Sentences with phrase «edge painting style»

However, unlike Pop artists such as Andy Warhol and James Rosenquist, Thiebaud worked from life, not from media images, and his engagement was evident in his loose brushstroke, whereas a hard - edge painting style, signifying mechanical reproduction, was preferred by many Pop artists.
The Hard - edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Mr. Daphnis, a florist by early training and a renowned cultivator of hybrid tree peonies, drew on his sensitivity to color and his keen understanding of nature's geometry to develop a precise, hard - edged painting style that harked back to Mondrian and looked forward to minimalism.

Not exact matches

19th century painted Swedish style three - drawer commode Painted in a pale oyster white finish, with distressed edges, and antique hand glazed painted Swedish style three - drawer commode Painted in a pale oyster white finish, with distressed edges, and antique hand glazed Painted in a pale oyster white finish, with distressed edges, and antique hand glazed patina.
With a monochromatic paint treatment, 22 - inch wheels, and a lowered stance, the Sport makes the Edge's styling look more aggressive than our SEL model.
Carbon Black Metallic paint wears chips and scrapes around the nose and the forward edges of the GTR - style hood, and.
Don't miss the chateau in the heart of the village, perched magnificently on the edge of a fussy pond flanked by vast, manicured gardens that houses a massive collection of pre-modern oil paintings, all displayed in the crowded, colorful 19th century style.
Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles of geometric abstraction, hard - edge painting, minimalism, and others.
Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.
Her paintings draw on various traditions of abstraction from gestural and geometric, hard - edge styles.
In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.
I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.
Jack Beal only painted in the flat, bright, Hard Edge style seen on view in George Adams Gallery's current show for four years.
In St. Augustine, I painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red field.
Modernist - style hard edge abstract painting.
Male artists as well, such as Richard Tsao, use the richness of paint to blur the edges of an image, while others channel past styles more overtly.
But dealer George Adams was moved by the crisp lines and jarring angles of the artist's brief foray into Hard Edge, a style associated with Color Field painting and Op Art.
In your ambitious triptych I Still Face You, for example, you make references to California Pop Art, Piero della Francesca, hard - edge painting — different kinds of styles that refer to different cultural perceptions.
Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.
In a show that offers a wide range of styles, the other hard - edge paintings have major wall presence, including the soaring, Surrealist Keyhole and the subtle, elegant if understated Horizontal Woman No. 2.
A variety of abstract styles ranging from geometric abstraction, lyrical abstraction, hard - edge painting and color field painting are linked with the work of Ronald Davis.
Employing the hard edge precision and meticulous detail to convey a distinctly American style, Wood started painting types rather than individuals, creating universal and timeless storytelling.
To create his abstract paintings, Grotjahn similarly systematizes application, consistently dragging the brush from edge toward center, working counterclockwise until the Cubo - Expressionist - style painting he has laid down first disappears.
Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.
Hard - edge painting was not much of a movement but a style of painting.
That experimentation would lead to her signature style: square - edged wood columns or panels painted with smooth acrylic, often applied in neat bands.
Many art genres are rooted in Callifornia including styles as diverse as Pop, action painting, assemblage, Minimalism, Conceptualism and Hard Edge and its pioneers and main contributors will be featured at the upcoming exhibition.
Since the early 1960s, Richter has explored a variety of styles, including various flavours of abstraction, from hard edge stripes to the faux expressionism of squashing paint under glass or dragging it across the canvas with a squeegee.
The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].
The legendary Black Square and the star of the Suprematism movement, the artwork by Kazimir Malevich certainly represents one of the major examples of hard edge painting, even though it wasn't created during the highlight years of the style.
Adhering to a realistic yet painterly style, Rodgers Naylor paints in an «alla prima» manner, which allows great flexibility in mixing colors and attaining soft edges, fostering a fresh, spontaneous approach to painting.
