Sentences with phrase «early sequence»

Another alternative that would reduce early sequence risk is to start retirement with a lower equity position, continuing a dollar cost averaging system the first N years of retirement.

Micro and macro scale are constructed along similar lines in Blackhat: Helicopter shots of grid - like cities evoke earlier sequences of moving around microchips, the bright moving lights of cars convey the sense of people moving through cities as sequences of code move around the web.

There is a funny early sequence where Prince Charming is being jeered for his lousy cabaret act in a village pub and a hilarious death - lily scene with the bullfrog King Harold (John Cleese) trying to squeak out the name of his heir while snapping up one last fly.

Sure, there are a few minor subplots and an entertaining early sequence in the vault of Bellatrix Lestrange (Helena Bonham Carter), but the most famous trio of child wizards in history get back to Hogwarts relatively early in the film and the rest is the legendary battle.

Typical of this tonal miscalculation, there's a telling early sequence in the movie where Marian Seeds» caretaker recites her menacing rules regarding nighttime service in the house.

Richard Gere delivers a bravura performance in his title role of a Duddy Kravitz - style hustler, especially in a wordless early sequence that speaks volumes about his character.

Also worth mentioning is how the film approaches strange incongruities within American pop culture — one early sequence finds Ferrell humming the theme from «S.W.A.T.» before launching into the theme from «I Dream of Jeannie».

Shot in a stark black and white, with the actors repeatedly isolated in their own frames, some really creepy images of crazy nuns (the long early sequence wherein the nuns are interrogated and exorcised is a miniature masterpiece) and a series of subjective tracking shots implicating the audience in the chaos, the film reaches a high point when the priest consults the local rabbi (also played by Voit) in a series of head - on medium shots.

In a delicious early sequence the Bennet sisters tool up with guns and knives, secreting them under their empire - line dresses alongside their erotic lingerie.

«The Seven Harrys» (5:29) breaks down the memorable early sequence,

Atonement isn't perfect, but due to the performance of its leads — particularly Ronan in the crucial early sequences — it resides comfortably among the better period drama and war films.

Nothing in Ellis» world feels quite safe or stable — which adds even more intrigue and tension to early sequences when he is still feeling out his mysterious new drifter acquaintance.

The tone alternates nimbly between comedy and horror, and two early sequences combine music (Echo and the Bunnymen's «Killing Moon» and Tears for Fears) and image to stunning effect.

Memish also told a press conference in Riyadh, Saudi Arabia, this week that the MERS virus has three new mutations compared to earlier sequences of the virus, reported Saudi Arabian newspaper Asharq (original article in Arabic).

Early sequences in this over two hour long World War II drama begin with the Japanese preoccupation over their war with China, and Germany's attempt to woo the Rising Sun into an alliance with them.

Although there is much debate about the early sequence of events, it is generally accepted that the first animals were ancestral sponges.

The early sequences of HPDH.2 are without music on the soundtrack, all the better to focus on Harry (Radcliffe), Hermione (Watson), and Ron (Grint) and their quest to find the Horcruxes, the shards of his own soul that Voldemort has embedded in objects.

An early sequence, of a dinner party gone awry, is a little comic masterpiece; the great Melanie Lynskey shows up in jewels, a party dress, and a tiara («It's everything I never wore!»)

It's all pretty noble, and if nothing else, World War Z shows off some horrifically effective filmmaking: An early sequence, in which Pitt's Gerry figures out something has gone terribly wrong as he's driving his wife (Mireille Enos, of Big Love and The Killing) and two generically adorable daughters from here to there in Manhattan, is that rare evocation of chaos that isn't chaotic itself.

Paul McGuigan's semi-hard-boiled «Lucky Number Slevin» has some of the right elements: Although McGuigan is fascinated by stylish violence (in an early sequence, we get a symphonic blast of blood and brains splattered against the crackled glass of a car window), he doesn't take himself too seriously.

In an early sequence — one of the best in the movie and definitely the most evocative — we see the World Engine battle from the finale of Man of Steel from the ground, as Bruce races through the streets of Metropolis just in time to see his own building crumble, with some employees still trapped inside.

