Being born into a firm web of
early twentieth century British traditions meant that there were certain strict beliefs in relation to child rearing, child discipline and child parent relationships:
Not exact matches
They found initial expression in the late nineteenth and
early twentieth centuries among Brahmin intellectuals who were disillusioned with
British rule and sought a more traditionalist basis for political and cultural identity.
The
British socialist and labour movements of the late nineteenth - and
early twentieth -
century chose to view Magna Carta as an important symbol to invoke in their own struggles against the current system and its abuses.
In the late nineteenth and
early twentieth century impoverished
British peers sought wealthy US brides to save their estates.
Back in February, the revered
British filmmaker premiered his new Emily Dickinson biopic, A Quiet Passion, at the Berlin Film Festival, and in May, his 2015 film Sunset Song — a portrait of an
early twentieth -
century Scottish woman named Chris — came to the U.S. (While in New York for Sunset Song, Davies graciously stopped by to regale us with tales of his past.)
Synopsis: This Best Picture Academy Award Winner based on Noel Coward's classic play arrives on Blu - Ray for the first time... A
British family's triumphs and tragedies unfold across the decades of the
early twentieth century.
British citizen R. H. Naylor, a prominent
early twentieth -
century astrologer, is widely credited as having birthed the tabloid versions of horoscopes.
From the
earliest contact with
British settlers through the reeducation campaigns of the late
twentieth century, the Aboriginal peoples have been effectively marginalized from democratic society.
On view are more than eighty sheets by French,
British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the
early twentieth centuries.
More recently, of course, we saw this with the YBAs [Young
British Artists], or
earlier in the
twentieth century with those artists who seized the apparently dichotomous challenge of being both modern and
British, in Paul Nash's words.
Plummer's show is a multimedia retelling of the
early twentieth -
century British Suffragettes.
The
twentieth -
century British printmaking is much defined by diversity, originality and technical expertise, marking a notable shift in style and technique from
earlier modes of representation.
The
early part of the collection features French and Russian art from the beginning of the
twentieth century, cubist paintings and superb holdings of expressionist and modern
British art.
In the now - derelict,
early twentieth -
century poured - concrete church of Dilston Grove, artists Ben Burgis, Stuart Middleton and Richard Sides have created their own version of the Mechanical Garden, curated by Naomi Pearce, an installation sketched out but not realised by late
British avant - garde artist Stephen Cripps (1952 — 82).
Her books include The Spectacle of Women: Imagery of the Suffrage Campaign, 1907 - 1914 (1988), Modern Life and Modern Subjects:
British Art in the
Early Twentieth Century (2000), and Hornsey 1968: The Art School Revolution (2008).
But for
British artists of the late
twentieth and
early twenty - first
centuries, the hangout of choice was, and remains, the Groucho Club in Soho.
The
early part of the collection features European art from the beginning of the
twentieth century, including work by André Derain and Pierre Bonnard, cubist paintings and holdings of expressionist and modern
British art.