Sentences with phrase «edge art presented»

Not exact matches

Of course Lewis was aware of «modernism» in the arts, but it was then on the edges of the public square, presenting itself as the avant - garde.

A Spiritual Journey March 2, Starting: 07:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Ganja White Night March 2 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 Lorde March 3, 7 pm Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Lyric Opera of Kansas City presents Rigoletto March 3 - March 11 Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Kansas City Symphony Family Concert: The Science of Sound with Science City?s STEAM Team March 4, Starting: 02:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 AWOLNATION March 4 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 National Geographic Live - Cristina Mittermeier: Standing at the Water's Edge March 6, From: 07:30 PM to 09:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 National Geographic Live - Cristina Mittermeier, Marine Biologist & Photographer Standing at the Water's Edge March 6 Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Big 12 Men?s Basketball Championship Recurring daily, March 7 - March 10 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Kansas City Symphony presents Classics Uncorked: At the Movies March 8, Starting: 07:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 The Kansas City Jazz Orchestra - Lady Be Good - Celebrating Women in Jazz March 9, 8 pm Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Brookside St. Patrick's Day Warm - up Parade March 10, 2:00 pm Brookside Shopping District, 63rd St. & Wornall Rd., Kansas City, MO 64113 Kansas City's Big 12 Run March 10 12th Street & Grand Blvd., Kansas City, MO 2018 Snake Saturday Parade March 10 - March 11, 11 am Downtown North Kansas City, 320 Armour Road, North Kansas City, MO 64116 The Music of Prince with the Kansas City Symphony March 10, Starting: 08:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Above & Beyond March 13 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 NAIA 81st Annual Mens Basketball Championship Recurring daily, March 14 - March 20, Kansas City Convention & Entertainment Facilties, 301 W 13th St., Kansas City, MO 64105 Gloria Trevi and Alejandra Guzmán?s March 14 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Excision March 14 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 Kansas City Symphony - Charles and Virginia Clark Inside Music Series: Joyce DiDonato, Mezzo - Soprano March 15, Starting: 06:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Pink March 15 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Sara Evans - All The Love Tour, featuring RaeLynn and Kalie Shorr March 15, From: 07:30 PM to 10:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 2018 Mecum High Performance Auction Recurring daily, March 16 - March 17, Gates open 8 am Kansas City Convention & Entertainment Facilties, 301 W 13th St., Kansas City, MO 64105

This year's Armory Show Focus edition highlights art from the Middle East, North Africa, and the Mediterranean (Armory Focus: MENAM), curated by Whitechapel Gallery's Omar Kholeif, and presented in partnership with Edge of Arabia and Art Jameart from the Middle East, North Africa, and the Mediterranean (Armory Focus: MENAM), curated by Whitechapel Gallery's Omar Kholeif, and presented in partnership with Edge of Arabia and Art JameArt Jameel.

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).

Freshly imported from Brazil, most of the art presented in the streets of Frankfurt has this double edge: fun but provocative; ironic, but mordantly and incisively so; beautiful and yet politically engaged.

Their collaborative work has been presented in exhibitions in Australia and internationally, including: Sorry You Missed Me, Royal College of Art, London, 2016; Während der Ausstellung ist das Museum geschlossen, Museum für Neue Kunst, Freiburg, Germany, 2016; MONA FOMA Festival, Salamanca Art Centre, Hobart, 2016; Performing Public Art Festival, Vienna Biennale, Austria, 2015; MAF Edge: Social Capital program curated by Jacqueline Doughty, Melbourne Art Fair, 2014; Festival of Live Art, Arts House, Melbourne, 2014; Site Dedicated to the Active Effacement and Complete Disregard of History, Zentrum für Kunst und Urbanistik, Berlin, 2013; and Ibrahim the Algorithm, Mathematics of Small Numbers group exhibition curated by Anusha Kenny, Footscray Community Art Centre, Melbourne, 2012.

