Sentences with phrase «edge contemporary exhibitions»

Blaffer Art Museum, University of Houston, 4173 Elgin St.. This outpost of the avant - garde presents some of the most cutting - edge contemporary exhibitions in Texas, including surveys for Whitney Biennial - or Venice Biennale - exhibited talents.

Not exact matches

Princess Caroline, a contemporary art enthusiast, has supported the exhibition of cutting - edge artists such as Anish Kapoor, George Condo and Mark Dion throughout the city.
The Venice Biennale has long been considered the world leader in contemporary, cutting - edge art exhibitions, and this year's show doesn't disappoint.
The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).
Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Recent solo exhibitions include For the Moment at VisArts (Rockville, MD), Edges and Allowances at Honfleur Gallery (Washington, DC), Rapport at Goya Contemporary (Baltimore, MD), and Borders at Loyola University (Baltimore, MD).
Jaray is curating a joint exhibition at the nearby Royal Academy, The Edge of Printing, which runs until 23 October and is a survey and celebration of changing contemporary printmaking techniques.
Founded in 2006, Girls» Club presents cutting edge contemporary art exhibitions, education programs and community events in it's architect - designed space in downtown Fort Lauderdale.
David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including «Dissent: The Issue of Modern Art in Boston,» «Endgame: Reference and Simulation in Recent Painting and Sculpture,» and «The British Edge
In addition to a foundation of exhibitions throughout the year, the gallery participates in a number of international art fairs, continuing to expand its exhibition program by introducing cutting edge contemporary artists to Los Angeles and
LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.
SELECTED GROUP EXHIBITIONS 2014 Dak «art 2014: The 11th Biennial of Contemporary African Art, organized by Elise Atangana, Abdelkader Damani and Ugochukwu - Smooth C. Nzewi Black in the Abstract, Part 2: Hard Edges / Soft Curves, Contemporary Art Museum Houston, organized by Valerie Cassel Oliver
JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.
Her work as been included in numerous exhibitions including «Made For More» at Chime and Co. in Los Angeles, «Painting's Edge» at the Riverside Art Museum and «Snapshot,» at the Contemporary Museum in Baltimore, Maryland.
Representing a solid stable of both established and emerging artists and artist estates, Pangolin London curates a dynamic exhibition programme that focuses on the historic developments of British Sculpture as well as the cutting - edge contemporary.
Recent selected exhibitions include: In Conversation, Touchstones Rochdale, 2014; Without an Edge There is No Middle, Pluspace, Coventry, 2013; Summer Show, Malgras Naudet, Manchester, 2013; Treatment, PS Mirabel, Manchester, 2013; 60 Drawings, Bankley Gallery, Manchester; International Drawing Project, PR1 Gallery, UCLAN, Preston; Salon Neu, Embassy, Edinburgh, 2012; The Manchester Contemporary, Spinningfields, Manchester 2012; We Are All In This Together, Bureau, Manchester; Unrealised Potential, Northern Gallery for Contemporary Art (NGCA), Sunderland, 2011; Industry & Idleness, Contemporary Art Society, London, 2010 - 11; Unrealised Potential, Cornerhouse, Manchester, 2010.
How can the Summer Exhibition be made to feel cutting - edge and contemporary?
At its site at Gillman Barracks, the CCA presents cutting - edge contemporary art exhibitions.
Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.
Who Can Apply: Artists who produce cutting - edge contemporary art in any and all media, and who live or work in Virginia, Washington DC, Maryland, West Virginia, Delaware, or Pennsylvania may submit exhibition proposals.
Showcasing more than twenty important and cutting - edge Chinese, Japanese, Taiwanese, and Korean artists and artist groups, this exhibition presents the work of artists who skillfully use contemporary approaches to express their respective cultural and artistic heritages.
The Korean Cultural Center Washington, D.C. proudly presents â $ œBetweenâ $, a solo exhibition of cutting - edge Korean contemporary artist Kim Ji Min, June 26 â $ «July 20, with an opening reception and artist talk at 6:30 p.m. on Thursday, June 26.
Recent exhibitions include the 2010 California Biennial at the Orange County Museum of Art, Newport Beach, curated by Sarah Bancroft; «Electric Mud» at the Blaffer Gallery, University of Houston, TX, curated by David Pagel; «Current Abstraction in Southern California», Cypress College Art Gallery, Cypress; «Keeping is Straight: Right Angles and Hard Edges in Contemporary Southern California Art», Riverside Art Museum, Riverside, CA, curated by Peter Frank; «Claremont Connections: Selections from the Permanent Collection», Long Beach Museum of Art, Long Beach, and «Gyroscope», Hirshhorn Museum and Sculpture Garden, Washington DC, and exhibitions at Ameringer McEnery Yohe, New York, at Marx & Zavattero, San Francisco, and at Curator's Office, Washington, DC.
