Sentences with phrase «early scene where»

There are some genuinely moving moments, like an early scene where the party talks the summoner Rydia into overcoming her PTSD and casting the fire spell so they can progress through a mountain range and try to save a nearby castle from falling to Golbez's forces.

An early scene where hero girl Ofelia (Ivana Baquero)-- a storyteller equal parts experientially innocent and allegorically savvy, making her the manifestation of del Toro's ideal avatar — tells her prenatal brother a story about a rose that blooms nightly on a mountain of thorns touches in one ineffably graceful movement all the picture's themes of immortality, aspiration, isolation, and the promise of escape held, sadistically, just out of reach.

This is especially clear in an early scene where Carter gets rid of a jerk hitting on Leah at a bar; the interaction feels utterly fake because the movie has the actor playing the jerk stand awkwardly motionless between his lines, transparently waiting for his cues.

There's an early scene where Mildred and Chief Willoughby are going at each other full - bore, and then he unexpectedly and rather embarrassingly coughs up blood on her.

An early scene where Tatums Mike gets his groove on in his garage, gyrating on a workbench and using his, er, drill, sets the tone.

In the early scene where Tony slams his door in the face of a man who's offering him some free help, there's no mention of religion, ethnicity or politics; but when you think back on it, you can easily surmise that Tony wouldn't have done this if he'd been addressing a fellow Christian.

The best moment of his performance was an early scene where he is racing at breakneck speeds and sees a friend getting killed in a car crash in the rear - view mirror.

Sure, there are hijinks, like the early scene where Marco (Adrian Zmed) is tricked into howling like a wolf for hours on end.

One of the two directors, Simon Smith, had just thrown this really throw - away joke into an early scene where Dave says, «Nicolas: Cage Them!»

There is an early scene where Tintin is sitting for a local artist and the resulting portrait is an exact replica of his simple look in the comic series.

Winner: American Gods Amazon's crimson fantasy announced its WTF credentials in an early scene where a paunchy duffer (Joel Murray — Bill's brother!)

When it comes to sex, he has a powerful imagination, which we observe in an early scene where shipmates make a sand sculpture of a naked woman, and he uses it like a love doll to masturbate.

He tries to save himself and his bandmates from going to Hashima by arranging for a bribe, but that ploy backfires quickly in a heart - breaking early scene where Gang - ok realizes that almost everybody is trying to bribe their way out of trouble.

An early scene where they make goo - goo eyes at one another while a military casket emerges from the belly of a plane he's just flown in on doesn't bode well for the taste or tonal dissonance of what's to come.

When it's among men, however, as in an early scene where Vail visits a mobster and a city alderman to secure testimony, or another where he rejects the sanctimony of former boss DA Shaughnessy (John Mahoney) over Chinese food, Primal Fear lives up to its title's promise to be about the wet places in the male's lizard brain.

This is exemplified in an early scene where Morahan visits a gallery show of his recent work.

An early scene where a hunter catches Martin masturbating by a tree is made even funnier by just how far Giæver takes things.

The early scene where the writers hint that God hasn't contacted her, but she has an hallucination, while high on heroin, is forgotten, which could have been an interesting concept.

Take, for instance, the early scene where Tsuruko and Sachiko fall out with each other.

From the early scene where he sunbathes nude on his balcony — sorry, fans, but his dignity is preserved by a strategically placed newspaper — to a sweaty tryst with the heavily pregnant Elisabeth Moss (she describes him as «the best amenity in the building»), Hiddleston spends a fair bit of «High - Rise» getting friendly with his neighbours.

Her precision with the dense, Deadwood-esque dialogue is impressive, especially in an early scene where she awakens and quickly puts an unwanted, arrogant LaBoeuf (an excellent Matt Damon) in his place.

As in an early scene where a brother and sister's quarrelling in the back seats of a car moves beautifully from bickering animus to snickering affection.

The early scene where Winona Ryder's harried single mom prepares breakfast for her kids could have been lifted right out of «E.T.,» as could the moment when a boy confronts a mysterious presence in his garden shed.

This is illustrated during an early scene where Thomas and his father argue about where he should be living.

Portman has one early scene where she grieves her lost and presumed - dead husband, but beyond that, her vacant - eyed approach is sometimes off - putting.

Consider a small, seemingly extraneous early scene where a venomous snake rears up to threaten a couple of soldiers engaged in battle.

An early scene where Fred is confronted by a gang of Salvation Army Santas initially amuses, but then continues for several minutes of unfunny slapstick.

As a statement of intent, an early scene where Peggy navigates the New York throng in a smartly tailored red, white and blue ensemble is a strong start, and she rivals current champ Taylor Swift in the deployment of her red lipstick — as both fashion statement and spy gadget.

