Sentences with phrase «edge art making»

Not exact matches

Coupled with the beautiful fringe edging and brilliant colours, this ring sling can make a wonderful piece of art in the family's babywearing journey.

The resulting nanoforms include symmetrical lattice arrays, quasicrystalline structures, curvilinear arrays, and a simple wire art sketch in the 100 - nm scale, as well as 3D objects including a snub cube with 60 edges and 24 vertices and a reconfigurable Archimedean solid that can be controlled to make the unfolding and refolding transitions between 3D and 2D.

To finish my arrow art off, I sanded around the edges of the wood to make it look more worn and rustic.

Whether they're making a statement or displaying a piece of art, graphics can add that extra edge that we always talk about.

There's rich detal in the crinkles at the edges of cardboard walls, and clever flourishes in the art direction, like having hedges made of puzzle pieces.

Although its overwhelming logic is hence from video games — «I've never made it this far,» Cage tells his followers at one point, when asked what comes next — Edge of Tomorrow works best as a gleeful riff on the narrative tricks endemic to the cinema, an art defined more by editing than by images.

Here's some ideas from an Art Teacher to give your books an edge and make them more engaging.

Amazon's current state - of - the - art reader, the Kindle Paperwhite, has discreet little LED lights built around the edge of the screen that make a noticeable difference when you're reading indoors in the dim evening light.

Here's some ideas from an Art Teacher to give your books an edge and make them more engaging.

You'll notice plenty rough edges and the like, but the beautiful art - style more than makes up for this.

Edge Of Reality not only makes liberal use of art assets and textures from 2010's Fall Of Cybertron, it even makes a desperate attempt to unite the two disparate Cybertron and Michael Bay - verse storylines.

We want to build a studio where great ideas flourish, people are rewarded for their hard work, and the art of making games is honed to a fine edge.

@ 1:19 Star Wars Battlefront to have no Single Player @ 5:40 Starcraft 2: Legacy of the Void rumored release date @ 7:47 DOTA 2 Winners and prizes @ 14:34 Video Game piracy cost developers over $ 74 billion in 2014 @ 23:34 Amazon makes mistake in new Xbox One Elite controller prices @ 30:46 Hearthstone makes over $ 20 million per month @ 33:25 Blizzard hiring new Art Director for upcoming Diablo content @ 35:29 Resident Evil 2 getting a remake @ 37:31 WWE 2016 lineup thus far @ 40:56 Wildstar closed beta signups are open @ 43:15 Breath of Fire has a new website and BoF 6 @ 56:17 Charizard and Wario figures restocked at Walmart @ 56:40 Humble Bundle Weekly @ 1:01:15 Steam portable console will be released next year @ 1:04:01 Super Meat Boy 2 a possibility @ 1:07:14 Stasis release date and launch trailer @ 1:11:09 Fallout 4 will have no level cap and no hard finish @ 1:15:41 Tales from the Borderlands will be out August 18 @ 1:16:37 Edge of Space exits early access this September @ 1:18:11 A new Pokemon revealed @ 1:20:48 Digital game sales generate more than $ 1 billion @ 1:23:23 Youtube's Top Ten most played game sin July @ 1:28:30 Kingdom Come: Deliverance looks great and has some of the most realistic sword fighting ever incorporated into a game @ 1:33:48 Wynona Ryder confirms Beetlejuice 2 movie @ 1:35:57 Final Fantasy 15 to be released on the same day world - wide @ 1:37:47 Will Smith to produce Fresh Prince reboot @ 1:39:11 NBC confirms Xena Warrior Princess reboot @ 1:43:09 Kickstarter: GRIP @ 1:48:29 Kickstarter: Tower 57 @ 1:55:21 Kickstarter: The 13th Doll ======================================================

In «Tempest» (1979) we see the balance of the sharp - edged paintings with poppy, bulbous, colorful shapes that would come to define her art making in the «80s.

On the first floor, Ceal Floyer's wall of speakers blaring the engaged signal of a failed telephone call, Line Busy (UK)(2011), is both a minimal work of art and a note of restrained humour; Cory Arcangel's hacked computer game screens, MIG 29 Soviet Fighter Plane and Clouds (2005), could be either political statement or benign dreamscape; while Allora & Calzadilla's Solar Catastrophe (2012) is a hard - edged abstraction made from solar panels, as well as an ironic admission of the wreckage left behind by this renewable energy source.

An unusual package with three different - colored page edges complements the art inside and makes this tour of the world's most mind - blowing artwork a beautiful and thoughtprovoking gift for anyone interested in the next cool thing.

Il Lee is featured in the ARTnews (January 2014 issue) cover article «Making Cutting - Edge Art with Ballpoint Pens» by Trent Morse.

Photoshop has made manipulation a way of life, and art has responded by harping on rough edges.

On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.

Hard edge painting and its artists relied on color, shape and line to make impersonal artworks of entirely abstract art.

These artists explore a great many ways of making art, but what characterizes their production is the utmost importance they lend to sensibility and feeling, pushing often even towards the edge of meaninglessness, which is one of the most precious assets we can cultivate in a culture that tends to package any and all activities into sensational or publicizeable instant explanations.

