Sentences with phrase «early video artists»

Omer Fast is one of the most innovative early video artists working today.

By using stock pornographic shots and set - ups, Kelley and McCarthy mock the practice in the early 1990s of young artists who use blatant sexual behavior and suggestion as a device in their work and who seem to borrow indiscriminately from early video artists like Bruce Nauman and Vito Acconci as a model for this kind of practice.

In one of his early videos the artist William Wegman flips a coin and adjusts his very compliant dog — a Weimaraner named Man Ray — accordingly.

Not exact matches

This classic disturbing thriller, which highlights a group of circus sideshow acts who take vengeance on their leader when a beautiful trapeze artist does him wrong, was banned in the UK for 30 years and wasn't available in the country until a home - video version was approved in the early 1990s.

From his early days as a fresh and creative music video director for artists such as Fatboy Slim, The Beastie Boys, and Björk, Spike Jonze has continued his unique style and original approach with his feature length films, effectively carving out niche in the film industry for himself.

The Film: 1.66:1 Anamorphic Widescreen, Dolby Digital 5.1, THX - Certified, New Digital Transfer; Spanish, French, and Mandarin Audio Disc 1: Deleted Scenes including Alternate Openings, Audio Commentary, «Keep»Em Guessing» never - before - heard deleted song, DisneyPedia: «Mulan's World», Music Videos: all - new «I'll Make A Man Out Of You» by Jackie Chan, «Reflection» by Christina Aguilera, «True to Your Heart» by 98º and Stevie Wonder, Mulan Fun Facts trivia track Disc 2: The Journey Begins: Discovering Mulan, The Ballad of Hua Mulan, Early Presentation & Progression Reels; Story Artists Journey: Finding Mulan, Storyboard to Film Comparisons; Design: Art, character, and color designs, Still Art Galleries, character design galleries; Production: production demonstrations, Digital Dim Sum, Digital production; Music: «Reflection» music video in Spanish, Songs of Mulan; International Mulan: Mulan's International Journey, Multi-Language Reel, Publicity Art Gallery

Whatever position one takes on his worth as an artist, one thing is for sure: Fincher has come a long way since the early days of his career, when he was known simply as yet another television - commercial and music - video wunderkind (along with, say, Spike Jonze, Mark Pellington, Michel Gondry, and others) taking some bold stabs at feature - film directing.

In the early stages of video game development, artists and designers will come together and illustrate the vision of the team as a whole.

As you may have heard, acclaimed Final Fantasy and Vampire Hunter D artist appeared on Japanese streaming video site Nico Nico Douga earlier this week to draw popular ASCII art from popular bulletin board 2ch.

(No surprise that a Beyoncé video from earlier this year featured an allusion to Rist's 1997 video projection Ever Is Over All, in which the artist dances down a street, smashing in car windows in the process.)

Fellow Los Angeles artist Paul McCarthy, who became equally transfixed by Kelley's stage presence during a performance festival in the early eighties, soon struck up a collaboration with him on a series of psychobiographic videos.

It also includes a number of his early self - produced zines and artist's books, as well as several videos made in collaboration with fellow artists and his musician friends.

MOCA Jacksonville patrons enjoyed an early peek at Synthesize: Art + Music with a performance in conjunction with artist Rashaad Newsome's video installation in addition to cocktails, hors d'oeuvres, music, and socializing during the preview.

This year's Standard Bank Young Artist Award winner — a prestigious early - career prize previously won by William Kentridge and Pieter Hugo — Modisakeng has parallel interests in photography and video.

Featuring the Beijing - based artist's earliest video works to newest sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

America's favorite polymath artist is the subject of two shows opening this month, both of which take his early and highly influential video piece Walk With Contrapposto from 1968 as their jumping - off point.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Artists were drawn to holography, hailed as a medium of the future that turned space inside out, for its spatial, volumetric, and sequential qualities, and to the creative possibilities it offered in contrast to photography, film, and early video.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

Joan Jonas is an American visual artist and a pioneer of video and performance art who is one of the most important female artists to emerge in the late 1960s and early 1970s.

Artist Michael Smith discusses the influence of standup comedy and television on his early video and performance works, on - view in the exhibition Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980 (October 31, 2013 — February 2, 2014).

The New York — based artist extracted four chapters from her video Mommy (2015), one for each member of the family, and presents each with a personalized display: the magician father who left them when she was very young, the punk older sister, the tragedy of her mother, who immigrated from Taiwan in the early 1970s and died unexpectedly, and the artist herself.

Joan Jonas is an artist and filmmaker who, in the early 1970s, pioneered the use of video and performance in...

artSümer represents artists at early stages of their career development, whose diverse practices include painting, drawing, sculpture, photography, video and new media.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

Earlier, a Golden Lion for lifetime achievement was awarded to the American artist Carolee Schneemann, whose paintings, performances and videos explore the boundaries of the body and the political power of women's sexuality.