An exhibition of works of art gathered from private collections in our region, ranging from Old Master European paintings to cutting - edge contemporary glass art.
We've culled gallery listings worldwide to highlight 50 must - see exhibitions over the next three months, spanning 14 cities and ranging from historical surveys to cutting - edge contemporary work, from all - female group exhibitions to debut solo shows.
New Mexico's art city celebrates summer with fairs, gallery shows and museum exhibitions that link ancient roots to cutting - edge contemporary.
The Art Show is well respected for the considered, curated exhibitions that always present a dynamic selection of artworks, juxtaposing modern masters and cutting edge contemporary works in galleries from all over America.
The artist has also participated in several group exhibitions, including Engender at Kohn Gallery, Los Angeles, 30th Anniversary Exhibition, Part Deaux, at Jack Hanley Gallery, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, American Optimism at Able Baker Contemporary, Portland, Fathoms at Radical Abacus, Sante Fe, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery, A Thing of Beauty at Geoffrey Young Gallery in Great Barrington and New Paintings By at Jack Hanley Gallery.
An exhibition featuring cross-generational artists whose works in contemporary abstraction investigate the seams, tears, and edges between two and three dimensions curated by Louis Grachos, Executive Director of The Contemporary Austin, and Stephanie Roach, Direcontemporary abstraction investigate the seams, tears, and edges between two and three dimensions curated by Louis Grachos, Executive Director of The Contemporary Austin, and Stephanie Roach, DireContemporary Austin, and Stephanie Roach, Director of FLAG
In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.
Edge of Arabia, a pioneering travelling exhibition that has shed new light on the largely unknown contemporary art culture of Saudi Arabia, is coming to Dubai this March during the Sharjah Biennial and in partnership with Art Dubai, and under the global tour sponsorship of ALJ Community Initiatives.
In an extensive program of over 100 exhibitions, performances, screenings and debates, more than 50 of Amsterdam's cutting edge contemporary art venues showcase the newest developments in contemporary art, giving visitors the opportunity to be the first to see tomorrow's artistic talent unfold.
«30 Americans is an exciting exhibition that brings world - class, cutting - edge art to the Hampton Roads community,» says Amy Brandt, Ph.D., the Chrysler's McKinnon Curator of Modern and Contemporary Art.
Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?
«Unseen» is the inaugural exhibition of a new gallery in town, CULT Exhibitions, a new contemporary gallery for cutting edge work by emerging and established artists.
2006 Picasso to Pop: Aspects of Modern Art - The Wadsworth Atheneum Museum of Art, Hartford, CT Inaugural - Hillsboro Fine Art, Dublin A Century of Collage - Elizabeth Leach Gallery, Portland, OR Black, Black & White, White - Leonard Hutton Galleries, New York City, NY Arena der Abstraktion - Museum Morsbroich, Leverkusen Black Paintings - Haus der Kunst München, Munich Fall exhibition group show - Rosenbaum Contemporary, Boca Raton, FL Mix Masters - Amy Simon Fine Art, Westport, CT Art on the Edge -, Omaha, NE Sommer in Berlin - Galerie Georg Nothelfer, Berlin Review - 25 Jahre Österreichische Ludwig Stiftung - Museum Moderner Kunst Stiftung Ludwig — MUMOK, Vienna PAPER - Nicholas Metivier Gallery, Toronto, ON Stock 06/07/2006 - Waddington Custot Galleries, London, United Kingdom Black Mountain College - Bridgette Mayer Gallery, Philadelphia, PA Mirada múltiple - Museo de Bellas Artes de Bilbao, Bilbao Marks of Intention.
Curated by Matthew Burrows, Permeable Edge (19 October - 4 December 2016) continues the series of research exhibitions and symposia which have focused on the relationship between contemporary art and the work of British Modernist painters who feature prominently in the Bishop Otter Art Collection at the University.
Curator Nina Folkersma nailed it with her Amsterdam exhibition «Babies & Bambies» (1993), from the notice: «Babies, cuddly toys, teddy bears... slowly edged into contemporary art... as if they have been concocting a plan to invade the art world.»
Art Exhibitions and Shows: Lucky Street Gallery has maintained a tradition of cutting edge exhibitions, with exciting contemporary work from both local and internationExhibitions and Shows: Lucky Street Gallery has maintained a tradition of cutting edge exhibitions, with exciting contemporary work from both local and internationexhibitions, with exciting contemporary work from both local and international artists.
This exhibition will bring together works by contemporary artists that explore multiple aspects of soil, documenting natural processes and human interventions, and proposing radically innovative solutions that combine leading - edge scientific approaches and fresh artistic and philosophical perspectives.
