Sentences with phrase «edge arts practices»
Having produced original songs for her now defunct band, Le Tigre, for Christina Aguilera, and most recently, for Pussy Riot's appearance on the show House of Cards, Fateman is exceptionally positioned to research and interpret a large swath of innovative and cutting edge arts practices.
https://blog.creative-capital.org/ Not exact matches
With its inception in March 2005, Westchester Pediatric Pulmonology and Sleep Medicine has allowed Dr. Kass to continue practicing cutting edge medicine using state - of - the - art equipment while occurring in an intimate setting with a small town feel.
At the University of Southern California, with its 37 - year tradition of creating joint projects for its graduate students and the local community, a number of educators within the College of Letters, Arts, and Sciences are seeking new ways to combine their cutting - edge research with real - world practice.
Begin by Exploring the HOT APPROACH by sending staff, leadership and parents to attend professional development offered monthly in each of the HOT School Core Components of Strong Arts, Arts Integration and Democratic Practice as well as cutting - edge pedagogy and relevant issues.
We take great pride in our state - of - the - art - facility and our commitment to practicing cutting edge medicine and diagnostics.
Whether you're looking to inject a big dose of the latest scientific research into your practice, or just want to seek out the trends that will keep you a cut above the rest, the ACVIM Forum's invigorating blend of leading - edge scientific research, state - of - the - art lectures and exclusive networking connects you with the best and brightest in the veterinary industry.
In addition to practicing exceptional, cutting edge medicine, they had elevated the art of compassionate care for their furry patients and their humans to levels that are rare even in a profession that is based on caring for animals.
By emphasizing education, investing in cutting - edge technology and focusing on client satisfaction and loyalty, Hope VS is becoming a renowned specialty practice that will continue to grow and mature; a practice where we dedicate ourselves to both the art as well as the science of veterinary medicine.
Her process - based artistic practice could be described as being on the edge of art and design and focuses on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.
Although the work of Larry Poons is is associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practiArt, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practiart practice.
The participants will be introduced to selected works by artists featured in the exhibition, who actively investigated engineering, programming, and cutting edge scientific research in their practice, and believed that art could influence the future of humankind.
With your support, Art in General can continue to offer cutting - edge programs at no cost to the public, enabling them to engage with critical and timely issues through the exploration of different artistic and curatorial practices.
The depiction of robotic parents gazing at their equally robotic newborn, keyed to a bubblegum palette, looked to be some kind of retro pastiche combining Cubist impulses, hard - edge abstraction, folk art and futurism as practiced by DC comics circa 1963.
Bill by Bill brings together classic Modernist forms with bleeding edge post-studio, conceptually based1 practices to create a mercenary stunning vision of contemporary art.
Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.&raqArt & Radical Politics included in the context of an art fair.&raqart fair.»
Recently Lina Lapelyte has been shortlisted for the Arts foundation award and Brian Eno described her practice as «working right at the edge of what popular music could become.»
Over one hundred galleries, spread over nine floors, are dedicated to a large cutting edge permanent collection; temporary exhibitions; and Centres for Art Education, Curatorial Excellence, Performative Practice, Photography, the Moving Image, and the Costume Institute.
In 2002 she initiated the acclaimed At the Edge: Innovative Art in Chicago series, a commissioning program that encouraged Chicago area artists» experimental practices, and organized Stephen Lapthisophon's solo exhibition With Reasonable Accommodation in the first year of that series.
The curator will develop and implement exhibitions and programmes that present the leading edge of Contemporary Art practices.
Galerie Templon continues to represent and promote artists with individual personalities and radical artistic practices, presenting a dialogue between traditional contemporary art, and the cutting edge experiences of younger artists.
It includes complex curatorial care and promotion of unique art practices and creative minds working on the edges of visual arts.
Aspen's involvement with the prize and with online art, a rapidly emerging field within contemporary art, represents Aspen's commitment to cutting - edge creative practice.
Holding a BA in perceptual technology and MA in art, he is interested and educated in both the sciences and art, a duality of knowledge that has led him to the cutting edge in terms of light technology as applicable in his artistic practice.
As an artist at the cutting edge of contemporary art with a hugely eclectic, experimental practice, I am thrilled that Barrada has accepted this commission for the Curve.