Some were painted in slick, hard - edge styles, whereas others had solid fields of color or more gestural brushwork.
Malbaurn employs a hard - edge style of painting with reductive compositions that create minimalistic, object - like paintings.
In the 1970s, attempting to free himself from what had become a signature style, Loving began destroying his hard - edged cube paintings and stitching the torn strips of canvas together to create large - scale, brightly colored geometric compositions, an action that echoed the quilting he had studied as a child.
The main component styles included: the animated all - over Action - Painting (developed by Jackson Pollock, Lee Krasner); Gestural Painting (developed by Willem de Kooning); Colour Field Painting (practised by Mark Rothko, Barnett Newman, Clyfford Still), and «Hard - Edge Painting» (invented by Frank Stella), most of which were executed on a monumental scale.
Of the work for which Sam Francis is known, his Edge Paintings are highly regarded for their contributions to minimalist style of contemporary art that rose to prominence in the 1960s Abstract Expressionist movement.
But even though there are elements of both of these styles in the hard edge works Krasner painted in the 1970s, her expression of their sentiments is entirely unique.
His mature style is narrow but intense: water and dirt are invoked through washes of ultramarine blue and burnt umber which combine to form a glowering near - black and bleed out at the edge of geometric forms, generating a trembling beauty due to the differential absorption of the various layers of thinned paint.
Meanwhile, another painting by Gilliam appeared in the Christie's sale on Nov. 11: «Opening,» a 1965 work executed in the same «hard - edged» style of the works featured in the Kordansky exhibition curated by Johnson.
By merging the bold, hard - edged style of adverstising with the conventions of avant - garde painting, he created an art endowed with the vitality and dynamic rhythms that he saw as uniquely modern and American.
Balcomb Greene's pure geometric style of juxtaposing hard edge shapes and lines against planes of color made the 1930s one of the most important periods in American painting, thus leading the way for the Abstract Expressionist painters who followed in the 1950s.
These paintings from 2005 to ’07 are a catalogue of The Day After Tomorrow — style weather calamities: a truck chugging through a blizzard; a fire throwing a big black cloud up at the horizon; the edges of neighborhoods collapsing into mudslides; rusting ships marooned in a desert that was once the Aral Sea; a car on a muddy road with its brake lights glowing as a great big brown beast of a tornado blenders the landscape.
Her hard - edged, three - dimensional pieces are painted in uniform colors with such precision, and do not follow defined dimensions and shapes — only a unique style reminiscing of Mondrian's geometrical studies.
Arranged in three sections — Landscape and Identity, The Avant - Garde Explosion, and Breaking Boundaries: Post 1960s Diversity & Dystopia — the show will explore the modern colonial history of Latin America; the importance of landscape painting in the formation of distinctive national identities; the influence of Symbolism, the Latin American role in the formation of an international style; the variety of Latin American avant - gardes including Surrealism and hard - edged Abstraction; modern depictions of indigenous peoples and customs; progress and modernity in the age of the metropolis; and transgressive challenges to prevailing artistic idioms.
These individual styles included: Hard - Edge Painting, Colour Stain Painting, Washington Colour Movement, American Lyrical Abstraction, and Shaped Canvas.
A vertical painting almost 6 feet tall in which sour yellows and greens predominate, it betokens Rothko's transition from an early style full of Surrealist curlicues cavorting on tinted grounds to his signature abstract manner of levitating soft - edged bars of color within fields of contrasting hue.
A disciple and vanguard of the taschist style, a non-geometric abstract style that developed in postwar Europe, Ayres was inspired by abstract expressionist art in the United States and painted in a lyrical, gestural style that stood in contrast to the hard - edge forms of her contemporaries.
Louise McNaught: Edge of Existence @ Curious Duke Louise McNaught's style sits somewhere between fine art and street art — with her bold paintings, prints and sculpture featuring animals.
[2] Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard - edge painting, and Subjective Classicism.
Gilliam then moved into abstraction, first hard edged like Downing, and then in 1966 he found his own style with the «Slice» paintings.
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