Sentences with phrase «edge painting comes»

Damián Ortega fashions his abstract sculpture from tortillas — and the closest thing to hard - edge painting comes with Federico Herrero and Gabriel Orozco, in their memories of native mountains and plants.

Not exact matches

I painted with a roller, and used a brush for the tough edges, but I tried to use a brush as little as possible so it didn't come out streaky.

The tablet comes in two colors: Shipping first is white, which couples a silver - painted plastic edge with a white plastic black (identical to the limited edition Google I / O version of the Tab, sans the Android graphic imprint); available on June 17, when the Tab 10.1 ships in volume, you can choose a Metallic Gray, with edges and back that more closely match.

Ms. Shapiro picked up her pallet and came up with an enthralling picture story of the world of artists, paintings, greed, copying and forging that will keep her readers on the edge of their seats.

In a modest sized rectangular white walled exhibition space, objects of daily use, artifacts ancient and new, paintings and pots, quilts, and kimonos were arrayed on two tiers, hung from the ceiling, against works hung on wall that were subtly dematerialized by natural light coming from unseen skylights along the edges of the dropped ceiling.

In «Tempest» (1979) we see the balance of the sharp - edged paintings with poppy, bulbous, colorful shapes that would come to define her art making in the «80s.

Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.

Hard edges, playful gestures, spatial conundrums and a masterful, unpredictable use of white paint — sometimes to erase or conceal, sometimes to open and enliven spaces — come together in compositions that call attention to how painting are put together without demystifying their power.

In certain instances, where the painted parts come close to abutting the edges, the effect can be mildly gyroscopic, akin to the grind of tectonic plates.

Neo-Dada, Post painterly abstraction, Op Art, hard - edge painting, Minimal art, Fluxus, Photorealism, and Conceptual art came afterwards, mixing up the influences from both sides and proving that the US has become a veritable artistic melting pot.

In his more recent body of work, titled Flat Screen Nature (2012 — current), Goode uses an industrial hand saw to cut through sheets of painted fiberglass, creating allegorical landscapes of jagged edges and menacing peripheries; the artist's visual vocabulary comes full circle to represent our environment's vulnerable sky, land, and sea.

So, as we pass through this collection of around 40 drawings and paintings, we're supposed to look for clues and hints of the later brilliance and construct a narrative or timeline that leads to its blossoming (which, here, comes in the form of At the Edge of Town (1986 - 8), a painting showing a figure emerging onto the kind of semiabstracted landscape for which Doig is best known).

In fact, hard edge painting is a term that came to describe a tendency applied in the artworks of different Modern and Contemporary artists across many movements.

The work is at the cutting edge of contemporary, ranging from photography to abstract painting and highlights some of the names from the established to the up and coming.

For Greenberg they possess a radicalism that comes more from Impressionism than Cubism, while his later dissatisfaction with increased mannerism of the Abstract Expressionist paintings led him to coin the term Post-painterly Abstraction under which he included the novel tendencies in abstraction such as color field painting, hard - edge abstraction, and the Washington Color School.

Out of a combination of influential emigrant Europeans - such as Max Ernst (who married Peggy Guggenheim), the ex-Bauhaus painter Josef Albers (1888 - 1976), and the Armenian Arshile Gorky (1904 - 48)- plus unique American painters such as Mark Rothko (1903 - 70), Jackson Pollock (1912 - 56), and others - came Abstract Expressionism, with its variants of «action - painting» (Pollock and Lee Krasner), Colour Field Painting (Rothko, Still, Newman, Frankenthaler, Kenneth Noland), Hard Edge Painting (Frank Stella) and Post-Painterly Abstraction (Ellsworthpainting» (Pollock and Lee Krasner), Colour Field Painting (Rothko, Still, Newman, Frankenthaler, Kenneth Noland), Hard Edge Painting (Frank Stella) and Post-Painterly Abstraction (EllsworthPainting (Rothko, Still, Newman, Frankenthaler, Kenneth Noland), Hard Edge Painting (Frank Stella) and Post-Painterly Abstraction (EllsworthPainting (Frank Stella) and Post-Painterly Abstraction (Ellsworth Kelly).

In works on paper by French artist David Lefebvre, for instance, oil painted hard - edge bars or geometric shapes of color intervene in evenly modulated graphite drawings in which orders of what is real and what is stylized, what is natural and what is schematic, are subverted; blocked - out shapes come to signify lacunae in the field of vision.

Though the horizontal strokes dividing the rectangular canvas into regularly refined segments evoke hard - edged geometric painting, they are made without tools and hence incorporate the animated irregularities that come with the movements of a free hand.

Talking to Hambling surrounded by the paintings of the recently deceased Hodgkin was a profoundly moving experience as I had just come hot foot from Hambling's latest exhibition, Edge at Marlborough Fine Arts, which deals face on with motifs of mortality.

Kelly, renowned for hard - edged, geometric paintings executed in one, two or three flat colors, is a pivotal member of the American generation that came of age in the 1950s, with peers like Agnes Martin and Ad Reinhardt and colleagues like Robert Rauschenberg.

Renowned for hard - edged, geometric paintings executed in one, two or three flat colors, Kelly is a pivotal member of the American generation that came of age in the 1950s, with peers like Agnes Martin and Ad Reinhardt and colleagues like Robert Rauschenberg.

It was trying to come to terms with those paintings of his, but knowing one couldn't go on making them that simple... the ways the edges met, how colors impinged upon one another, the way that affected space was much more of a problem.»

These paintings from the mid-1950s to mid-1960s come across like the missing link between Matisse's flattened - out forms and the sharp - edged shadow worlds of Edward Hopper.

Then Minimalism came along and I was looking at Sol LeWitt and making hard - edge grid paintings.

His landscapes come edged with peculiar strips of abstract mess that it can take a while to figure out: What we're seeing is the frame of the truck's 40 - inch - wide rear door, along with the slathered paint that ends up there when Miller reaches out to scrape his tools on it.»

The bench also came with that red distressed edge, so in an attempt to work around that I started off by painting the bench in Slate by Kristi Kuehl Pure Home Paint, which is a darker gray than my next layer will be.

After edging, come back and fill in the unpainted area of the wall using a paint roller.

Cutting Edge Stencils totally caught on to this paint trend and came out with a whole line of tile stencils with great patterns.

Found on the edge of Grewelthorpe, it is beautiful in the autumn months, as the colours of the wood start to change — it's no surprise that Turner came to paint here along with a number of 19th - century writers seeking inspiration.