Not exact matches
I
often say if you're willing to go into debt for $ 100,000 - 150,000 to get an MBA and have two years of your life with no
work experience, why on
Earth wouldn't you just join the most ambitious early - stage startup you know and
work for a paltry salary to get the experience?
Sadly, the term evangelistic is used more
often in other ways, but in that usage it meant bringing truly good news of God's salvific
work in the world against the background of realistic assessment of what our current activities were doing to the
Earth.
More
often than not, at least once during the making of dinner, or cleaning of the kitchen, or studio
work in progress, I look out the window and declare, «what on
earth?»
When I cycled to
work this morning through yet another heavy rain shower falling from the usual grey English sky, I asked myself as I have so
often: What on
earth am I doing here?
Dr. Dudl told the audience how his son thought SBP was the best place on
earth to
work and a «place you don't find very
often.»
Too
often we don't realize how much
work goes into the production of our food until we've tended to the
Earth ourselves.
I, m dark 5» 6» bi crossdressing submissive who loves to be dominated I have brown sexy eyes long black hair always done nicely I, m 135 pounds
work out
often very athletic nice body shaved all over nice butt cute face down to
earth love dressing up have lots of hot outfits n boots of all designs...
Pellington is
working from an uncharacteristically sentimental screenplay from Alex Ross Perry, known for his biting, incisive and
often merciless portrayals of human nature in the independent films he's written and directed himself, including «The Color Wheel» and «Queen of
Earth.»
In her practical, down - to -
earth, and
often humorous style, Nicole Wilde presents all the other information trainers need to know in order to
work effectively, safely, and successfully with aggressive dogs.
Your videos
often document a struggle for survival against extreme circumstances, from living in the uninhabited deserts of China, to
working in a dangerous Arctic coal mine miles beneath the
earth's surface.
So Roy is now 70, and he's still drawing on the
earth, or in the sky, scratching an existence in a particularly unremunerative corner of the art field (he can't, after all, sell those transient outdoor
works, and such is Roy's compulsion to make that he will
often engage directly with the environment when there is no commission in sight — see, for instance, the snow
works he makes in his backyard).
The
works are meant to be permanent; they eschew pedestals, emerging from the
earth; they are
often made from industrial materials; and their size amplifies the heroic role of the individual artist.
While on one level seeds and ash evidently relate to the concept of growth and decay, the seeds of the star - like sunflower are also
often used in Kiefer's
work to symbolize the inherent union of macrocosm and microcosm and the hermetic belief in «as above so below» as signaled by Robert Fludd's poetic concept of the countless stars in the heavens having their equivalence in the numberless flowers blooming on
earth.
Chong - Hyun's
works, in
earth tones and grays, for the most part,
often feature his distinct process: pushing the paint through the back of the canvas.
The transformation of dirt — and the negative space that remained as a reminder of the structure's autochthonic origin — greatly impressed Dash, who now uses the New Mexican
earth in her
works,
often mixing and applying adobe by hand.
Michelle Stuart is known as a pioneer of non-traditional,
often organic materials, including
earth, seeds, ash, feathers and fossils;
works about transformation which collapse memory, time and place.
Ironically, not only were their monumental landscape projects extremely expensive to complete (
often requiring land - purchase as well as the use of
earth - moving equipment), thus necessitating financial support from the very system that the artists despised, but these
works were typically situated in remote places accessible only by the super-rich, and properly viewable only from the air.
MacConnel's
works often take the form of large, patterned wall - hangings in a palette of bright
earth tones.
By that time, back here on
Earth, the Smithsonian will launch a mid-career survey of the American - born, Berlin - based artist's
work, featuring his new AI - infused installations in addition to his previous photographs and sculptures that
often explore themes of surveillance and government secrecy.
Alison Saar
works in a primarily figurative vein, featuring the human body,
often female, in various states of emotional or physical expressiveness that can border on the surreal, as when tears weep from a person's back, or tendrils descend from a figure's feet to root into the
earth.
Incorporating text and music as part of his
work, the artist
often speaks or sings en plein air, the
earth acting as a silent listener.
His
work often involved the juxtaposition of objects, materials, and actions antithetical to one another; geometric metal shapes are contrasted with such materials as cotton,
earth, plants and animals.
Shifting Perception through Doug Aitken's «Electric
Earth» at MOCA By Genie Davis Through January 15th «Electric
Earth», a collection of Doug Aitkin's impressive video and sculptural
works, is an immersive and
often interactive experience.
The materials used were
often the materials of the
Earth including for instance the soil and rocks and vegetation and water found on - site, and the siting of the
works were
often distant from population centers.
On Dot
Earth, some regulars immediately gamed the system, posting strings of comments, while others sat in a queue awaiting my approval (which
often happens too slowly because of my
work flow).
At Northwest
Earth Institute, we
often hear from people who are looking for ways to live more sustainably — in their local communities, on college campuses, within faith communities, and at
work.
The exchange of incoming and outgoing radiation that warms the
Earth is
often referred to as the greenhouse effect because a greenhouse
works in much the same way.
Many here may be most familiar with Paul's most recent
work on Neoproterozoic climate history,
often simplified as «Snowball
Earth» and not his first twenty - five years of
work on the origin and development of continental lithosphere.
When I first began subscribing to your blog, it
often depressed me too much to read the posts b / c I was running off to
work or coming home from
work and had piles of things to do, and how on
earth could I ever do any of the things I see on your blog.....