The undercover trio of Nakia, T'Challa, and Okoye travel to South Korea to get their hands on Ulysses Klaue (who had been introduced to us in an earlier sequence, along with Killmonger, as they stole a vibranium - based artifact from a museum).

She's a natural at espionage, though, by which I mean she's good at lying and, as seen in an early sequence, not afraid to beat someone brutally for wronging her.

Why not just keep the earlier sequence where she gets her heroic moments of action?

Luckily, the movie is not that heavyhanded, as its sole Potemkin moment comes in an early sequence.

Though this early sequence feels like it could be the start of a standard issue biopic, The Walk quickly shakes that feeling.

It's fun to check out the influence of the earlier sequence.

Although we don't see any characters from the original trilogy in the first 30 minutes of TFA, those early sequences feel very familiar.

Not content with a superb compare - and - contrast, Cianfrance's film begins an epilogue, set 15 years after the earlier sequences, to tie up the loose ends that were better left undone.

This is racist, the idea that bwana from the sky will lead the backwards, Zippo - worshipping brown people to glory, and this early sequence that sets the story in motion offers the first of two times Spielberg and company will engage in the «ethnic food is gross» gag as Indy forces Willie to eat the meagre repast offered them by a council of elders.

Louise - Michel relies heavily on the performances of Moreau and Lanners, and Lanners is particularly good in the early sequences in which his character demonstrates his «credentials».

A phenomenal soundtrack from M83, and some inspired frames by DP Simon Beaufils (particularly in an early sequence at the dance club Le Future, which is juxtaposed by another grisly murder) assists in making the production of Knife + Heart the real winner.

These early sequences suggest that we're going to see a lot of bee equivalents of human phenomena, much like Shark Tale did for underwater creatures,

The best sources of tension in the film come from an early sequence in which Leonetti masterfully presents the neighbors» murder with a voyeur's view of the grisly scene through Mia's and John's bedroom window and later when Mia rushes for safety up a stairway.

An early sequence — in which a woman continually calls Cathryn, claiming that Hugh's cheating on her — is staged with a glancing casualness that roots a potentially derivative horror sequence in the reality of a woman's daily routine.

An early sequence has K in combat mode against a protein farmer named Morton (played by the massive Dave Bautista).

Briefly, Taking recalls the early sequences of Blair Witch in which the student filmmakers interview Maryland residents about the local legend.

The early sequence, depicting the amphibious assault on Omaha Beach, is as gut - wrenching and deglorifying a depiction of combat as has ever been filmed, and it is realised through careful employment of a wide range of visual and aural techniques.

We know she's a nice person — a good - hearted person — from an early sequence where she spends time with her boyfriend, and brand new professor, Clay Dalton.

«Bloody Tears of Possession» (5:32) serves up behind - the - scenes footage mainly from the filming of one early sequence.

An early sequence demonstrates this well, as the first of the film's three protagonists, teenage boy Lucho (Henry Rivera), spies on his stepsister Sara (Yulianna Padilla) having sex with her boyfriend Bryan (Marcos Carlos Cintrón).

In an early sequence, Angel is called in to speak to his superior officer (Martin Freeman), then the next officer up (Steve Coogan) and then the next (Bill Nighy).

Using the f - word to refer to gay people is specifically condemned in a scene that comes late in the movie, though it feels like it was inserted to ward off any possible criticism of the earlier sequences that are reliant on two men «acting» gay.

Even in the early sequences of the film, before things go south, scene changes and edits are accompanied by the sounds of guns being loaded, contributing to an intense, suffocating feeling that violence lurks just around the corner.

In its early sequences, and in the conflict between Luke and the sadistic chief played by Strother Martin that provided the film's most memorable line («What we've got here is failure to communicate»), the film feels like an unmistakable, generationally targeted indictment of police brutality.

The other, earlier sequence is a chase through a herd of stampeding horses (The unimpressive digital effects lessen the results, especially since the horses have the appearance of being undead themselves), with Abraham and his prey leaping on the backs of successive horses and even using them as weapons.

Impressive in itself, an early sequence set among picket fences contains not a hint of moiré defect.

The film, particularly in its early sequences, is aided by the prominent use of music, pulling another page out of the Guardians playbook.