Sentences with phrase «earth i love art»

I'm very down to earth I love art and music and people!!!!

Not exact matches

We Americans love barbecue, and in some cases are obsessed to the point of thinking — sometimes out loud, and sometimes quite pointedly — that we Americans are the originators, perfectors, and by far the best practitioners of the barbecue art anywhere on earth.

Tracy of Ruby Spirit Designs:: Kevin of Dig The Earth:: Alison of A Deegan:: Kat of Mrs Sew and Sew:: Kirsten of Quernus Crafts:: Lynsey of Swirly Arts:: Pam of Buri Boo:: Jacqui of Print for Love of Wood:: Debbie of Angels and Butterflies:: Mich of My Furoshiki:: Sa'adiah of SaduBeaR:: Mauri (and family) of Dichroic Dazzle:: Laura of Lauras Little Lovelies:: Kath of Kath Heywood Designs:: And if I have missed anyone — I sincerely apologise.

He loves being a dad, cooking & eating delicious food, photography (took many of the photos on this website), surfing big waves on Maui, camping trips and walking barefoot on the earth, sharing tips about India travel, blogging, art, meditation and yoga.

I love a harmonious relationship in making others smile and laugh.My friends would describe me as down to earth, helps others, loyal, fun, funny, beautiful, loves art,...

I will like to tell you little about my self, i am pretty easy going and a good listener, what you are about to read may inspire you, denture you, make you sad or even anger you but i think, that honesty is the best policy.say it and let the chips fall where they may, i am single with no child, I'm a down to earth kind of woman, i believe in living your life the best you can with the tools that are given to you, treat others as you would like to be treated, I'm a hard worker, i get that from my Dad but i also like to have a good time, I love music, art, sports and life sunny days great but Rainy days makes me feel alive..

Love being down to earth, am very outdoorsy I Lead a Very active lifestyle, beaches, Rock climbing I am Into holistic living, martial arts yoga and meditation I am Seeking a rare deeper Level physical, emotional s..

I'm a flower child very down to earth, love the outdoors, art, music, fun, outgoing, luv to laugh.

loving, caring, perceptive... genuine love of the Earth Mother and her creatures... love the desert, do art quilts and other artful crafts... have fun doing gardening and am really good at it... friends say I don't have a green thumb, I have a green hand!!!

I» m a loving and caring down to earth type guy.I love art, I enjoy drawing in pencil and ink.I love movies especially the old school horror movies like hellraiser and nightmare on elmstreet.

down to earth, funny, out going, love the outdoors, watch sports, going to games, love to dance, going to art galleries, movies, concerts, the beach everything really.

I'm a down to earth, humble vegan lady who loves music (rock n» roll) animals, writing, books, art and nature.

down to earth funny guy with a good heart love to travel meet people aslo love sports reading poetry music films dancing martial arts making love.

I am a down to earth person that love the outdoors, animals, movies, art, music, reading... Would love to find that special someone to share life with...

im down to earth loving kind caring sincere honest i love music djing i did 5 yrs ago i grew up in hartford all around love animals art cooking alittle i can do love my family im very lonely need someone 5 ft hair is short im plumb my features are my legs average cloything wear casual wear im lone...

New York has Sachs, a down - to - earth city scion who tackled love and apartment - hunting in the must - see Love Is Strange and returns to examine the budding friendship between two Brooklyn kids: an introvert with art skills and the safety net of white privilege, and an audacious aspiring actor being pushed out of the neighborhood by gentrificatlove and apartment - hunting in the must - see Love Is Strange and returns to examine the budding friendship between two Brooklyn kids: an introvert with art skills and the safety net of white privilege, and an audacious aspiring actor being pushed out of the neighborhood by gentrificatLove Is Strange and returns to examine the budding friendship between two Brooklyn kids: an introvert with art skills and the safety net of white privilege, and an audacious aspiring actor being pushed out of the neighborhood by gentrification.

Daggers, however, is director Zhang Yimou's follow - up to the callowly beautiful Hero and, like that movie and a number of others (Ashes of Time, Bride with the White Hair, Crouching Tiger, Hidden Dragon, Kill Bill, Zatoichi, Warriors of Heaven and Earth, and, in a way, Goodbye Dragon Inn), it belongs to a martial arts / art - house genre of films by hip young directors upgrading genres they loved as teenagers - «martial arts plus.»

The Weinstein Company / Radius - TWC (distributed by Anchor Bay): Adult Beginners (2015)(Blu - ray) Aftershock (2013)(Blu - ray) All the Boys Love Mandy Lane (2013)(Blu - ray) Army of One (2016)(Blu - ray + DVD) The Art of the Steal (2014)(Blu - ray) August: Osage County (2013)(Blu - ray) Before We Go (2015)(Blu - ray) Begin Again (2014)(Blu - ray) Big Eyes (2014)(Blu - ray) Blue Ruin (2014)(Blu - ray) Blue Valentine (2010) Bully (2012)(Blu - ray + DVD) Burnt (2015)(Blu - ray) Butter (2012)(Blu - ray + DVD) Carol (2015)(Blu - ray) Citizenfour (2014)(Blu - ray) The Company Men (2011) Coriolanus (2011)(Blu - ray + DVD) Cutie and the Boxer (2013)(Blu - ray) Dark Skies (2013)(Blu - ray + DVD) The Details (2012)(Blu - ray) Dragon (Wu Xia)(2012)(Blu - ray) Erased (2013)(Blu - ray) Escape from Planet Earth (2013)(Blu - ray 3D + Blu - ray + DVD) Fed Up (2014)(Blu - ray) The Founder (2016)(Blu - ray + DVD) Fruitvale Station (2013)(Blu - ray + DVD) The Giver (2014)(Blu - ray + DVD) Gold (2016)(Blu - ray + DVD) Goodnight Mommy (2015)(Blu - ray) Grace of Monaco (2015) The Grandmaster (2013)(Blu - ray) Hands of Stone (2016)(Blu - ray) The Hateful Eight (2015)(Blu - ray + DVD) Hoodwinked Too!

