Sentences with phrase «early scene in the movie»

I vividly recall being deathly afraid of an early scene in the movie that introduces the deformed character Sloth.

There's an early scene in that movie where Washington Post editor Ben Bradlee meets with his publisher Kay Graham, who implores Bradlee to lighten the style section's coverage of President Nixon's daughter and her White House wedding.

An early scene in the movie finds a man suffering from dementia commenting that the movies these days are just «sequels and remakes» and are mostly «crap.»

Not exact matches

The name also began to grow in popularity after the children's movie Ella Enchanted came to the Hollywood scene in the early 2000s.

A new Ron Perlman movie is filming in Syracuse this week; crews set up scenes for filming «Asher,» starring Perlman as an aging hitman who seeks redemption, last night and early this morning.

Animators used Zeno rigid - body solver software written by ILM developers to film a major scene early in the movie in which an enemy Transformer called Scorponok attacks a U.S. military outpost in the desert.

«The CMB sky is a snapshot of the early Universe, it is a single frame in the movie of the Universe, and we have shown that Rayleigh signal gives us another fainter snapshot of the same scene at a slightly different time,» co-author Kris Sigurdson explained.

By the time Stiller's character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly established itself as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.

As a teen comics fan in the early Eighties, I remember all the talk about a new Batman movie, so I really like the parts about the flick's long development; it's cool to know what was going on behind the scenes while we geeks waited anxiously.

A few scenes, such as a panoramic view of The Land of the Dead, «pop» but much of the movie is more interested in emphasizing the Mexican culture than outdoing earlier features.

But no movie can maintain that kind of momentum, and while the earlier scenes of Hook's frightened negotiation of streets which may harbour saviours or killers maintain a certain tension, the plot loses focus a little when he finds refuge in the flat of a former doctor and his daughter, and the story turns its attention to the political motivations behind the hunt for the fugitive by both the British army and the IRA.

warns the hero's mentor (scene - stealer Ben Kingsley) early in the movie.

Another scene revealed who the bad guys were much earlier than they were revealed in the climax of the movie.

The movie packs a lot in, and the quick pace of early scenes can feel like running on a treadmill, but Belle settles into a nice rhythm.

Those who criticized Portman in GARDEN STATE will likely have a field day with Hudson's similarly saintly character, although Hudson's able to give her a bit of an edge, and has easily the movie's best scene where she comforts and confronts Patinkin's miserly dad, who earlier puts her down for only being half - Jewish, and encouraging her husband's idiotic dreams.

The trailer indicates that Ridley's film is as much a work of Impressionism about Hendrix's experience performing as part of the 1960s London music scene as anything else - a sentiment backed up by the early reviews, with the Seattle Times» Moira Macdonald calling the movie «a mood piece, not a biopic» in her overall positive critique.

In the movie's early scenes, the queasy feeling that these two don't even like each other is so palpable it leaves a residue of sourness that extends through the rest of the film.

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

In an early scene, after Nick has saved the life of a yakuza in prison and has been rewarded with his freedom, he encounters a corrupt and loudly racist American bureaucrat (Rory Cochrane) still in Japan after the War (have I mentioned that we're supposed to be only a handful of years post-Hiroshima in this movie, even though the aesthetics all scream contemporary?In an early scene, after Nick has saved the life of a yakuza in prison and has been rewarded with his freedom, he encounters a corrupt and loudly racist American bureaucrat (Rory Cochrane) still in Japan after the War (have I mentioned that we're supposed to be only a handful of years post-Hiroshima in this movie, even though the aesthetics all scream contemporary?in prison and has been rewarded with his freedom, he encounters a corrupt and loudly racist American bureaucrat (Rory Cochrane) still in Japan after the War (have I mentioned that we're supposed to be only a handful of years post-Hiroshima in this movie, even though the aesthetics all scream contemporary?in Japan after the War (have I mentioned that we're supposed to be only a handful of years post-Hiroshima in this movie, even though the aesthetics all scream contemporary?in this movie, even though the aesthetics all scream contemporary?).

The earlier scenes with Harrelson are so good that whenever the movie cuts back to «present day» in New York City, it leaves you wanting.

In an early scene, she is shown juggling glasses (Cleo grew up in a vaudeville family) but that is the one time in the movie in which she is not reacting to or worrying about her husbanIn an early scene, she is shown juggling glasses (Cleo grew up in a vaudeville family) but that is the one time in the movie in which she is not reacting to or worrying about her husbanin a vaudeville family) but that is the one time in the movie in which she is not reacting to or worrying about her husbanin the movie in which she is not reacting to or worrying about her husbanin which she is not reacting to or worrying about her husband.

In an early scene, Andrew goes to the local arthouse movie theater with his father (Paul Reiser, whose warmth and understanding is a nice counterbalance to Simmons» hair - trigger volatility).

We can overlook the fact that people die at an alarming rate all through the movie because we know our heroes won't even muss their expensive haircuts (Roy's early bullet wound miraculously heals in time for his shirtless scene, to say nothing of June's magical bridesmaid dress).

There are also clips from Kotting's earlier films and home movies, while Eden's exuberant charm shines through every scene she's in, whether she's teasing her father or singing along with something from her eclectic CD collection.

It could be argued, of course, that any movie that exposes in its first two scenes its abject dependency on another movie released only nine months earlier has to be in some kind of trouble, but only if freshness rather than box - office success is the issue.

