Sentences with phrase «edge art exhibitions»

The museum is a major new center for the arts on campus and in the Research Triangle area, with leading - edge art exhibitions and dynamic programs, including Family Days, performing arts events, lectures, film series and social gatherings.

The Venice Biennale has long been considered the world leader in contemporary, cutting - edge art exhibitions, and this year's show doesn't disappoint.

After being off limits to the public for more than 100 years, today Cockatoo Island is the location for cutting - edge art exhibitions, group tours and unique accommodation.

Not exact matches

Princess Caroline, a contemporary art enthusiast, has supported the exhibition of cutting - edge artists such as Anish Kapoor, George Condo and Mark Dion throughout the city.

As a world leader in trade shows across a number of different sectors - including art, children's publishing, cosmetics, construction and design - BolognaFiere has developed a cutting - edge portfolio of international exhibitions in key Russian, North America and Asia markets including China with 8 exhibitions already established.

Sitting on the edge of Montjuïc — the immense hill that was home to most of the 1992 Olympic events — The National Art Museum of Catalonia was designed in the neobaroque style for the 1929 World Exhibition.

Born out of the vision to support and boost cultural exchange and art, the Katara village is a multidimensional cultural project boasting of beautiful theatres, exhibition galleries, and various cutting - edge facilities, thus including it in one of the best multi activities centers in the world.

During your visit a trip to Albury's cultural landmark MAMA (Murray Art Museum Albury) can not be missed, featuring cutting - edge art combined with international exhibitioArt Museum Albury) can not be missed, featuring cutting - edge art combined with international exhibitioart combined with international exhibitions.

There are jazz festivals, food and wine fests, triathlon and surf lifesaving carnivals, and even art and sculpture exhibitions — all on the shore's edge.

Unique art exhibition Art for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpart exhibition Art for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpArt for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpart, sculpture and photography.

Chris Jones in «The First Cut: Paper at the Cutting Edge» exhibition at Manchester Art Gallery.

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).

«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Their collaborative work has been presented in exhibitions in Australia and internationally, including: Sorry You Missed Me, Royal College of Art, London, 2016; Während der Ausstellung ist das Museum geschlossen, Museum für Neue Kunst, Freiburg, Germany, 2016; MONA FOMA Festival, Salamanca Art Centre, Hobart, 2016; Performing Public Art Festival, Vienna Biennale, Austria, 2015; MAF Edge: Social Capital program curated by Jacqueline Doughty, Melbourne Art Fair, 2014; Festival of Live Art, Arts House, Melbourne, 2014; Site Dedicated to the Active Effacement and Complete Disregard of History, Zentrum für Kunst und Urbanistik, Berlin, 2013; and Ibrahim the Algorithm, Mathematics of Small Numbers group exhibition curated by Anusha Kenny, Footscray Community Art Centre, Melbourne, 2012.

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).

, Galerie Jean Fournier, Paris (June 20 — August 22) Paintings by Joan Mitchell, Lithographs by Willem de Kooning, Sculpture by Raoul Hague, Lennon, Weinberg, New York (June 10 — August 4) The Collection of Sue and Eugene Mercy, Jr.: Paintings, Drawings, and Sculpture, Richmond Art Center, Loomis Chaffee School, Windsor, Connecticut (May 18 — June 11) New York Action and Edge: 1950s and 1960s: John Ferren, Balcomb Greene, Stephen Pace, Esteban Vicente, Jimmy Ernst, Al Held, Joan Mitchell, Milton Resnick, Katharina Rich Perlow Gallery, New York (April — May 3) Papel papel, Galerie Jean Fournier, Paris (March 11 — April 15) Seven from the Seventies: Diebenkorn, Frankenthaler, Krasner, Martin, Mitchell, Scully and Stella, Knoedler and Company, New York (February 8 — March 4) XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery and Saluting the Opening of the New San Francisco Museum of Modern Art, John Berggruen Gallery, San Francisco (January 13 — February 25)

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Founded in 2006, Girls» Club presents cutting edge contemporary art exhibitions, education programs and community events in it's architect - designed space in downtown Fort Lauderdale.

David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including «Dissent: The Issue of Modern Art in Boston,» «Endgame: Reference and Simulation in Recent Painting and Sculpture,» and «The British Edge.»

This multi-disciplinary hub stages cutting - edge research and novel ideas of cross-cultural dialogue in the form of annually themed events (conferences, workshops, art competitions, exhibitions, -LSB-...]

In addition to a foundation of exhibitions throughout the year, the gallery participates in a number of international art fairs, continuing to expand its exhibition program by introducing cutting edge contemporary artists to Los Angeles and

The exhibition includes several of Andrade's major Op art paintings, which combine hard - edged geometric forms and lines into illusory, and sometimes hallucinatory, compositions.

LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.

SELECTED GROUP EXHIBITIONS 2014 Dak «art 2014: The 11th Biennial of Contemporary African Art, organized by Elise Atangana, Abdelkader Damani and Ugochukwu - Smooth C. Nzewi Black in the Abstract, Part 2: Hard Edges / Soft Curves, Contemporary Art Museum Houston, organized by Valerie Cassel Oliart 2014: The 11th Biennial of Contemporary African Art, organized by Elise Atangana, Abdelkader Damani and Ugochukwu - Smooth C. Nzewi Black in the Abstract, Part 2: Hard Edges / Soft Curves, Contemporary Art Museum Houston, organized by Valerie Cassel OliArt, organized by Elise Atangana, Abdelkader Damani and Ugochukwu - Smooth C. Nzewi Black in the Abstract, Part 2: Hard Edges / Soft Curves, Contemporary Art Museum Houston, organized by Valerie Cassel OliArt Museum Houston, organized by Valerie Cassel Oliver

JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.

