Sentences with phrase «economy of line»

With enormous economy of line and with great care for the power of the human form, Rembrandt tells the story of the Prodigal in ways that we have never heard it or seen it before.

With its new green models, Kia hopes to improve the average fuel economy of its line - up 25 % by 2020.

His earliest work took inspiration from various aspects of mid-century American culture and society, including television, film, and advertising, and over the past five and a half decades he has established himself as a preeminent painter of modern life, whose distinctive portraits and lyrical landscapes bear a flattened surface and consistent economy of line.

In the work he made at the Bauhaus and — following his emigration from Germany to the U.S. — at Black Mountain College and Yale University, Albers strived for economy of line and clarity of articulation, and he developed his pedagogy along similarly rigorous lines.

Shishkin executes her complex compositions by using her characteristic economy of line, coupled with her use of bright blocks of colour and elaborate patterning: her bold palette and use of polka dots, colourful grids and other organic patterns blur the boundaries between individual bodies, the air, and the surrounding objects in her drawings.

We note the expressive and powerful colors, the economy of line, the equivocal pose of the artist — half at rigid attention and half stopped — and the symbols, now terrifyingly direct.

The economy of line and the economy of the parable itself are fully described in the form of hands and feet in the act of forgiveness and supplication.

Even at this early stage, deft artistic wit is called for as he distills the vehicle's form into key features that «capture the shape of the car with an economy of line,» as he neatly puts it.

Andrew Smith, Cadillac Executive Director of Global Design explained «Our focus for the interior was sophistication and simplicity, ensuring an economy of lines to reduce visual noise and clutter.

«His style - in particular his economy of line, lively detail, and sense of movement - was well suited to the text,» says the V&A.

Imbued with wit and an economy of line, her images are often painted through the filter of her memory, using text to anchor recollections and facts.

His distinctive portraits and lyrical landscapes are noted for their pristine flat surface and economy of line, depicting scenes -LSB-...]

Rendered with an economy of line, her three - dimensional «portraits» in wire describe an assortment of human expressions.

With a limited palette and an economy of line, she draws images like writing a letter, documenting essential, universal motions and human behaviors.

Coinciding with her first forays into printmaking, graphic paintings like Italian Beach (1960) and May Scene (1961) employ an economy of line not commonly seen in her earlier works.

Seen in an even broader perspective, the Improvisations are part of a long painterly tradition spanning from the fourteenth century through the twentieth century, that valued above all else, clarity, precision, and economy of line, shape, and color.

I was interested in the economy of a line, enclosing three - dimensional space.

Using an economy of line and color, these appear profound and solemn — they don't occupy space so much as hold it.

Aicher's work, and that for Isny in particular, is characterised by a beguiling reductive simplicity — an economy of a line drawn with an often mischievous twist.

«I was interested in the economy of a line, enclosing three - dimensional space,» she recalled in a 1981 interview.

I don't know how to articulate the association between the two and my reading of your work, but I felt the believability in the economy of lines and the economy of surface was very present.

This period includes graphic paintings such as Italian Beach from 1960 and May Scene from 1961 in which the artist utilizes an economy of line not commonly seen in her earlier works.

[12] His paintings are defined by their flatness of colour and form, their economy of line, and their cool but seductive emotional detachment.

His paintings are defined by their flatness of colour and form, their economy of line, and their cool but seductive emotional detachment.

Explaining her fascination with wire as a material, Asawa said, «I was interested in it because of the economy of a line, making something in space, enclosing it without blocking it out.