From the urban landscape, there is a run of
early twentieth century prints depicting the ever - changing New York City, featuring several of Martin Lewis's best - known prints, including Relics (Speakeasy Corner), drypoint, 1928 ($ 30,000 to $ 50,000).
Not exact matches
Russian Photography after the Revolution will feature rare, large - format gelatin silver
prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in
early twentieth -
century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).
The museum's holdings from Eastern Asia include Chinese tomb figures, Japanese
prints and illustrated books from the late eighteenth to the
early twentieth centuries.
News from Nowhere features sculpture, drawing,
print, photography and film from the
early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.
Each day she is onboard Brown dons a uniform, neatly arranges these
printed materials, unpacks her typewriter and assumes the persona of an
early twentieth -
century rail station agent.
The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master
prints and drawings,
early American painting, nineteenth - and
early -
twentieth -
century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema,
early video art, and the largest collection of Japanese films outside of Japan.
Laurence Miller Gallery is pleased to present Pursuing the Sublime, an exhibition featuring five contemporary photographers in conversation with five nineteenth and
early twentieth century Japanese
print makers.
Comprised of approximately fifty works, the exhibition interweaves
prints by artists as wide ranging as Alfred Stieglitz, Sophie Calle, Man Ray, and Glenn Ligon, as well as works by anonymous and virtually unknown photographers from the nineteenth and
early twentieth centuries.
From William Henry Fox Talbot's
earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and
early twentieth -
century photographs in the collection of the National Gallery of Canada to present
prints and images by some of photography's most innovative and influential inventors and practitioners.
In works of the
early twentieth century, it was appropriated from the pages of newspapers and advertisements as artists sought to respond to a world that was being redefined by
print media.
In his paintings, metal reliefs, sculptures, and
prints, he has advanced the history of abstraction, an art movement that emerged during the
early twentieth century in the innovations of artists such as Vassily Kandinsky, Kazimir Malevich, and Piet Mondrian.