We have been accustomed to viewing Israel's
early traditions through the narrow spectacles of the post-exilic Jews for whom religion had become a nationally exclusive affair.
Not exact matches
In his account, the Church's attempts to tame violence
through preaching humility and peace had a negligible effect on the ancient
traditions of manliness until its efforts were joined with the state's in the
early modern period.
Through common study of the Bible we have gained a better understanding of God's word in the
tradition of the great preachers and theologians of
earlier centuries, and thus we have learned to read the Bible more faithfully in and with the Church.
Jürgen Moltmann, on the other hand, emphasized the difference between the new and the old meanings of political theology depicting what had
earlier been called political theology as the ideology of political religion, which is the symbolic integration of the beliefs of a people
through which they sanction and sanctify their
traditions and their ambitions.12 Moltmann strongly supports Peterson in his critique of political theology in this sense.13 It is the task of what is properly called political theology — in Metz's sense — to unmask the pretenses of political religions.
The continuity of
early Christian communities with the Jewish
tradition suggests that children would learn Christian faith
through participation in worship and
through home ritual.
A century
earlier John Wesley and his brother Charles had written hundreds of hymns which stirred working class people in England, and this
tradition continued in America
through such writers as Timothy Dwight, Samuel Longfellow, Oliver Wendell Holmes, and more recently Henry Sloane Coffin and Harry Emerson Fosdick.
As we shall see, this hypothesis of Lohmeyer's not only enables him to write the most penetrating of commentaries on the Gospel of Mark; it also enables us to reconstruct — in further hypothesis of course, since hypothesis is all we can hope to achieve in this area — to reconstruct one or two of the stages
through which the gospel
tradition passed before it reached Mark, the writer of the
earliest account of what Jesus said and did.
This is the whole point of form criticism — or
tradition criticism, as it ought to be called: the units in the evangelic
tradition were handed down orally, in separation, and in the form given them by the
earliest preachers and teachers of the gospel, the «gospel» being, not the total story of the life of Jesus, but the proclamation of the message of salvation
through him, a salvation fully to be effected in the future, though it could be realized in anticipation even now, before the final Parousia.
Thus a return to the
tradition of the
early church cuts
through later accretions and developments, exposing the ways in which they have departed from apostolic intent while at the same time reviving the current practice of worship
through the rediscovery of the apostolic intent preserved by the Fathers.
This is why there must be freedom for the scholar to inquire into the historical problem of Christian origins, for example; why there must be freedom to think
through once again what in the Christian
tradition is «central» and what is «peripheral» (to use Professor Burnaby's words which I quoted in an
earlier lecture); why there must be freedom to reconceive and restate what is then seen to be of the essence of the faith.
Luiz Ruscillo FAITH Magazine January - February 2007 Christ the Fulfilment of Wisdom «The Church, as
early as apostolic times, and then constantly inher
Tradition, has illuminated the unity of the divine plan in the twoTestaments
through typology, which discerns in God's works of the OldCovenant prefigurations of what he accomplished in the fullness of timein the person of his incarnate son.»
We need to trust, furthermore, that the means by which Jesus has chosen to communicate with us are reliable: that the portrayal of him in the Gospels is not the result of the
early church's malicious manipulation or fundamental misunderstanding, for example, or that the entire
tradition of creed and teaching is not so corrupt that it distorts Jesus entirely, or that the encounter with Jesus
through meal and word and saint and stranger is not mere fantasy or projection.
Compelling references continue
through the millennia in numerous esoteric texts: the sacred B'on treaties, manuscripts of the Kalki lore, the Puranas, the
earliest texts of the Kalachakra Laghutantra, in the even older Kalachakra Mulatantra, and in the ancient wisdom
traditions of civilizations throughout the Himalayan regions of Asia and beyond.The Zhang Zhung and Tibetan scriptures refer to the mysterious world as Shambhala I lam - yig, B'on treaties as Olmolungring, Hindu histories as Aryavarth, Chinese as Hsi Tien, and Russian
traditions as Belovoyde.In an esoteric treatise composed in the
early 1500s by Ensapa Lobsang Döndrup, the Third Panchen Lama describes his remarkable visit to a land of wise masters hidden deep in the Himalayas.
Compelling references continue
through the millennia in numerous esoteric texts: the sacred B'on treaties, manuscripts of the Kalki lore, the Puranas, the
earliest texts of the Kalachakra Laghutantra, in the even older Kalachakra Mulatantra, and in the ancient wisdom
traditions of civilizations throughout the Himalayan regions of Asia and beyond.The Zhang Zhung a...
Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that
tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's
early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.
In the selected items on view, the developments of American artistic
traditions can be traced
through the
early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic
traditions of history and large - scale society paintings.
In many ways, Abstract Expressionism had done away with the figurative
tradition, coming from Degas
through the
early 20th century.
[56]: 43 What, however, can be said, is that it was a movement that developed in the
early 20th century mainly in Germany in reaction to the dehumanizing effect of industrialization and the growth of cities, and that «one of the central means by which expressionism identifies itself as an avant - garde movement, and by which it marks its distance to
traditions and the cultural institution as a whole is
through its relationship to realism and the dominant conventions of representation.»
Kessler's work since the»80s has been aligned with the
tradition of kinetic sculpture and assemblage that emerged in the
early twentieth century — such works as Marcel Duchamp's Rotoreliefs, Moholy Nagy's time / space modulators and Yves Tinguely's self - destructive machines are obvious sources — but filtered
through the erratic, jury - rigged aesthetic of artists like Robert Rauschenberg and the improvised, makeshift special effects of B - filmmaker Ed Wood.
Considerably more abstract than much of Warren's previous work in this medium — though perhaps even more overtly sensual — they recall a whole
tradition of manually expressive sculpture, from the
early ceramics of Lucio Fontana
through Willem de Kooning's bronzes and those of William Tucker to Franz West's plaster «Passstucke.»
Our conversation centered on the issue of the survival of folklore (songs, dances, stories, and good times after hard days at work) from
early American slavery
through the present, by way of oral
tradition.
Jurney's work is firmly rooted in the great landscape
tradition, stretching from Dutch 17th century painting
through the Barbizon and Hudson River Schools, to late 19th and
early 20th century French and American impressionism.
Reconciliation Australia's Narragunnawali: Reconciliation in Schools and
Early Learning is a digital resource for teachers to develop further knowledge of Aboriginal and Torres Strait Islander cultures, histories and traditions from early learning through to high sch
Early Learning is a digital resource for teachers to develop further knowledge of Aboriginal and Torres Strait Islander cultures, histories and
traditions from
early learning through to high sch
early learning
through to high schools.