Sentences with phrase «early works on paper made»

Not exact matches

She left work earlier than she did before she had children, but she made up for the lost time by reading papers and writing e-mails after the children were asleep, by staying longer some days, and by coming into the lab on weekends.

If you make your way to Pier 36 along the East River, in early March you may be tempted by a varied selection of works on paper.

Organized by former National Gallery of Art curator Ruth Fine, in cooperation with PAFA's Robert Cozzolino and Michael Rosenfeld Gallery, the exhibition reveals the range and power of his abstraction through nearly 100 paintings and works on paper made between the early 1930s through the 1970s.

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

«Peter Doig: Early Works» showed, in twelve paintings and thirty - eight works on paper, his development from the early 1980s, when he was an art student in London, to the more contemplative and romantic landscape works he started to make later in the deEarly Works» showed, in twelve paintings and thirty - eight works on paper, his development from the early 1980s, when he was an art student in London, to the more contemplative and romantic landscape works he started to make later in the deWorks» showed, in twelve paintings and thirty - eight works on paper, his development from the early 1980s, when he was an art student in London, to the more contemplative and romantic landscape works he started to make later in the deworks on paper, his development from the early 1980s, when he was an art student in London, to the more contemplative and romantic landscape works he started to make later in the deearly 1980s, when he was an art student in London, to the more contemplative and romantic landscape works he started to make later in the deworks he started to make later in the decade.

In addition to the rare assemblages that made Conner famous, CIRCA SIXTY will give special attention to his early works on paper for the first time.

In the first two knockout rooms of the Whitney's show, Haskell gives us O'Keeffe's early works on paper and her uncanny ability to conjure indivisible abstract wholes in which all parts are of equal interest and never decorative — something Donald Judd made good on decades later.

Serving as an important contribution to recent scholarship on the artist, the extensive exhibition catalogue is anchored by richly detailed plates of the artist's sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

From his earliest days as an artist he has made two - dimensional works in ink, acrylic, gouache, oil, pigment and earth on both paper and canvas.

Including a selection of early notebooks, framed sun drawings, texts, photographs and works on paper that show Ackling's first explorations of nature and art through the use of time and light, made concrete on found objects.

Intimate 1960s drawings, which bear the marks of his itinerant early life between London and Sudan, join haunting 1980s ink - on - paper works made after his imprisonment by the Sudanese government in 1975.

«There are a number of artists who make large works that are difficult to exhibit at my present location,» says Nolan, who specializes in contemporary works on paper by such heavyweights as Georg Baselitz, Carroll Dunham and Peter Saul and also holds the occasional show of important 19th or early 20th - century art.

Serving as an important contribution to English - language literature on the artist, this extensive exhibition catalogue is anchored by richly detailed plates of his sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.

These works on paper, which include the Black Drawings (1991 - 92) and Models (1994), explore facial structure and emotional expression in ways that resonate with and make overtures towards these earlier paintings and the continuum of art history.

In the early 1970s, Graves began making detailed gouache works on paper of animals such as fish, snakes, and frogs, taking a scientific approach to representation.

This show of early color abstractions features 30 recently discovered works on paper that reveal the influence of the AbEx painters Arshile Gorky and Willem de Kooning on the young Diebenkorn, who made these gestural works while living in New Mexico, Illinois and California before he went figurative.

It includes his early works on paper, in which the ideas that would make him a member of Italy's arte povera movement can be seen taking form.

Each painting on view at the MFAH show represents a different period of Torres - García's production, ranging from an early landscape painted in France in 1928 to an oil on paper and canvas work made in 1945, giving viewers a rough overview of his career.

Her series of works on paper The Russian Ending 2001 borrows its title from the early Danish cinema tradition of making two alternate endings for a film: one happy for the American market and one tragic for the Russian market.

He was an optical engineer who repaired aircraft instruments in Alaska in WWII, a mountain man who could turn a canoe into a sailboat with a folding machete, bed sheets and a few sticks, who taught me diffraction, color theory and relativity on paper when other kids were learning multiplication tables, who designed a potentiometer that went to the Moon by pointing the world's fastest camera at the world's fastest oscilloscope, who designed those traffic lights which only appear bright when you are in the appropriate lane, who didn't have to help me at all when I built my own Heathkit dual - channel scope in grade school, nor had to help me program my Apple II in machine language, who quit Honeywell to work for 3M when the Space Program turned into the nuclear missile program, who studied mining geology in college after growing up in a mining town in Utah, it was he who taught me, early on: make sure your contraption works!

The main comments included the suggestions to make the discussion of the CO2 warming models more quantitatively, to present the differences between the present paper and my earlier publications more clearly, and also particularly, to include a discussion on the 2011 Atmospheric Environment paper by Grooß and Müller, which criticized my work.

Professor Heckman and his co-authors Sneha Elango, Jorge Luis Garcia and Andres Hojman provide clarity in Early Childhood Education, a new working paper that makes sense of a number of seemly conflicting research studies on the effectiveness of public investment in early childhood educaEarly Childhood Education, a new working paper that makes sense of a number of seemly conflicting research studies on the effectiveness of public investment in early childhood educaearly childhood education.