New media artists may recall anything from underground movies to studio productions, from sculpture to performance art, and from early video games to the latest software.

Featuring the Beijing - based artist's earliest video works to newest sculptures fromUsefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

Upstream Gallery presents work of Dutch artist Marinus Boezem (1934) at Art Basel 2018 Feature section, dedicated to signal his position as pioneer in the international development of conceptual art and early video and television art through an extensive survey of unique works, editions and arc...

Blain Southern have teamed up with Vinyl Factory to debut never - before - seen works from trailblazing video artist Bill Viola's early career.

Rose Video 10 presents Ana Mendieta's powerful short film Sweating Blood (1973), one of the artist's early experiments with performance for the camera.

«The House at Kawinal,» the artist's first solo exhibition in the US, will present a recent performance for video, Life in His Mouth, Death Cradles Her Arm (2016), together with a new body of sculptures inspired in part by the artist's research into the effects of the construction of the Chixoy Hydroelectric Dam in Guatemala in the early 1980s.

MOVING TIME: VIDEO ART AT 50, 1965 - 2015 The scholar and curator Michael Rush, who died earlier this year, initiated this exhibition surveying video from Nam June Paik and Joan Jonas to younger artists like Michelle HandeVIDEO ART AT 50, 1965 - 2015 The scholar and curator Michael Rush, who died earlier this year, initiated this exhibition surveying video from Nam June Paik and Joan Jonas to younger artists like Michelle Handevideo from Nam June Paik and Joan Jonas to younger artists like Michelle Handelman.

In Lieu of Unity includes established and early career artists working in video, sculpture, installation, performance / intervention and photography.

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).

Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out «the true artist helps the world by revealing mystic truths,» which at once summarized and opened to critique the perennial mystique of the artist, up through his three - venue Golden Lion Award - winning exhibition at the 2009 Venice Biennale, Nauman's work has long been an indispensable part of the narrative of recent American art.

If you missed the installation that artist / illustrator Noémi Schipfer and architect / musician Takami Nakamoto (aka Nonotak) brought to Fowler Project Space in Greenpoint earlier this month, well at least don't miss the video the Paris - based duo just unleashed, above.

This month the legendary feminist artist will turn 75, and the Tri-state area is about to explode into a trio of celebrations of the Los Angeles artist, including a survey called «The Very Best of Judy Chicago» at Jersey City's Mana Contemporary and another one displaying her early paintings, videos, and sculptures from the 1960s and»70s at the Brooklyn Museum.

Showcasing Drexler's major paintings and collages as well as her captivating early sculptures, award winning plays and novels, and photographic and video documentation of the artist's wild and varied theatrical career, the exhibition is co-curated by Rose Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin.

This exhibition of work by São Paulo — based artist Anna Maria Maiolino features a group of four videos from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

LG: I have watched a lot of early videowork by American artists, sometimes on the original Sony open reels of tape, and you get the sense that they are thinking, «What am I going to do with this video camera?»

Martine Syms: Pipilotti Rist is a Swiss video artist I learned about pretty early on.

24 Nov 2017 18 Feb 2018 Rodney Graham, That's Not Me Since the early 1980s, Rodney Graham has shown himself to be a distinctive artist whose diverse practice encompasses many things — a painter, photographer, sculptor, video - maker, actor, performer, producer, historian, writer, poet, sound engineer and musician.

Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.

Also included in the program is the early video piece East Coast / West Coast (Nancy Holt and Robert Smithson, 1969), where Holt and Smithson humorously take on the stereotypical and opposing personas of the coastal «art scenes» in philosophical debate; and the conversational Carl Andre: A Video Portrait, produced by Virginia Dwan in 1976 — just one document reflective of Dwan's many relationships and sustained friendships with the artists she represevideo piece East Coast / West Coast (Nancy Holt and Robert Smithson, 1969), where Holt and Smithson humorously take on the stereotypical and opposing personas of the coastal «art scenes» in philosophical debate; and the conversational Carl Andre: A Video Portrait, produced by Virginia Dwan in 1976 — just one document reflective of Dwan's many relationships and sustained friendships with the artists she represeVideo Portrait, produced by Virginia Dwan in 1976 — just one document reflective of Dwan's many relationships and sustained friendships with the artists she represented.

On another level, I also think that much of the genealogy of contemporary video art can be traced directly through early cinema — artists like Bruce Nauman and Joan Jonas.

Diana Thater is a Los Angeles - based artist who has created pioneering film, video, and installation - based works since the early 1990s.

The space of Brătescu's studio assumes a pivotal position within the artist's oeuvre, as exemplified in an early video, The Studio (1978), where we see the artist creating work inside this intimate room.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).