Her work as been included in numerous exhibitions including «Made For More» at Chime and Co. in Los Angeles, «Painting's Edge» at the Riverside Art Museum and «Snapshot,» at the Contemporary Museum in Baltimore, Maryland.

Together, the hard edge of authorship is undone and the playfulness of art making is amplified.

A second painting of the same image, made with the strait - laced, hard edge exuberance of graphic art, convinced Warhol that earnest reproductions, with a minimum of artistic intervention, could produce fascinating images.

In your ambitious triptych I Still Face You, for example, you make references to California Pop Art, Piero della Francesca, hard - edge painting — different kinds of styles that refer to different cultural perceptions.

From lingerie made of sealskin to temporary ice paintings captured on film, the show provides a glimpse at the teeming natural and cultural ecosystem found at Floe Edge, where human, ocean, animal and art all support and challenge each other.

Since it's inception in 2009 BeatNite has promoted the alternative art scene, making accessible the art spaces the promote the truly contemporary and cutting edge corridors of Brooklyn.

Canada House, London, until 30 November In the region around Floe Edge, where the vast Arctic Ocean meets frozen sea ice, the word «art» translates in Inuktitut as «sanaugait», which taken literally means «things made by hand».

2017 Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection, Cooper Hewitt, Smithsonian Design Museum, Smithsonian Institution, New York, NY Cutting Edge: Modern Prints from Atelier 17, Cleveland Museum of Art, Cleveland, OH Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, NY 49th Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR Making a Scene: The Jefferson Place Gallery, Katzen Arts Center, American University Museum, Washington, DC

Since its inception in 2009 BeatNite has promoted the alternative art scene, making accessible the art spaces that promote the truly contemporary and cutting edge corridors of Brooklyn.

But he hit on something — a parade of brightly - colored, edge - to - edge stripes — that not only made his name and changed his career, it put him at the forefront at the only major art movement to emanate from the nation's capital, the Washington Color School.

writer NAVID KERMANI discovers the continent's enthusiasm at its farthest edges; historian TONY JUDT tells how the West was an accident; writer KODWO ESHUN and photographer JUERGEN TELLER portray architect DAVID ADJAYE; artist collective SLAVS & TATARS redeem the East in Eastern Europe; artist / musician LINDER STERLING makes irony yield to the mythic again; artist MATTHEW BARNEY explores the sexual transmission between man and machine; writer DIETMAR DATH provokes the culture industry's center with drastic arts;

The reliefs in his first show at Derek Eller, made of thin laser - cut pieces of wood laminate arranged on - edge in dense, wavelike formations, might make you think of topographical maps, classic Op Art, or very complicated data visualizations.

Published to accompany the Hammer Museum's Summer 2007 exhibition, Eden's Edge, this exploration of art made in Los Angeles during the past decade crosses generations, mediums, and materials to link 15 artists of singular personal vision, whether internationally established or not - yet - discovered.

«What the galleries considered cutting edge was all conceptual — painting about painting, art that said something about the way it is made.

While making his name as an artist Denny taught part - time at Hammersmith School of Art, at the Slade and at Bath Academy of Art, Corsham — the cutting - edge art school of its tiArt, at the Slade and at Bath Academy of Art, Corsham — the cutting - edge art school of its tiArt, Corsham — the cutting - edge art school of its tiart school of its time.

Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.

Postwar and contemporary art made # 927.7 million ($ 1.4 billion), narrowly edging out Impressionist and modern Art, which made # 771.6 million ($ 1.19 billioart made # 927.7 million ($ 1.4 billion), narrowly edging out Impressionist and modern Art, which made # 771.6 million ($ 1.19 billioArt, which made # 771.6 million ($ 1.19 billion).

All this will make you discover cutting edge experiments in contemporary arts and technology others never heard of.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

Measuring 69 x 48.5 inches each, New Reality and Reminiscence are extraordinary examples of Rauschenberg's ability to meld traditional art - making techniques with the cutting - edge technological offerings of the day.

See the excellent first show by Brent Wadden, a young Canadian - born painter who has set aside his brushes and taken up weaving, making thick rug - like abstractions whose jagged, interlocking shapes have the wobble of Op Art except softened by vagaries of color, texture and edge.

Mauro Bonacina conceptually contemplates the intention as well as the intervention that takes place when an artist decides to make a work of art, thus questioning the parameters within the decision making process as well as the edge between control and coincidence.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

She bore fruit from shit and made a lifestyle of not living on the edge but nearly falling off it, yet doing so with grace and relentless empathy for art, life, and people.

While art lovers throng to museum exhibitions of paintings by Jackson Pollock and Keith Haring, few know of the experimental works made by artists who brought a similar cutting edge to film.

Kazanjian says that she selected the themes of the self - portrait and the nude to present to contemporary artists because she was interested in how cutting - edge artists could make old - fashioned art forms completely new.

PERCHED NEAR THE EDGE of the Museum of Modern Art's atrium throughout this past spring and summer, Sigmar Polke's Kartoffelhaus (Potato House), 1967, echoed not only the diminutive German garden sheds and rigidly formed Minimalist objects in whose shadow the work was clearly made, but also — and more oddly — the very interior in which the piece itself was installed.