Sentences with phrase «easel pictures»

One reason for our consideration is that, by some standard, she did everything wrong: she made easel pictures on prefabricated canvas board; she made impure abstract paintings; she seems not to have given a fig about what the Abstract Expressionists were up to.

And for years, before, during, and after Bennington, I mean all the years I knew Clem [Clement Greenberg] and after that, no matter what my major concern in the line of painting was, at the same time I always did easel pictures either out in nature or in my studio.

In 1948, Clement Greenberg wrote his essay The Crisis of the Easel Picture.

-LSB-...] I believe the easel picture to be a dying form, and the tendency of modern feeling is towards the wall picture or mural.»

Greenberg argued in his 1948 essay «The Crisis of the Easel Picture» that «the dissolution of the pictorial into sheer texture, into apparently sheer sensation, into an accumulation of repetitions, seems to speak for and answer something profound in contemporary sensibility.»

-- «Avant - Garde and Kitsch» (Partisan Review, 1939)-- «Towards a New Laocoon» (Partisan Review, 1940)-- «Abstract Art» (The Nation, 1944)-- «The Crisis of the Easel Picture» (Partisan Review, 1948)-- «American Type Painting» (Partisan Review, 1955)-- «Modernist Painting» (Voice of America lecture, 1961)-- «After Abstract Expressionism» (Art International, 1962)-- Art and Culture: Critical Essays (1961) RELATED LINKS Know Your Critics: What Did Harold Rosenberg Do?

Among the Greenberg's most influential works, which he published mostly in Partisan Review, the Nation, and Commentary, are Avant - Garde and Kitsch from 1939, Towards a Newer Laocoon (1940), The Crisis of the Easel Picture (1948), Modernist Painting which was delivered initially as a radio broadcast on The Voice of America Forum Lectures: The Visual Arts (1960), After Abstract Expressionism (1962), and «American - Type» Painting (1955).

Like all the pop generation in America, he was working in the shadow of the abstract expressionists who in the 1940s and 50s widened the reach of painting, destroying the difference between the easel picture and the mural.

In this sense, Richter's Abstraktes Bild (903 - 7) is a conventional easel picture made by unconventional means.

When we think of Abstract Expressionism, we think of large - scaled paintings, or what Clement Greenberg termed the «polyphonic» picture, which he believed provoked «the crisis of the easel picture.»

Greenberg, «The Crisis of the Easel Picture» [1948], CEC, 2: 221 - 225; 224 - 225.

Not exact matches

If we pick up a paintbrush and easel, the paint can't determine what the picture will look like, can it?

Besides, having an easel gives children a dedicated place to paint or draw, so they do not decide to paint murals and pictures on a real wall, without permission!

If you are painting a picture an upright easel is nice to set up and even indoors on a rainy day.

-- Draw a circle on an easel pad and glue a picture of turtle in it.

First, the teacher models writing by «thinking aloud» about what to write about and draws a picture or writes words to display to the whole class (e.g. on an easel and large writing pad).

I made small laminated signs for each easel with personalized pictures that reflected each person's passions.

I pictured myself sitting at one of the easels.

It had changed from being subservient to the dominant class — painting pictures of leaders, dignitaries and so on — and, as those functions had ebbed away, easel painting had no use any more.

JMcK: You play with the gallery space just as Capability Brown played with the landscape, both big steps in conceptual terms away from the strictures of the picture plane, and from easel painting.

«In most of Mr. Amenoff's easel - scale pictures, a large, mysterious form — botanical, geological or geometric — looms close against a distant vista.

The previous year, Jackson Pollock (1912 - 56), applying for a Guggenheim Foundation Fellowship, wrote (highly likely with the aid of Greenberg): «I intend to paint large movable pictures which will function between the easel and mural.

The exhibition comprises two recent series of paintings, some as large as small - mural scale, and other smaller easel - scale pictures.

I do this once in a while and this time I put up a picture of John Singer Sargent's portrait of Henry James on the computer screen next to my easel.

After some years of preparation and experimentation, during which time he painted his pictures on an easel, Pollock has developed a method that is unique and that, because of its newness, shocks many.

«Mural» set the precedent for the scale of Pollock's celebrated all - over drip - paintings (with their even distribution of compositional interest across an entire large surface), encouraged by a February 1947 review by Clement Greenberg in The Nation, where he wrote: «Pollock points a way beyond the easel, beyond the mobile, framed picture, to the mural.»

The preface to the catalogue of his first exhibition said, «With him, a picture grows, not in the head, but on the easel - from a collage, through a series of drawings, to an oil.

Then tape the picture of yourself to the wall or easel to use as a reference as you work on your painting.

With the tiny easel in Mini Easel Relief Kelm picks up on a classical artist tool, although the easel in her picture seems to be a gimmick easel in Mini Easel Relief Kelm picks up on a classical artist tool, although the easel in her picture seems to be a gimmick Easel Relief Kelm picks up on a classical artist tool, although the easel in her picture seems to be a gimmick easel in her picture seems to be a gimmick item.

Mural is not a work to be looked at — an «easel painting», as Pollock's critical champion Clement Greenberg dismissively called all the polite little European pictures it rendered obsolete — but to be embraced by.

The drawings as well as a picture book he made for the children will be brought to the UK for the first time and exhibited alongside Dix's more familiar paintings with highlights including Portrait of the Photographer Hugo Erfurth with Dog 1923, Self - Portrait with Easel 1926 and Reclining Woman on a Leopard Skin 1927.

Use decorative picture frames and easels with a bamboo motif for displaying a printable menu or place card.