Founded in 2006, Girls» Club presents cutting edge contemporary art exhibitions, education programs and community events in it's architect - designed space in downtown Fort Lauderdale.

CONTEXT is the sister fair to Art Miami dedicated to the development and reinforcement of emerging and mid-career artists.CONTEXT's open atmosphere creates a meaningful dialogue between artists, galleries and collectors while providing the ultimate platform for established and emerging galleries to present cutting - edge and emergent talent.

1990 TIME, A Portfolio of Etchings, Marc Richards Gallery, Santa Monica, CA The Ends of Painting / The Edges of Abstraction, Shoshana Wayne Gallery, Santa Monica, CA 1990 Phoenix Triennial, Phoenix Art Museum, Phoenix, AZ Past & Present, RosamundFelsen Gallery, Los Angeles, CA Eastern Aesthetic, Allport Gallery, San Francisco, CA

The effortless confluence of art and high - end real estate come together to present a unique group of artworks exhibiting high femme abstraction with a sophisticated blend of techniques, materials, and color but with the definitive raw edge of downtown New York.

2003 Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion of Time, Ingrao Gallery, New York Intersection... Art / Design / New Media, Jan Abrams Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary Art from the DaimlerChrysler Collection, The Detroit Institute of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past of the Present: Selections from the ABN AMRO Collection, Shanghai Art Museum, Shanghai, China; travelled to Singapore Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris

At its site at Gillman Barracks, the CCA presents cutting - edge contemporary art exhibitions.

Next year the curated section of the fair will focus on the Middle East, North Africa, and the Mediterranean region (MENAM) and will include solo and curated group presentations, site - specific projects and a dedicated symposium.The section will be presented in collaboration with non-profit arts and education enterprise Edge of Arabia.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmArt Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmart globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

The Center for Puppetry Arts presents an evening of experimental, cutting - edge puppetry for adults.

The Aldrich Contemporary Art Museum, the only non-collecting museum in Connecticut dedicated solely to contemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and HandheArt Museum, the only non-collecting museum in Connecticut dedicated solely to contemporary art, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handheart, will present The Domestic Plane, encompassing five curatorial projects on view simultaneously: Objects Like Us, Jessi Reaves: Kitchen Arrangement, On Edge, ALMOST EVERYTHING ON THE TABLE: The Smallish Explanatory Sculptures of Tucker Nicholas, and Handheld.

Whether it is presenting cutting - edge art by unknown and under - recognized artists, creating enriching educational programs that illuminate the world we live in, or organizing groundbreaking, community - changing initiatives, the New Museum continues to lead the discourse on transformative, informative, and educational art and ideas.

Russian Dreams... at the Bass Museum of Art in Miami Beach presents a selection of cutting - edge works by contemporary artists...

In the «Collaborations» section, 36 galleries present curated projects, and cutting edge art of young galleries is presented in the «Neumarkt» section.

In 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of America.

Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.

The history of art is a fabric of epiphanies woven by many hands; the present tense of art is the outer edge of that work in progress.

In the twenty years since, the Hammer has grown remarkably, presenting an impressive array of art from the classics to the cutting edge.

The Art Show is well respected for the considered, curated exhibitions that always present a dynamic selection of artworks, juxtaposing modern masters and cutting edge contemporary works in galleries from all over America.

Editors» Tip: Colourfield Painting: Minimal, Cool, Hard Edge, Serial and PostPainterly Abstract Art of the Sixties to the Present

This last point is one of particular controversy in art, where many institutions argue that being visionary, forward looking, cutting edge and progressive are crucial to the mission of art in the present, and that postmodern therefore, represents a contradiction of the value of «art of our times».

The status of the avant - garde is controversial: many institutions argue being visionary, forward - looking, cutting - edge, and progressive are crucial to the mission of art in the present, and therefore postmodern art contradicts the value of «art of our times».

