Sentences with phrase «early space shots»

I remember the early space shots that led up to landing on the moon, as well as remembering sitting in the family in front of our big TV in the Den (past my bedtime?

Not exact matches

If he was missing shots early in the game, you knew you weren't going to get anything out of him, because players won't be biting on his pump fake or giving him extra space (shutting down his drive game completely).

Vorm went from hero to zero in the space of 90 minutes after saving a number of shots early on from both Kramaric and Sclupp to keep Spurs in it.

Kostas Manolas panicked and went to ground too early, his indecision allowing the Juve man time and space to unleash an unstoppable shot beyond Wojciech Szczęsny.

Oscar gained space in the box after an error by Marcos Rojo, but his deflected shot flew wide as United scrambled back to prevent an early goal.

Early Saturday evening I was walking up 18th Street in Adams Morgan (DC) and stopped off at Columbia Station to catch the end of a jazz set, which turned out to be a good test for the camera and microphone, since I was sitting on a partially covered patio in the bright outdoors and shooting into a much more dimly lit space inside.

Launch company SpaceX may even shoot two space tourists around the moon before NASA's giant rocket, the Space Launch System, makes its first uncrewed flight, in December at the earlspace tourists around the moon before NASA's giant rocket, the Space Launch System, makes its first uncrewed flight, in December at the earlSpace Launch System, makes its first uncrewed flight, in December at the earliest.

In an earlier «skeet shot», Cassini captured detailed images of the cracked surface, revealing the source of geysers blasting the water into space.

Together we released Intro to Strongman Training earlier this year and on the Sunday after Gripmas, we shot another one together, thus the reason I needed the extra hard drive space on my camera.

I got an early look at Alterre «s 2017 shoe collection, and after seeing how easily the designs and colors lend themselves to negative space manicures, I had to give it a shot.

It's wonderfully shot, and unlike some early westerns, you get a real sense of heat, space, and isolation.

And it's meticulously designed by Katarzyna Sobanska and Marcel Slawinski; the lounges and bars echo the mood of the underground spaces of Wajda's Fifties films (a friend also detected a flavor of early - Sixties Forman), but more than anything I was reminded of the melancholy retro of Aki Kaurismäki's Take Care of Your Scarf, Tatiana, while a wide shot of a car in a glum garage yard made me think of early Jarmusch.

The approach this time is closer in spirit to Wan's, down to an early scene that lays out the layout of the house's ground floor through one single shot, following the girls through the property to acclimate us to the space.

Space Invaders is one of the earliest shooting games and features two - dimensional graphics.

Like earlier games this whirlwind tour of the fringes of COG controlled space captures beautiful tours of the countryside, grand gothic architecture as well as gritty industrial facilities, not to mention the essential underground caverns and organic landscapes to shoot through as well.

While national and international Street Artists were already making Bushwick a stopping point thanks to some of the earliest galleries like Ad Hoc and Factory Fresh, the scene recently got newly shot in the arm by a local resident who is facilitating much desired legal wall space to a crowd of artists who otherwise would be hunting and hitting up less - than - legal spots.

Bringing together these early photographs in one space, the exhibition will highlight Parr's transition from shooting in black and white in rural Northern England to his seminal color series The Last Resort from the mid-1980s.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Artists Space is now producing a BC «retrospective» in typical restyled form, encompassing a new photo shoot along with relics from the group's early fashion line, cine - tracts like Get Rid of Yourself (2003), pages from the short - lived magazine Made in USA (2000 — 2001), and more recent forays into poetry and sculpture — all displayed within a total exhibition architecture conceived with set and production designer Gideon Ponte.

Shot on a Los Angeles soundstage in early 2013, the large - scale photographs feature dense crowds in public spaces.