Sentences with phrase «early video installations»

In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

Satellite Gallery opens with a significant nod to Vancouver's own history of experimental art, presenting an early video installation by Vancouver - based artist Glenn Lewis.

Simultaneously reflective and transparent, they recall his earlier video installations of the 1970s that turned the camera back on the viewers, while also referencing office blocks and skyscrapers, classical auditoria, modern expo pavilions and Arcadian follies.

Not exact matches

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

Spring came early with David Hockney's innovative collection of iPad prints, charcoal drawings and a video installation.

Since the early 1970s, when Chris Burden had himself publicly shot in the arm and Vito Acconci masturbated under a gallery floor as his audience walked above him, performance, installation, and video art have increasingly pushed the envelope into new, often transgressive territory.

From his earliest works, Mellors has explored themes tied to contemporary society, from mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irony.

Since the early 1990s, Diana Thater has created pioneering film, video, and installation - based works.

MOCA Jacksonville patrons enjoyed an early peek at Synthesize: Art + Music with a performance in conjunction with artist Rashaad Newsome's video installation in addition to cocktails, hors d'oeuvres, music, and socializing during the preview.

From early figurative paintings, through collages and video installations, to her radical work in dance and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras and cultures, even species.

The Pyes» artistic output spans photography, film, performance, video, and installation while acknowledging the profound influences of surrealism in film, narrative conventions in painting, 19th and early 20th century portraiture, and conceptual approaches to subject matter.

But that video, along with an earlier one, has been upstaged by a bizarre surrounding installation that transforms Cohan's white - box space into a funky Chinatown shop or bus - company waiting room with metal chairs, broken A.T.M.s and a shabby facade.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Lynn Hershman Leeson, Lorna, 1979 - 84, earliest interactive laser disc, created with original software, this installation includes a recreation of objects in Lorna's room in the TV: including a remote, television set, wallet, watch and furniture all in «video colours», plus two storyboard prints.

As video ergo sum, a new retrospective at the Jeu de Paume in Paris, tracks Campus's investigation of the self from early interactive installations into recent «videographs» of landscapes, key mid-career works are concurrently featured in circa 1987 at Cristin Tierney Gallery in New York.

Emin's work is uninhibited in the way it absorbs and reflects her personal life - whether in seminal installations such as Everyone I Have Slept With 1963 - 1995 and My Bed, her early performances and videos such as Why I Never Became a Dancer, or her writings (which include a memoir, Strangeland, and a period as a newspaper columnist.

And earlier this year, at the Lyon Biennial, she showed two multichannel video installations that act as prologue and epilogue to The Wanderer.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

Hayes» early works incorporated vegetation into sculptures and installations, and her repertoire has continued to expand beyond landscapes to include video, light fixtures, interior and object design, aquariums, and garden features.

In Lieu of Unity includes established and early career artists working in video, sculpture, installation, performance / intervention and photography.

These early works can now be seen as foundational to his current monumental sculptures and installations and his elaborate narrative videos.

If you missed the installation that artist / illustrator Noémi Schipfer and architect / musician Takami Nakamoto (aka Nonotak) brought to Fowler Project Space in Greenpoint earlier this month, well at least don't miss the video the Paris - based duo just unleashed, above.

Jonas is a pioneer of early video art, performance and installation.

Since first making innovative use of audio and visual technology in the early 1980s, her groundbreaking installations, multi-screen videos and audio works have achieved international recognition.

One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..

A pivotal figure in contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function of the documentary genre and the consequences of global capitalism through his critical writings, photographic installations, videos, and films.

Diana Thater is a Los Angeles - based artist who has created pioneering film, video, and installation - based works since the early 1990s.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

Since the early 1990's, Yonemoto's solo work has been exploring experimental cinema and video art within the context of installation, photography and sculpture.

1985 1985 Juried Membership Exhibition (April 4, May 12, 1985) Aaron Siskind and Linda Connor (February 15 — March 31, 1985) Annual Houston Center for Photography National Juried Exhibition (January 4 — February 10, 1985) Contemporary Video (June 28 — July 28, 1985) Domestic Dramas and Near (Modern) Disasters (September 6 — October 20, 1985) Fellowship Exhibition (June 28 — July 28, 1985) Four Cantos (December 6 — January 5, 1985) Olivia Parker & Rosamond Wolff Purcell (October 25 — December 1, 1985) Private Moments (September 6 — October 20, 1985) Sidewalk Scenes (October 25 — December 1, 1985) Silent Fires (June 28 — July 28, 1985) Siliconstones: a photographic installation (May 17 — June 23, 1985) The Photographic Print: Early Processes (December 6 — January 5, 1985) Print: Early Processes (October 25 — December 1, 1985)

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

The exhibition also re-creates two of VanDerBeek's significant works: Movie Mural (1968), a multimedia installation comprised of several slide and video projections, and a version of the large fax murals created at MIT's Center for Advanced Visual Studies and the Walker Art Center in the early 1970s.

The works range from the very early video Paralyzed (2003), made while Lidén was still an art student in Stockholm, to one of her newest works, shown at Galerie Neu in 2014 — which, startlingly, is an installation that includes live canaries.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

If early efforts by video pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between artist, installation and spectator.

Beginning with early 20th century paintings by French artist Suzanne Valadon and ending with works by up - to - the - minute figures such as Japan's Mariko Mori, Switzerland's Pipilotti Rist and England's Rachel Whiteread, «elles» will offer an international array of paintings, sculptures, installations, drawings, photographs, prints, videos, furniture and architectural models.

Beginning with their earliest work together, the book takes readers through examples from among their early paintings, drawings, sculptures, and video installations with the aim of exploring the sort of synthesis that drives Eva and Adele's undeniably unique body of artistic work.

Early on he explored the resilience of painting and from painting he went on to do photographic works, video and sound installations.

Among the works featured will be a site - specific installation by Harding and the latest video by Copeland, a sequel to an earlier piece in which The Victorian Woman Wrestles «THE MAN.»

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Susan Hiller is an influential pioneer of multimedia installation art recognized for her early adoption of video as an artistic medium and for her ability to transform conventional gallery spaces...

INDUCTION is a two - person exhibition that features new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influences.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

Susan Hiller is an influential pioneer of multimedia installation art recognized for her early adoption of video as an artistic medium and for her ability to transform conventional gallery spaces into haunting, immersive environments.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

Occupying the three main floors of the museum, and including a range of work from the artist's early career that investigates the representation of the female body, the event moved through to her more recent video installations that transform spaces into surreal dreamlike environments.

Since the early 1990s, she has created a wide range of film, video, and installation - based works whose sculptural forms engage spatial perception in physical, as well as conceptual, terms.

9 September to 7 November 2010 Wednesday to Sunday 11 am — 6 pm John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young «Polytechnic» is an exhibition of video, installation and tape / slide works made between the late seventies and early eighties by -LSB-...]