Design, modeling, or graphics - arts professionals — and those who love Google Earth — will want to free up a USB port for the SpaceNavigator.

I also love that much of their art includes animals, you can tell they have a great reverence for our beautiful earth and the creatures on it.

We've drawn the Earth before, but this time we're drawing it in the shape of a heart... because we love our Earth ❤️ Art Supplies marker paper colored pencils blue -LSB-...]

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

When an artist grows up in the midst of grand nature, playing in the dirt and making things with leaves and rocks, his art reflects the love of the earth.

It felt easy and natural, and the connection was filled with the sparks of energy that fly around among people when they meet and realize they mutually love many of the same things: Marshall, David Hammons, Marcel Duchamp, Henry Taylor, art, bookstores, Walter De Maria's The New York Earth Room, Black Mountain College.

The show's title is a play on «allegories,» emphasizing both the art - historical pedigrees of Eisenman's figures and her love of the grotesque, the absurd, and the down - to - earth.

Chiara also loves to add a touch of digital art to really make her images come alive - for instance, in one setting the characters seem to pull the heavens down to Earth... In another, you can see a flowing white dress turning into huge angel wings.

«The Towering Inferno: The Babel Trilogy,» University of Tel Aviv, Tel Aviv, Israel, January 21, 2014 — January 30, 2014; catalogue «Codex,» CCA Wattis Institute, San Francisco, CA, January 23 — March 29, 2014 «Imaginary Portraits: Prince Igor,» Gallery Met, The Metropolitan Opera, New York, NY, January 15 — May 10, 2014 2013 «Art and Its Discontents,» University of California Santa Barbara Art Museum, Santa Barbara, CA, October 19 — December 13, 2013 «TACET,» Museum of Fine Art Dole, Dole France, June 22 — Spetember 8, 2013 «Imitation of Christ,» The Hammer Museum, Los Angeles, May 18 - August 18, 2013 «The Whole Earth: California and the Disappearance of the Outside,» Haus der Kulturen der Welt, Berlin, Germany, April 26 — July 1, 2013 «Art Geneve,» Suisse Romande, Geneva, Switzerland, January 31 - March 3, 2013 «Set Pieces,» Cardi Black Box, Milan, Italy, February 2013 «The Circle Walked Casually,» Deutsche Bank KunstHalle, Berlin, Germany, November 28, 2013 — March 2, 2014 2012 «Letters From Los Angeles,» Jack Rutberg Fine Arts, Los Angeles, CA, November 17 — December 22, «Tracing the Century: Drawing from the Tate Collection,» Tate Liverpool, Liverpool, England, November 16 — January 20, 2013 «This Will Have Been: Art, Love, & Politics in the 1980s,» Museum of Contemporary Art (MCA), Chicago, IL, February 11 — June 3, 2012; travels to Walker Art Center, Minneapolis, MN, June 30 — September 30, 2012; travels to Institute for Contemporary Art (ICA), Boston, MA, October 2012 — January 2013 «In Numbers,» Institute of Contemporary Art, London, England, January 25 — March 18, 2012 «Self - portraits,» Louisiana Museum of Modern Art, Humlebaek, Denmark, September 14, 2012 - January 13, 2013 «Behold America!»

The funny thing is that you're not here, nothing is, Kosovo Pavillion, Venice Biennale, curated by Kathrin Rhomberg, commissioned by Erzen Shkololli, Arsenale, Venice Poisoned by men in need of some love, curated by Elena Filipovic, WIELS Contemporary Art Center, Brussels Petrit Halilaj, Tongewölbe T25, Ingolstadt 2012 Who does the earth belong to while painting the wind?!

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

, London; included in the permanent collections of the Metropolitan Museum of Art, NYC; the Museum of Contemporary Art, Los Angeles; Saatchi Gallery, London and the Museum der Moderne, Salzburg, Austria, among others; solo exhibitions include «Motherboard,» Sperone Westwater, NYC and «We Haven't Landed on Earth Yet,» Galerie Thaddaeus Ropac, Salzburg, Austria; group exhibitions include «Contemporary Iranian Art,» Metropolitan Museum of Art; «Love, Me, Love Me Not,» Baku, Azerbaijan (2013) and the 55th Venice Biennale, Venice (2013); «Expanded Painting,» Prague Biennale 6; awarded an Arts Fellowship in Painting from the New York Foundation (2010); featured in «Painter Ali Banisadr's Sound Inspiration» in

Your demonstration on how to or not to use the paints and inks was just great and I loved your quirky comments and your straight forward remarks, nice to see someone down to earth in their ways of showing how art can be done.

Bring a picnic and enjoy spectacular bay views, wildflowers, and family - friendly company with Love the Bulb, a project of Earth Island's California Institute for Community, Art and Nature.