New section: Sex Work Curated by Alison M. Gingeras, Sex Work: Feminist Art & Radical Politics features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual iconography combined with radical political agency.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
Hong Kong's art, therefore, has a bright future, with a growing number of young and mid-career artists who are recognised internationally and have innovative, cutting - edge practices.
Always at the edge of art and architecture, experimenting with various approaches and practice, this young colorblind artist has earned the praise of both ordinary museum - goers as well as extravagant show - business stars.
The Sculpture Park and Artist Residency create a space for artists and experimentation to meet on the mountain in which the artists» practices are challenged to create cutting - edge contemporary art in relation to place.
Proceeds from the auction will directly support the innovative programming vision of Mercer Union, Toronto's leading artist - run centre dedicated to cutting - edge Canadian and international visual art practices.
18th Street Arts Center was established 25 years ago to offer a home for artists operating on the edges of artistic practice and social visibility in Los Angeles.
Initially, in an arts scene focused on abstract expressionism, he struggled to establish a practice that eliminated gestural brushstrokes, but this allowed him to experiment with hard - edged shapes and saturated colors.
Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).
Showcasing cutting - edge practice from today's ground - breaking contemporary artists, the Aesthetica Art Prize exhibition 2015 invited viewers to discover global concepts through pioneering art and design, and encouraged an awareness of the innovative work being produced across a variety of media todArt Prize exhibition 2015 invited viewers to discover global concepts through pioneering art and design, and encouraged an awareness of the innovative work being produced across a variety of media todart and design, and encouraged an awareness of the innovative work being produced across a variety of media today.
In the curated gallery sections, Focus features presentations by galleries aged 12 years or younger; Live is a space for performance and participation works; and new for 2017, Sex Work: Feminist Art & Radical Politics showcases female artists working at the extreme edges of feminist practice since the 1970s.
Joshua Liner Gallery represents the leading edge of contemporary art practices — new media, mixed - media sculpture, and collective models of production — as well as a focused program of contemporary easel painting.
Fusing pop art's hard edges with the political ideals of social realism, and techniques of Tibetan painting with the graphic symbolism of West African sculpture and design, her practice occupies a unique space within the black arts movement of the 1960s and»70s.
Commenting on her practice, Tseng said, «In my work I have tried to unite many elements of the visual arts of China into one entity and give it a soul... I am but a single drop of the ocean and I occasionally feel that I am at the edge of the world.
Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.
As moderator Alexandra Munroe, Samsung Senior Curator of Asian Art at the Guggenheim Museum, says in her introductory speech, the conference aimed not to deliver final thoughts but to open up new questions: to allow curators working at the edge of contemporary curatorial practice to share their personal experiences, doubts and reflections.
The Victorian Gothic edge of entomology encounters the vibrant and morbid strains of Catholic spectacle, bringing together the richly poetic intersections of art, science and religion that have informed all the most iconic works of Hirst's practice.
Prior to joining the MCA, Beckwith was a fellow at the Institute of Contemporary Art in Philadelphia, working on numerous cutting - edge exhibitions including Locally Localized Gravity (2007), which was an exhibition and program of events featuring over 100 artists whose practices are social, participatory, and communal.
But not everyone who painted hard - edge chose this route, and not all painters were willing to relinquish their hold on painting and declare their practice in terms of «objecthood» — the notion Michael Fried critically applied to art - as - object in 1966, thereby redefining this approach to art as a type of theater.
Sex - Work is a new section for Frieze London 2017, curated by Alison Gingeras, exploring feminist art and radical politics The section at Frieze London will be dedicated to women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them, including: Galerie Andrea Caratsch presenting Betty Tompkins; Blum and Poe presenting Penny Slinger; Richard Saltoun presenting Renate Bertlmann; Salon 94 presenting Marilyn Minter; and Hubert Winter presenting Birgit Jürgenssen.
Their mission is to apply the lessons learned from years of litigation practice and courtroom battles to establish a cutting edge, creative, and focused trial firm employing state of the art technology, enthusiastic staff, and creative and driven attorneys.
Seeking opportunity to use my skills and experience to develop and enhance state of the art safety / risk avoidance techniques, focusing on improving an organizations risk avoidance culture and leading fellow employees to implement and «own» cutting edge safe work best practices and procedures.
«The «Art» of Four Way Meetings,» by Lynda J. Robbins, MCLE, Collaborative Law Practice: At the Cutting Edge of Alternative Dispute Resolution (2005) and MCLC Collaborative Law Journal, Spring 2006