveals a rare level of commitment and meticulousness.

An early scene in «Mustang» shows five sisters, orphans being brought up by their grandmother (Nihal Koldas) and uncle Erol (Ayberk Pekcan) some six hundred miles from Istanbul, giving off enough energy to light up both New York and Kansas City.

Still, the film seldom pushes beyond the bare - minimum dictates of the thriller, only rarely offering up a memorable action sequence, as in an early scene in which Logan's struggling with an armed assassin in a moving car continues after the vehicle falls off an overpass and crashes.

This is best exemplified in an early scene in which Jiro finds a photo showcasing that Caproni was successful in creating a massive plane that could carry dozens of passengers.

I always thought it was mainly prowar, so I got some satisfaction from seeing an early scene in Jarhead that shows marines at their Mojave Desert base in 1990 watching the movie on video.

Similarly an early scene in which Adèle fantasizes about the blue - haired girl while masturbating is a little anomalous to the rest of the film, again, not thematically, but stylistically as we see what she's thinking in a way we never do again.

There's a grisly early scene in High - Rise that provides a stunning counterweight to the film's weirdly serene set - up, where Tom Hiddleston's Dr Robert Laing becomes acquainted with the tower block that will later consume him.

Cage reveals the same general desire to be taken seriously as an actor again here that was already on display in the recent «Joe» and «The Dying of the Light,» right from an early scene in which his Colin Pryce makes an emotional testimony before Congress about the impact of the BP spill on local fishermen and tourist business.

Meg Ryan's Kate appears as a 19th century party guest in an early scene in Kate and Leopold.

Take the early scene in which the band's performance of «I Should Have Known Better» emerges smoothly, as if organically, out of a card game in the guard's car of a train.

To illustrate, you may remember an early scene in Klute where Klute spots that he and Bree are being watched from the skylight above.

But for all its caricatures and tip - toeing, an early scene in Stonewall depicting a raid of a cruising area — during which Danny is beaten and almost raped by two police officers simply for being a «faggot» — is a haunting nod toward the contemporary American context in which the film has been produced.

In an early scene in Paul Schrader's new film, First Reformed, Ethan Hawke's Reverend Toller counsels a young man in crisis, telling him, «wisdom is holding two contradictory truths in our minds simultaneously.»

Some shots are simply beautiful in their formal rightness; there's a two - minute take, for example, of an early scene in a quiet bar between Binoche and Beauvois, capturing brilliantly the push and pull of two people not quite right for each other.

It is little wonder that both Wood and, most notably, Raymond Bellour have emphasized the importance of the early scene in which Melanie crosses and re-crosses the bay, delivers the lovebirds, and is finally attacked by a seagull.

An early scene in Wonder Woman highlights in a way what is at stake.

The theme of «Moonlight,» writer - director Barry Jenkins» melancholy meditation on one young man's coming - of - age, is summed up in an early scene in the film.

Take for instance an early scene in The Wild Pear Tree, where a gust of wind blows a young woman's long hair all over the place.

An early scene in which Amanda eats cereal at her desk, looking blankly at the computer screen, is both alarmingly disquieting and profoundly relatable.