These ambitions are often heavy - handed, and sometimes extremely goofy, such as an early scene where Lucy being roughed up by goons is juxtaposed against a pack of lions pouncing on their prey in the jungle.

So formidable is Sister Aloysius, the principal of the St. Nicholas Church School, whom the kids, her Catholic subordinates, fear, as evidenced by an early scene where the abbess» voice, like an electric charge, jolts the slumbering parishioners into a comically exaggerated alertness during Father Flynn's sermon, that we believe this woman, this nun, is all - powerful.

Not exact matches

She further explained that, «this program incentivizes stronger relationships with fans where fans gain access to behind the scenes parties, sponsorship opportunities, early releases and more.»

In early scenes she is seen at prayer meetings, where the pastor tells her that Jesus will shield her if she encounters evil.

I found the scene where the homosexuals were stoned without trial early in the second book particularly telling of where her mind was headed even then.

The sense of being outside of time did not change when they departed two days early from school, when they spent three hours on the bus to Eugene staring out the window with their Walkman headphones on, when they wandered through the swirly paisley carpeted hotel hallways, or went in street clothes to have a walk around Autzen Stadium, where a sex scene in Animal House was filmed.

We recommend that all incidents are reported to the police immediately and where insurance particulars are not obtained from the motorist at the scene of an incident they should be obtained at the very earliest opportunity.

Following the disgraceful scenes at Wolves, where Chelsea conceded very early on yet still failed to recover despite having plenty of time on their side, the defending champions did at least put up a fight for their other significant title: the FA Cup.

The 6,000 - word piece, by Chris Smith, opens with a scene set at an early March meeting where the governor apparently wowed a crowd of «left - leaning lunchers» with tales of his «New Democratic brand» and his on - time budgets, something Mr. Smith described as «a vivid illustration of the genius and expediency of the Andrew Cuomo method.»

There are jump - scares that are more than just scares, as you'd imagine in a wilderness where the flora and fauna have mutated like cancer cells (a metaphor made plain in a classroom scene early in the film).

At one point early on, Greg and Tommy visit the site where James Dean died, a pilgrimage that at once nods to Mr. Franco's breakthrough role as Dean and telegraphs one of the more ludicrous scenes in «The Room.»

Those who criticized Portman in GARDEN STATE will likely have a field day with Hudson's similarly saintly character, although Hudson's able to give her a bit of an edge, and has easily the movie's best scene where she comforts and confronts Patinkin's miserly dad, who earlier puts her down for only being half - Jewish, and encouraging her husband's idiotic dreams.

The other factor leading to Darwin's creative block was the death, seven years earlier, of his daughter Annie at age 10; in scenes where Darwin is visited by the goading spirit of Annie (newcomer Martha West) and finally in the film's keening climax in the town where she died, «Creation» seems as neurotically focused on her passing as Darwin was.

An early scene has a thoughtful professor introducing the Cambridge student to a lab where all the action happens; it's a lovely moment of quiet inspiration.

Adrift in a deadly no man's land where an early scene illustrates that life inside is worth less than a pair of trainers, reality hits hard.

The trailer doesn't feature any dialogue, instead it shows an early scene from the film where a very young Moana learns that she has the power to control the ocean, specifically the water.

Early in the first episode, there's a scene where Kelly Ann [Imogen Poots] tells the crew bus driver [Luis Guzman] that she's leaving the tour to go to film school, and he says, «Don't mean nothin».

Take for instance an early scene in The Wild Pear Tree, where a gust of wind blows a young woman's long hair all over the place.

That makes me think of a scene early in the film where Rose lectures a cop for hassling Chris.

Eros + Massacre foregrounds the idea that history remains a battlefield open to the countervailing forces of interpretation with a surreal early scene depicting a rugby scrimmage where Osugi's burial urn takes the place of the football.

Her death is heavily foreshadowed in an early scene, where the fuschia - haired lass gets so turned on talking about death in a cemetery («Do you ever fantasize about being killed?

But it's still a cut above the majority of family entertainment, and director Paul King, who got his start helming the surreal cult comedy series The Mighty Boosh, continues to prove himself a confident and comparatively sophisticated stylist, employing cutaway sets, Rube Goldberg slapstick, animated sequences in different styles, and loads of visual gags to create the film's dollhouse - storybook world; the aesthetic influence of Wes Anderson is especially pronounced in the scenes set at the prison, where an early mishap involving a red sock and the prison laundry dyes the convicts» uniforms a Grand Budapest Hotel shade of lavender pink.