Her work as been included in numerous exhibitions including «Made For More» at Chime and Co. in Los Angeles, «Painting's Edge» at the Riverside Art Museum and «Snapshot,» at the Contemporary Museum in Baltimore, Maryland.

Chihuly's art remains at the cutting edge of the technical and virtuoso possibilities of glass as a medium, and this exhibition will include many iconic works for which Chihuly is known — Ikebana, Mille Fiori, Chandeliers, Tabac Baskets, Venetians, Boats, Persian Ceiling — as well as site - specific installations, taking advantage of our soaring Atrium and reflecting pools.

From the Ashes: Rebirth of the Human Spirit, Group Exhibition 2014 Gallery for Good, The Community Foundation, Washington, DC Group Exhibition 2014 Biggs Museum of American Art, Dover, Delaware, Picture Landscape, Group Exhibition 2014 Black Rock Center for the Arts, Germantown, MD, Invitation to a Metaphor, Solo Exhibition 2014 Thelma Harris Gallery, Oakland, California, Group Exhibition 2014 Rogue Community College, Grants Pass, Oregon, The Subject of War, Group Exhibition 2014 Charles Krouse Reporting Fine Art, Washington, DC, Beyond Red and Blue, Group Exhibition 2014 WAH Center, Brooklyn, NY, Over the Edge: Paperworks Unbound, Group Exhibition 2014 Pittsburgh State University, Pittsburg, PA..

Recent selected exhibitions include: In Conversation, Touchstones Rochdale, 2014; Without an Edge There is No Middle, Pluspace, Coventry, 2013; Summer Show, Malgras Naudet, Manchester, 2013; Treatment, PS Mirabel, Manchester, 2013; 60 Drawings, Bankley Gallery, Manchester; International Drawing Project, PR1 Gallery, UCLAN, Preston; Salon Neu, Embassy, Edinburgh, 2012; The Manchester Contemporary, Spinningfields, Manchester 2012; We Are All In This Together, Bureau, Manchester; Unrealised Potential, Northern Gallery for Contemporary Art (NGCA), Sunderland, 2011; Industry & Idleness, Contemporary Art Society, London, 2010 - 11; Unrealised Potential, Cornerhouse, Manchester, 2010.

At its site at Gillman Barracks, the CCA presents cutting - edge contemporary art exhibitions.

Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.

Its freshly cut cornerstone is the Minnesota Street Project, three converted warehouses at the city's industrial edge that will comprise the non-profit San Francisco Arts Education Project, temporary exhibition spaces, dining from Daniel Patterson Group, and 10 commercial galleries, including vital, younger spaces like Et al and a number displaced from their original locations by rising rents.

This new exhibition at Edge Gallery exhibition is a tribute to the Smithsons show, «Parallel of Life and Art» from 1953.

Who Can Apply: Artists who produce cutting - edge contemporary art in any and all media, and who live or work in Virginia, Washington DC, Maryland, West Virginia, Delaware, or Pennsylvania may submit exhibition proposals.

Mollie Bosworth, ceramic artist from north Queensland has had a busy year culminating in her participation in the group exhibition SUB-0 THE AFFORDABLE ART SHOW currently on at the Tanks Art Centre, 46 Collins Avenue, Edge Hill Cairns until the 21st DecembART SHOW currently on at the Tanks Art Centre, 46 Collins Avenue, Edge Hill Cairns until the 21st DecembArt Centre, 46 Collins Avenue, Edge Hill Cairns until the 21st December.

His latest solo exhibition «Richard Tuttle: Critical Edge» is being held now at Metropolitan Museum of Art, New York (April 2 — June 26, 2016).

In 1966, Alloway curated the influential Systemic Painting exhibition that showcased geometric abstraction in the American art world via Minimal art, Shaped canvas, and Hard - edge painting.

«Is the Concept of Jewish - American Art Viable,» Jewish Artist: On the Edge, exhibition catalogue, The Marion Center and The College of Santa Fe, NM, Summer, 2000, and Yeshiva University Museum, NY, NY, Fall, 2001 - Spring 2002, pp. 63, 73, 74.

Featuring cutting edge designers, leading academics and major private collectors, this exhibition offers a comprehensive history of British tattoo art.

His work has appeared in numerous exhibitions, including On the Edge: the Sculpture of Leonid Lerman at Duke University Museum of Art in 1988, Modernism in San Francisco, and Ronchini Arte Contemporanea, Terni, Italy.

The artist has participated in various group exhibitions including Engender at Kohn Gallery, Los Angeles, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery.

The participants will be introduced to selected works by artists featured in the exhibition, who actively investigated engineering, programming, and cutting edge scientific research in their practice, and believed that art could influence the future of humankind.

In January 2011 work began on a cutting - edge building with generous spaces to showcase its art holdings and attract more top caliber exhibitions.

In 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of America.

Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.

Art in General has become renowned for its cutting - edge exhibitions, identifying talented young artists and nurturing their creative process, and your support is critical to this success.