Sentences with phrase «edge painting produced»

If we stick to the notion of the hard - edge then perhaps the show would have benefited from exhibiting Lundeberg's equally appealing, if not more so, hard - edge painting produced at the same time.

Not exact matches

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Bee enjoys the way the soft outer edges of the paintings feel optically; which enhances the mysterious effect produced by her oil paintings.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

Beginning in 1961 with Untitled (DSS 25) he began producing three - dimensional wall mounted reliefs and the first example was constructed from oil and sand painted plywood with a concave upper and lower edge made from galvanized iron.

Hockney has produced work in almost every media, from painting and drawing to photography and printmaking, working with such cutting - edge technology as fax machines, laser photocopiers, computers, and, most recently, video, iPhone and iPad.

Ronald Davis produced many brilliant series of hard - edge paintings in the sixties.

John Plumb was an English abstract painter who produced paintings with large fields of a single color and narrow strips on the edge of different colors.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

A second painting of the same image, made with the strait - laced, hard edge exuberance of graphic art, convinced Warhol that earnest reproductions, with a minimum of artistic intervention, could produce fascinating images.

After visiting «Freeze» and seeing Hirst's wall spot paintings «Row» (1988) and «Edge» (1988), Nairne commissioned both Hirst and his fellow «Freeze» participant Simon Patterson to produce works specifically for the gallery.

In the catalogue, Johanna Burton writes, «What Kelly is producing does not end at the edge... a shadow is thrown, but rather than demarcating the shape and space of the work more clearly, it works to utterly confuse what is being looked at: these are paintings that, in places, don't end or, perhaps, refuse to show how they begin.

This show has been organized with a keen curatorial edge, crisply defining an elusive yet important period of Conner's work when he produced some of his most important historical works on paper, conceptual works of art, paintings, photographs, lithographs and films.

Colourfield, Minimal, Hard Edge and PostPainterly Abstract painting had a distinctly American (and New York) flavour to it, even if it was not produced in America or by US artists.

This combination and juxtaposition of materials blurs the usual distinctions between figure and ground, creating a tension between the mass - produced and handcrafted elements that is further heightened by the contrast of the cold, flat stripe of faded metallic paint across the painting's lower edge and the fleshy white of the oil paint.

Perhaps most known for founding the Galería de Arte Color - Luz, Loló Soldevilla (1901 — 1971) produced only a small but considered body of work, spanning kinetic sculpture, hard - edge painting, and geometric collages that reveal her sustained and thoughtful engagement with historical and contemporaneous abstract tendencies.

On view at Lisson Gallery are 20 new works — think hand painted hard - edge geometric abstraction — produced over the past two years.

Gueorguieva first started experimenting with cutting and collaging the surfaces of her paintings in order to explore the shallow yet real space produced by the cut and the glued edge.

Karabenick produces paintings based on the square with crisp edges, pristine surfaces and color combinations that create a pulsing sensation.

Using a brace for support, Lenny taught himself to paint and began to produce complex hard - edge geometric abstractions, informed by his personal experience, but also reflecting the collective interests of his new Park Place friends.

Cutting - edge technologies — including 3D sound that can only be heard in particular places within a room and ultrasound speakers that produce tactile sensations — encourage new interpretations of paintings by Francis Bacon, David Bomberg, Richard Hamilton and John Latham.

In the early 1960s, a few years after relocating from New York to New Mexico, Martin began producing paintings of grids composed of horizontal bricks, so to speak, that run from edge to edge, both vertically and horizontally.

English pop at the beginning of the 1960s was painterly with a graphic edge — David Hockney's The Second Marriage (1963) and Peter Blake's Self - Portrait with Badges (1961) are the link from a more orthodox figurative painting into the highly stylised work both would later produce.

In his painting, he produced a spate of De Stijl type works reminiscent of Theo van Doesburg (1883 - 1931) and Piet Mondrian (1872 - 1944), and for a short time in the mid-1960s, he explored the edges of Op Art in his use of geometric layouts and colour contrasts that investigated perceptual ambiguities.

For the past four decades, Sharon Brant has produced conceptually and aesthetically rigorous hard - edged paintings and drawings that commonly blur the lines between media — paintings are frequently drawn with graphite or pastel, extend outward from the wall into sculptural relief, or are mounted into complex, layered works on paper.

For more than five decades, Sharon Brant has produced conceptually and aesthetically rigorous hard - edged paintings and works on paper.

After his black and white abstract paintings, Stella produced a series of Aluminum Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71paintings, Stella produced a series of Aluminum Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71Paintings (1960) and Copper Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71Paintings (1960 - 61), before moving into «shaped canvases» with bright hard - edge colour, such as his Irregular Polygon (1965 - 67) and Protractor (1967 - 71) series.

Herrera's hard - edged canvases emerged at the same time that Ellsworth Kelly, whose time in France overlapped with Herrera's, began producing his own abstractions and around the same time that Frank Stella began producing his famous black paintings.