VOLTA 6 which features galleries presenting emerging and cutting edge art — from London featured galleries I know and admire include - Danielle Arnaud gallery, Fred, Riflemaker, Nettie Horn and David Risley so I shall be visiting this for sure and will report back

First presented at The Metropolitan Museum of Art, New York, in 2016, The Critical Edge follows two other major exhibitions of Tuttle's work.

Present on the Miami art scene since the late 1970s, Fredric Snitzer Gallery is one of the most cutting - edge venues in the city.

Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting - edge curatorial and scientific research.

The works of contemporary art collected by Francie Bishop Good and David Horvitz encompass cutting edge visions from artists working in painting, drawing, photography and video from the 1960s to the present.

«Since moving here in 1991, the art that is now presented in Santa Fe has grown to encompass contemporary, abstract, cutting - edge [and] avant - garde, which blends well with the Native American, Southwesten and cowboy,» adds Pippin.

We love Norte Maar for their ability to consistently present shows that both introduce Bushwick to the cutting edge, brand spanking new art happening today, as well as challenge us with exhibitions that are thought - provoking and academically inspired.

Solo Exhibitions 2015 If this walls had ears, Chert, Berlin Concrete Ribs, Govenhill Baths, Glasgow 2014 DOCU - PRESS 4, Frans Masereel Centrum, Belgium 2013 II Stile, with Nathan Peter, PSM, Berlin Occupying Forms, Glasgow Print Studio, Glasgow 2012 Hard edge, Soft line, David Dale Gallery, Glasgow Every friend of my friend is my friend, with Jérémie Gindre, Norma Mangione Gallery, Turin 2011 Every Which Way, Chert, Berlin The Royal Standard Presents: Cut - Fill - Skim, Liverpool Immovable Parts, with Karin Stewart, Project room 103, Glasgow 2010 Lines have edges, presented by ten til ten, 6 Dixon Street, Glasgow International Festival, Glasgow Open Space, Art Cologne, curated by Jacob Fabricius, Matthias Mühling and Heike Munder, solo presentation with Chert, Berlin 2009 Breadthless Lines, Glasgow Sculpture Studios, Glasgow Cut Line, Ten Til Ten, Glasgow Lines and Pours, Chert, Berlin 2005 The Factory, The Factory, Impact Arts, Glasgow

BRUCE M. SHERMAN (b. New York, NY) Lives and works in New York City SOLO AND TWO - PERSON EXHIBITIONS 2017 Sorry We're Closed, Brussels, Belgium The Journal Gallery, Brooklyn, NY Harper's Books, East Hampton, NY IS, Nicelle Beauchene, New York, NY Kaufmann Repetto, Milan, Italy 2016 Bruce M. Sherman, White Columns, New York, NY Equi - lib - ree - um, South Willard, LA SELECTED GROUP EXHIBITIONS 2018 Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming) 2017 Symbolisms, Cooper Cole, Toronto, Canada Hill People, Performance Ski, Aspen, CO Lucie Fontaine, New York, NY 9999, The Fireplace Project, East Hampton, NY I Go, You Go, Good To Go, Unclebrother, Hancock, NY The Paperweight Show, Fisher Parrish Gallery, Brooklyn, NY A Forest on the Edge of Time, The Pit, Los Angeles, CA Alicia Gibson, Jennifer Levonian and Bruce Sherman, Adams and Ollman, Portland, OR 2016 Friends: Passed and Present, Haven SBX, Bronx, NY Re-Planetizer, curated by the Pit, Regina Rex, New York, NY The Faraway Inside, Nicelle Beauchene Gallery, New York, NY 9999, The Fireplace Project, East Hampton, NY 2015 11th Annual Thanksgiving Collective, Southampton Arts Center, NY A Walk... curated by Rob Teeters, Tripoli Gallery, East Hampton, NY Calisthenics, curated by Matt Paweski, Thomas Duncan Gallery, LA What's Wrong With We?

Creative Capital was pleased to present four awardees at the annual Art @ the Edge panel at last year's Idea Festival in Louisville, Kentucky.