Perhaps the most violent scene in the movie comes very early on.

Even in the middle of Song to Song, which is apparently the last part of an unofficial trilogy that also includes To the Wonder and Knight of Cups, it's possible to lose your bearings, to remember scenes from those earlier movies as if they were a part of this one.

I always thought it was mainly prowar, so I got some satisfaction from seeing an early scene in Jarhead that shows marines at their Mojave Desert base in 1990 watching the movie on video.

The image is perhaps a teensy bit soft by contemporary standards, but certainly the BD outclasses cable when it comes to reproducing the movie's lush colour palette, which runs the gamut between the straight - up surf - and - sun glow of the early scenes on Fire Island and a cooler, desaturated look in the film's latter half.

The urgency of that subject, which the movie does a fine job establishing with in its earlier scenes of the football players» physical and mental deterioration, is lost as the Landesman offers the generic beats of biographical narrative.

Guadagnino elegantly draws on influences from fact and fiction: Harry is a former acquaintance of the Rolling Stones and the movie refers to Brian Jones in an early interview scene.

A Dangerous Method, which opens Friday at Landmark's Century Centre and Century 12 / CineArts 6, never really delivers on that promise, mainly because its scenes of two brilliant men discussing the nature of the subconscious can't compare with Cronenberg's visual rendering of that subconscious in earlier movies.

The film is at its most fascinating point in the early scenes, with presumably distorted face makeup on actress Agostini, who delivers the only real noteworthy acting in the entire movie.

The movie apparently wastes no time in presenting its male gaze, as one of the earliest scenes finds Amin watching his cousin Tom have graphic sex with Amin's friend, Ophelie.

Meatballs Part II is only notable for early film appearances from future stars Paul Reubens (Pee - Wee's Big Adventure, Cheech & Chong's Next Movie) and John Larroquette (Richie Rich, «Night Court»), and look quick for comedienne Elayne Boosler playing mother to a young Nancy Glass («Inside Edition», «American Journal») in one scene.

Early on, when The Glade's second - in - command Newt (played by Thomas Brodie - Sangster) tells Thomas that no one survives a night in the maze it's like the movie is just asking you to be patient and wait half an hour so that you can get to the inevitable scene where Thomas (surprise!)

Don't forget to check out today's post of the Best Official Movie Posters of 2013, and also our posts from earlier in the week with Joey Magidson's picks of the Best Performances of 2013 (for both actors and actresses) and his picks for the Best Scenes of 2013 as well.

Deadpool 2 is the sort of movie where the heroes kill a guy — after spending the last act of the film saving that guy so one of the characters will learn a moral lesson — all in the hopes of scoring a quick laugh derived from the joys of knocking off religious zealots, while also using time travel during the mid-credits scene to erase a death that took place earlier in the film so as to avoid outraged howls from Internet folks about the wickedness of «fridging» tertiary female characters.

Though this is Aniston's movie, Adriana Barraza, so wonderful as Amelia in Alejandro Gonzaléz Iñárritu's «Babel,» in my view the best film of 2006, knocks out the movie's most comic scene as a woman who, like others in her boss's life, wonders why she didn't leave her rich employer months earlier.

«The Death Dealer» (12 mins., HD) probes the typically creepy / funny Savini about the infamous head - splatter sequence and the scalping scene, which I remember trying to recreate after reading one of Savini's early movie - magic articles collected in something I got from the library when I was a kid.

Tolerable while running, the movie shrivels almost immediately following the end credits, partly because Bier roots her story in no plausible social reality outside Audrey's well - heeled suburbia, sketching an especially vague blueprint for drug rehabilitation (one early scene finds Jerry inexplicably mopping the floor at a methadone clinic yet scorning methadone).

Yet in an early scene in her new movie she's apprehensively clutching a guitar on a small stage, singing an original song over the hum of a...

Their scenes early in the movie set a flame under what is — at that moment — an already effectively paced and shot little potboiler about a man dedicated to the law and another driven to break the law because of the cracks in the system of said law.

But the movie most oddly wonderful scene belongs to young J.J. Totah, playing the half - brother of Early's character, whose exuberant grade - school queerness gets put on phenomenal display in the form of an at - home drag show.

It also includes a «Deleted Scenes» extra that lets you play through the discarded, almost - complete single - player adventure that Ritual constructed earlier on in the game's protracted development, and ships to stores with a third disc compendium of the various Half - Life 2 movies released on the web to date.

The film's aspect ratio changes throughout for no discernible reason; an early scene in which Luisaidh witnesses a neighbour committing suicide is quickly forgotten; and the frequent never - explained sight of a naked man in another neighbour's garden just seems like the kind of quirky visual gag you'd find in a Richard Curtis movie.

Crowe's side of the film plays like some kind of «Bored - walk Empire,» where men in early - twentieth century suits and hats fret and impotently throw their weight around, but at least Crowe gets to hang out with a movie star who puts in a unbilled (and uninspired) two - scene turn as Lucifer.

An early version of the script suggests we're not meant to know - «there is no clear indication as to which LENA lived, and which LENA died» - and I wish the lighthouse scene in the movie was more ambiguous too.

It's still too early to speculate about anything plot - related, but with the scene - stealing Greer (Archer, Ant - Man, Arrested Development, and seriously dozens more) joining Curtis in the movie, all we care about is how excited we are to see what comes next.

Case in point: one early scene shows a somber Freeze wistfully watching old home movies of him and his wife.