BRUCE M. SHERMAN (b. New York, NY) Lives and works in New York City SOLO AND TWO - PERSON EXHIBITIONS 2017 Sorry We're Closed, Brussels, Belgium The Journal Gallery, Brooklyn, NY Harper's Books, East Hampton, NY IS, Nicelle Beauchene, New York, NY Kaufmann Repetto, Milan, Italy 2016 Bruce M. Sherman, White Columns, New York, NY Equi - lib - ree - um, South Willard, LA SELECTED GROUP EXHIBITIONS 2018 Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming) 2017 Symbolisms, Cooper Cole, Toronto, Canada Hill People, Performance Ski, Aspen, CO Lucie Fontaine, New York, NY 9999, The Fireplace Project, East Hampton, NY I Go, You Go, Good To Go, Unclebrother, Hancock, NY The Paperweight Show, Fisher Parrish Gallery, Brooklyn, NY A Forest on the Edge of Time, The Pit, Los Angeles, CA Alicia Gibson, Jennifer Levonian and Bruce Sherman, Adams and Ollman, Portland, OR 2016 Friends: Passed and Present, Haven SBX, Bronx, NY Re-Planetizer, curated by the Pit, Regina Rex, New York, NY The Faraway Inside, Nicelle Beauchene Gallery, New York, NY 9999, The Fireplace Project, East Hampton, NY 2015 11th Annual Thanksgiving Collective, Southampton Arts Center, NY A Walk... curated by Rob Teeters, Tripoli Gallery, East Hampton, NY Calisthenics, curated by Matt Paweski, Thomas Duncan Gallery, LA What's Wrong With We?
Recent solo exhibitions include Edge of Everywhere, Pierogi, Brooklyn, NY, as well as the following group exhibitions: I Am The Cosmos, New Jersey State Museum, Trenton, NJ; The 185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY; and Big Bang!
Institute of Contemporary Art (ICA), Boston, Mass Established in 1936 as the Boston Museum of Modern Art, devoted to the exhibition of contemporary artists, it has held a number of cutting edge exhibitions, featuring German Expressionism, Pablo Picasso (including his work «Guernica»), Le Corbusier, Jim Dine, Jasper Johns, Claes Oldenburg, Morris Louis, Kenneth Noland, Frank Stella, Andy Warhol (including his Campbell's Soup Cans and portraits of Marilyn Monroe, Elvis Presley, and Elizabeth Taylor), Donald Judd, Cornelia Parker, Robert Morris, Tara Donovan, Louise Nevelson, Francesco Clemente, Anselm Kiefer, Robert Mapplethorpe, Sophie Calle, Olafur Eliasson, Anish Kapoor, Shepard Fairey and MaContemporary Art (ICA), Boston, Mass Established in 1936 as the Boston Museum of Modern Art, devoted to the exhibition of contemporary artists, it has held a number of cutting edge exhibitions, featuring German Expressionism, Pablo Picasso (including his work «Guernica»), Le Corbusier, Jim Dine, Jasper Johns, Claes Oldenburg, Morris Louis, Kenneth Noland, Frank Stella, Andy Warhol (including his Campbell's Soup Cans and portraits of Marilyn Monroe, Elvis Presley, and Elizabeth Taylor), Donald Judd, Cornelia Parker, Robert Morris, Tara Donovan, Louise Nevelson, Francesco Clemente, Anselm Kiefer, Robert Mapplethorpe, Sophie Calle, Olafur Eliasson, Anish Kapoor, Shepard Fairey and Macontemporary artists, it has held a number of cutting edge exhibitions, featuring German Expressionism, Pablo Picasso (including his work «Guernica»), Le Corbusier, Jim Dine, Jasper Johns, Claes Oldenburg, Morris Louis, Kenneth Noland, Frank Stella, Andy Warhol (including his Campbell's Soup Cans and portraits of Marilyn Monroe, Elvis Presley, and Elizabeth Taylor), Donald Judd, Cornelia Parker, Robert Morris, Tara Donovan, Louise Nevelson, Francesco Clemente, Anselm Kiefer, Robert Mapplethorpe, Sophie Calle, Olafur Eliasson, Anish Kapoor, Shepard Fairey and Mark Bradford.
Her work has been featured in recent group exhibitions at Aljira Contemporary Art Centre, New Jersey (2016); Eastern Edge Gallery, St. John's (2016); and Allegheny Art Galleries, Meadville, Pennsylvania (2015).
Merce Cunningham: Dancing on the Cutting Edge, an exhibition of recent design for MCDC, opened at the Museum of Contemporary Art, North Miami, in January 2007.
Melvin Edwards, included in the Group exhibition On Edge, organized by Richard Klein at The Aldrich Contemporary Art Museum, CT..
The Aldrich Contemporary Art Museum is pleased to present On Edge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the tContemporary Art Museum is pleased to present On Edge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the table's eEdge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the tcontemporary artists whose work addresses the complex and dynamic terrain of the table's edgeedge.
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