The Aldrich Contemporary Art Museum is pleased to present On Edge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the table's eEdge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the table's edgeedge.

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

The curator will develop and implement exhibitions and programmes that present the leading edge of Contemporary Art practices.

Galerie Templon continues to represent and promote artists with individual personalities and radical artistic practices, presenting a dialogue between traditional contemporary art, and the cutting edge experiences of younger artists.

«Joan's voice and vision have been powerful forces in contemporary art for five decades, and I am thrilled to present They Come to Us without a Word in Venice, one of the most iconic forums for the presentation of cutting - edge artwork,» said Paul C. Ha, Director of the MIT List Visual Arts Center.

The Art League Presents Kathleen Best Gillmann Vision at Water's Edge at Torpedo Factory Art Center

Home» Gallery Openings and Events» The Art League Presents Kathleen Best Gillmann Vision at Water's Edge at Torpedo Factory Art Center

Curated by Michael Rooks «Teaching an Old Dog New Tricks; Recent Developments in Painting» Den Frie Udstillingsbygning, Copenhagen, Denmark «HyperSurface», OVADA, Oxford, UK «Schil / Ders», De Constant Rebecqueplein (DCR), The Hague, Netherlands «HyperSurface», Rod Barton Invites, London «Parallax», Fieldgate Gallery, London 2007 «Existencias», Museo De Arte Contemporaneo De Castilla Y Leon, Leon, Spain «Design for Living», Initial Access, Wolverhampton, England «Raumwelten», Kunsthalle Arnstadt, Arnstadt, Germany «Odd Spaces», Galerie Møller Witt, Aarhus, Denmark Artist Intervention, Commissioned by Vienna Art Week and the City of Vienna, Austria 2006 Recent Acquisitions, Hamburger Banhof, Berlin, Germany «The City is Not a Tree» Alon Segev Gallery, Tel - Aviv, Israel «Slider» Cell Projects, London 2005 «Ian Monroe and Emma Stibbon: Utopian Architecture», Upstairs Berlin, Germany «Infrastructure» Studio Voltaire, London «Winterzauber» Upstairs Berlin, Germany 2004 «Edge of the Real», The Whitechapel, London «Selected Sculpture» MW Projects, London «Cinderella» Trailer Projects, London «Contra Pop» Vamiali's Gallery, Athens, Greece 2003 «Bag Lady» Cell Projects, London «Reduced» Century Gallery, London «Debris» Martinez Gallery, Brooklyn «Godzilla» Trailer Projects, London Saatchi Gallery, County Hall, London «The Queen Mum Show» One in the Other Gallery, London «Chockerfuckinblocked» Jeffery Charles Gallery, London «RSVP» 5 Cork Street, London 2002 «Present» Hammer Sidi Gallery, London «The Way to Happiness» VTO Gallery, London «Trailer Presents» Trailer Projects, London «Lend us # 100m» 21 Dingley Road, London

October 21 — December 3, 2016 FRESH: Kai Lin Art proudly presents FRESH, a cutting - edge group exhibition featuring 18 artists from the Southeast.

With their emphasis on process and an embrace of cutting - edge tech, many of these works could conformably fit into a present - day show of conceptual art — and it's interesting that MoMA chose to hang this show just as capital - c Conceptualism was coming into vogue.

These ideas edged out nearly 200 other proposals from more than 25 countries in a competition co-organized and presented by The Bronx Museum of the Arts and Design Trust for Public Space.

In November 2000, the gallery moved to its present location in 16 Wharf Road, Islington, adjacent to the cutting - edge art area of Hoxton, [1] where it is housed in a two floor, 10,000 - square - foot (930 m2), converted Victorian furniture factory, ten times the size of the Cork Street gallery.

Since the New Museum is a center devoted to fostering present - day artists, it possesses a limited permanent collection, while its main activity is to organize cutting - edge temporary exhibitions, art workshops, learning activities, readings, seminars and special events.