Sentences with phrase «edge paintings»

This exhibition showcases the pioneering feminist artist's work from her time on the West Coast and highlights her range of styles from the period including hard - edge paintings, computer - generated images, and her earliest Pattern and Decoration works.

I experimented with found objects and painted sculptures on the floor, black and white hard - edge paintings, and hard - edge paintings in primary colors, and some in red and green and I began my 15 painting Series; on paper and on canvas.

She started using different canvases, her environment provided her with new ideas for the content of the hard - edge paintings that she made.

While Quaytman also worked with the shaped canvas at a certain point in his career, his more stoical and significant works are his ultra-refined abstract, hard - edge paintings that deal with a traditional format in mixed mediums.

The works on view in this exhibition attest to the fact that the Drapes, and the Beveled - edge paintings, must also be read as stand - alone compositions, each of which has its own internal logic and mood.

This would prove deeply influential to McLaughlin in determining the use of rectilinear space as a «neutral structure» in his own hard - edge paintings.

During that period I made several painted hard - edge free standing sculptures, and many hard - edge paintings.

Returning (1954) to the United States, he became known in the 1950s and 60s for his hard - edge paintings, formal, impersonal compositions painted in flat areas of color, usually with sharp contours and geometric shapes.

This bulkiness destroys the balance between optics and object that Ms. Baer achieved in the black - edge paintings.

Since that time, like so many other abstractionists, Goodnough has been influenced by many abstract directions in art, including collage, sculpted constructions of birds and figures, and hard - edge paintings in the 1950s and 60s.

That's followed by a selection of distinctively Californian abstract hard - edge paintings and ceramic sculptures, including John Mason's imposing «Orange Cross.»

Swann: This richly textured painting is a fascinating and scarce example of Sam Gilliam's work between the stained beveled - edge paintings of 1970 - 72 and the collaged paintings of mid-1970s.

The next year, Rashid Johnson, a rising art star who is also represented by Kordansky, curated «Hard - Edge Paintings 1963 - 1966,» an exhibition of Gilliam's work at the Los Angeles gallery.

Originally making hard edge paintings, he now merges painting and sculpture featuring a multiple of hues and take on the appearance of mosaic.

With cutting - edge paintings and sculptures by leading international young artists, as well as classic works by established post-war European and American masters, the auction takes place during the exhilarating week of the Frieze -LSB-...]

Characteristic of hard edge paintings, they had a flat, geometric look.

Noting the gallery was acquiring a sub-concentration of hard edge paintings, they decided to present a focused and dramatic show at Art New York that reveals a survey of work available at the gallery, he said.

Peter's Halley works resemble the Hard - edge paintings of Ellsworth Kelly, Brice Marden, and Kenneth Noland, but while the work of those artists may be described as «abstract», Peter Halley prefers the designation «diagrammatic» for his precise, austere arrangements.

Later he used some of those same forms to make «hard - edge paintings», such as Chroma Double from 1965, in the collection of the Honolulu Museum of Art.

David Kordansky Gallery is very pleased to announce Sam Gilliam: Hard - Edge Paintings 1963 - 1966, its first exhibition of the artist's work.

Sam Gilliam: Hard - Edge Paintings 1963 — 66, curated by Rashid Johnson, is on show at David Kordansky Gallery, Los Angeles, until 11 May 2013.

His works resemble the Hard - edge paintings of Ellsworth Kelly, Brice Marden, and Kenneth Noland, but while the work of those artists may be described as «Abstract», Peter Halley prefers the designation «Diagrammatic» for his precise, austere arrangements.

Robert Indiana's totemic sculptures and hard edge paintings filled with enigmatic numbers and text were...

The largest of these works, Barbara in Spiral Heaven, 1989, carries traces of the artist's hard - edge paintings of the late 1960s and early 1970s, as well as his groundbreaking quilted canvas constructions of the mid - to late 1970s.

Of the work for which Sam Francis is known, his Edge Paintings are highly regarded for their contributions to minimalist style of contemporary art that rose to prominence in the 1960s Abstract Expressionist movement.

Prices for classic drape or beveled edge paintings from the late»60s and early»70s — Gilliam's most sought - after work — can be significantly higher on the private market, ranging from $ 350,000 to just shy of $ 1 million, sources say.

MR. CLOSE: I would paint hard - edge paintings with masking tape, hard - edged paintings with Spencer Moseley.

Jay Gaidmore, Director of Special Collections at the Library, said: «Sometimes the fore - edge paintings corresponded to the subject of the book, and sometimes not.

There was once a time when fore - edge paintings were in fashion — that is, intricate illustrations around the closed pages of a book.

«Fore - edge paintings peaked in the late 18th and early 19th centuries in England,» added Gaidmore.

So when did fore - edge paintings begin?

Interestingly, some fore - edge paintings were so secret that you could only discover them when the book was fanned in a certain direction.

Al Held was an American Abstract expressionist painter known for his large scale Hard - edge paintings and multiple stylistic changes in his career.

Known for her geometric, hard - edge paintings, Wilkes speaks about her process, her influences, and why she now calls Marfa home.

For many hard - edge paintings, the relationship betweek color didn't matter, as long as they were individually rich and saturated, defined by clear lines and evoking flat surfaces.

These Hard Edge paintings are creative in conception, immensely skillful in execution, and offer the viewer a central role.

Here is an artist who's making hard - edge paintings with a soft material, oil and wax in an encaustic - like mix, and making it work.

In a show that offers a wide range of styles, the other hard - edge paintings have major wall presence, including the soaring, Surrealist Keyhole and the subtle, elegant if understated Horizontal Woman No. 2.

The darkening forms that edge the paintings create a sensation of swooping in and flying low over landscapes at the twilight hour.

In «Jack Beal: Hard Edge Paintings 1968 - 1972,» the result is a stunning, short - lived body of work.

WHAT: «Jack Beal: Hard Edge Paintings 1968 - 1972» WHEN: Through February 28 WHERE: George Adams Gallery, 525 - 531 West 26th Street, New York

Both Anuszkiewicz (who studied with Josef Albers) and Wurmfeld, whose exhibition I reviewed on April 14th, make optically dazzling, hard - edge paintings that owe something to the scientific, research - driven engagement with color that goes back to Georges Seurat, the study of optics and the rise of color theories.

Ronald Davis produced many brilliant series of hard - edge paintings in the sixties.

Such are the thoughts when one views the work of Mary Heilmann and thinks about all the weltanschauungs that she weathered in decades when her type of clean - edge paintings were nowhere to be seen.

I returned to New York City in June 1965 and made a series of simple and clear hard edge paintings that used symbolic color to represent the elements: yellow for sun, light and heat; sky - green for the void, daylight, and the answer; black for the night, the unknown and the question; and tan for flesh, being and the earth.

Sesshu was deeply influential to McLaughlin in determining the use of rectilinear space as a «neutral structure» in his own hard - edge paintings.

By the end of the year I had two series paintings finished, several other large hard edge paintings, many smaller ones, works on paper, and a few sculptures.

Sam Gilliam: Hard - Edge Paintings is on view at David Kordansky, 3143 S. La Cienaga Blvd., Los Angeles, through May 11.

His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection of early, Hard - Edge paintings curated by gallery - mate Rashid Johnson.

For example, I have seen some hard edge paintings which Gorky made as experiments and they were beautifully put together.