Sentences with phrase «edge painting became»

Although hard edge painting became widespread in the 1960s, it was mostly present in California, where artists like John McLaughlin, Lorser Feitelson, Karl Benjamin, Frederick Hammersley and Feitelson's wife Helen Lundeberg created both figurative and non-representational artwork.

Not exact matches

With uncanny control and a peerless talent for painting the edges of the plate, Oakland relief ace Dennis Eckersley has become virtually unbeatable

Tip: using cardstock becomes a little messy... if you are using chalk paint you can always sand down the sloppy edges and then finish it off with a dry brush technique in the old white to fade some of the those not so nice spots.

Radical, new, Hard - Edge painting, Colorfield painting and Pop Art replaced what had become the conventional look of Abstract Expressionism.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

The reassuring visual equivalent to the ping - like sound of sonar echoing through a stack of high - octane colour calibrations and rebounding off the painting's edges could easily start to become dissonant.

With strokes both gestural and hard - edged, the silver paintings are a heap of contradictions: they catcall only to become invisible; their spontaneity is policed by tape.

Neo-Dada, Post painterly abstraction, Op Art, hard - edge painting, Minimal art, Fluxus, Photorealism, and Conceptual art came afterwards, mixing up the influences from both sides and proving that the US has become a veritable artistic melting pot.

Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.

During his first stay in Vancouver his painting became more hard - edge, geometric and minimal.

In seeking to reinvigorate and advance the language of action painting, Yossifor concentrates the «action» near the center of each work while allowing it to become more diffuse around the edges, establishing a figure - ground relationship.

Each painting becomes an impossible pastiche of Buddhist prayer flag and artisanal microchip, whose ragged paint - encrusted edges resemble handmade paper.

In these series of paintings, the edges of the canvas became as structurally important as the center.

The center became decentralized, the paint pushed to the edges of the canvas or plate whilst the middle remains pristinely white, giving the works a conceptual openness.

But then Frankenthaler, though she never departed from what was soon to become her trademark staining technique, in which she poured thinned paint, initially oils, then acrylic, onto raw canvas, leaving the paint, blooming and thinning at the edges, to sink into the weave but remain luminous, wasn't an artist who often repeated herself.

The thin edges allow each painting to become a part of the space it occupies.

Issues around the edge, the relationship between the surface, form, the support and the question, when does a painting become an object?

Caro's work had become emphatically vertical with the Veduggio series of 1972 - 73, using large, soft - edged, pastry - like steel offcuts he found in Italy, and also emphatically natural and earthy because he varnished them to keep the rust rather than clothing them in paint.

In the 1970s, attempting to free himself from what had become a signature style, Loving began destroying his hard - edged cube paintings and stitching the torn strips of canvas together to create large - scale, brightly colored geometric compositions, an action that echoed the quilting he had studied as a child.

Squeaking past its high estimate of $ 11.5 million to become the night's number - two sale was Doig's 8 - foot - wide landscape painting Road House (1991), which set a record at $ 11,925,000, edging by his previous auction high of $ 11,899,378, set last year at Christie's London.

It's through works like Homage to the Square — works that existed over a long period of time, adapting to the ever - changing environment in which they were conceived — that the sharp edges of a painting, of a poem, of a dancing body, became smoother, if not legible.

Nassos Daphnis (1914 - 2010) was a Greek - born American painter and sculptor recognized for his mastery of geometric abstraction and his evolution into what became known as hard - edge painting.

After beginning his career with gestural paintings in the vein of Abstract Expressionism, Al Loving switched gears with his 1969 solo show at the Whitney Museum — the museum's first solo show by an African American artist — showcasing the hard - edged, geometric minimalism he would become well known for.

In these paintings, the edges of the canvas become as structurally important as the center.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

An even surface of polymer resin is applied to the hard - edged acrylic paint job, adding a thickness and sheen that becomes brilliantly apparent after a thorough going over with a propane torch to remove air bubbles.

Another «discovery», which Castelli made in 1959, was the young Princeton graduate Frank Stella (b. 1936), soon to become the leader of Hard Edge painting.

Returning to America, his individual style had a significant impact on the development of Minimal art, Systemic Painting, Hard - edge Painting, Frank Stella's Shaped Canvas genre, and Greenberg's so - called Post-painterly Abstraction, without him actually becoming a «member» of any of these movements.

However, for It's Great to be in New Jersey many of the images — such as Dawn Mellor's vibrant and aggressive painting and the prints of Linder — work outside the conventions of the cold - edged punk aesthetic which has become a hallmark for Einarsson.

As a member of a dynamic group of Los Angeles artists and critics, her work was at the epicenter of what later became known as California hard - edged painting.

«It became apparent,» Aldrich said, «that in painting there was a movement away from the geometric, hard - edge, and minimal, toward more lyrical, sensuous, romantic abstractions in colors which were softer and more vibrant.

She started simply at first, tilting her compositions as in paintings like «Falling,» 1976, and «Searchin»,» 1976 - 77, but as Murray became more and more obsessed with the «edges» of her paintings, she began to deliberately design the canvases in a specific shape such as in works like «Harry,» 1976, and «Desire,» 1976.

This was the period when Scully's paintings pushed forward his many early attempts to retain a vivid and exaggerated dynamic edge, when his coy and brilliant hedonism found its écriture, and when earthy bands of color became wider and more expressive as if to protrude into a deeper tonality through his pulsating, gestural applications.

Newman's work became important to Poons as an example of all - over painting that led the eye to the very edges of the canvas.

Returning (1954) to the United States, he became known in the 1950s and 60s for his hard - edge paintings, formal, impersonal compositions painted in flat areas of color, usually with sharp contours and geometric shapes.

Like artists such as Willem de Kooning or Frank Auerbach, Martin uses heavy impasto to explore and expose the material qualities of the paint itself: approaching the edge, the chaos on the surface of these muted artworks becomes visible.

Along with her peers, Lundeberg's work formed the core of what later became known as California hard - edged painting.

At that point I only knew his later, iconic 1920s, hard - edged paintings in which the exact placement and definition of color and shape became paramount.

• Accidental poisoning from medicines and cleaning and sanitizing products • Cluttered play areas create tripping hazards • Age - inappropriate toys can become choking hazards • Damaged toys can cause injury with sharp edges or exposed mechanisms • Old carpeting and dirty floors can harbor allergens, bacteria and disease • Exposed electrical cords, wires or cords on window treatments are a potential danger • Art supplies like glue, paint, scissors and staplers can cause injury in the wrong hands • Adult - sized furniture, sinks and cabinets can contribute to falls